Kozlow releases ‘Drive to Milan’, a six-minute instrumental club track that balances driving groove with unexpected emotional weight.

Love to be... returns to Harrogate on 5 September 2026 with a three stage open air festival at The Stray, featuring a lineup of house icons.

Olendo releases the two-track ‘Folklore’ EP on Magnetic Magazine Recordings, blending organic percussion, rhythm, and physical groove.

TriCade releases ‘UnderWater’ on UFO Recordz, showcasing his signature tech house sound honed across global clubs and residencies.

Godskitchen returns to Birmingham on Sunday 24 May 2026 with a day and night event across Digbeth venues, marking first UK show since 2022.

manu abeca Argentinian by birth, but now living in Berlin, producer manu abeca ’s dreams of lucidity  is a quietly absorbing album that reflects minimalist mindset and instinctive relationship with sound. Self-released and deeply personal in tone, the LP moves at its own pace, favouring subtle shifts and emotional nuance over overt statements. It is a record that invites patience, offering space for reflection while maintaining a gentle sense of forward motion. Across eight t

Drumcode Mallorca confirms final lineup, day splits and after parties for its 30-year celebration from 8 to 10 May 2026.

MOBO Award-winner TSHA  kicks off the New Year on her Jackfruit  imprint with a high-octane debut from Glasgow-based selector BETH  to mark the label’s third release, ‘Get Up N Party / Buckwild’. 'Get Up N Party' opens the release with an irresistible call to the floor–turbo-charged 90s basslines dripping in neon hues and sultry vocals that radiate pure heat. Warm, vibey, and built for peak-time, it commands attention from the very first beat. On the digital flip, 'Buckwild' l

PETRU KSS PETRU KSS continues the launch sequence of his debut album with ‘Kolibri Live Part 3’, out now on Kolibri Space Shuttle Records. The release marks the third and final chapter ahead of the full Kolibri Live LP, scheduled for later this year. Buy/Stream it here : https://www.petru.live/kolibri-live-part3 . Conceived as a journey from nature to space, Kolibri Live LP was recorded entirely live in Corsica's wilderness. The project centres on hardware-driven improvisatio

CORE lands in Los Angeles for the first time in May 2026, unveiling a two-day lineup led by Four Tet, Honey Dijon, and Nina Kraviz.

Padre Guilherme launches a Melodic Techno EP for World Peace Day, uniting dancefloors with a clear call for peace.

Hamdi Ryder lands back on Eddisco with ‘Breezy’, a refined four-track EP built on rhythm, texture and club-focused subtlety.

XOYO London reopens in Shoreditch on 31st January as an independent club, following a full refurb focused on sound, production and culture.

RUZE’s ‘I’ll Be Your (The Remixes)’ is out now on South Records, featuring Andrew Azara, Max Chapman & St. David for DJs worldwide.

Arky Waters drops ‘UGETME?’, a high-intensity jungle and DnB cut that signals the direction of his debut album.

Beatport announces the Next Class of 2026, revealing 12 global artists shaping the future of electronic music culture.

Beastwang returns on 30th January with a five-room, all-local rave at 2Funky Complex, celebrating Leicester’s underground scene.

Nathassia lands the highest new entry on the UK Big Top 40 with Perfect Harmony, blending melodic trance, heritage and dancefloor energy UK.

Boneyard’s All Up In My Zone lands as a small act of resistance, a growing zeitgeist. Split over two EPs on Hype & Soul Recordings, the project folds a simple sentiment "no phones, no requests - a return to the simple traditions of the dancefloor" A run of club tools and dub experiments that shout the message loud and clear to anyone not present on the dancefloor. The Club Mixes EP stays closest to the booth. Ki-ley’s remix pushes the vocal into murky, bass driven main-room t

“Care 4 U” finds South Coast native and Bristol-based DJ/producer Adam Killey channelling a lifetime of music obsession into a modernized Disco, even Pop-leaning House cut that’s impossible to forget. Raised on 1960s records and the folk, Afro and Latin rhythms he absorbed on family trips to music and arts festivals, Adam cut his teeth in teenage bands and on his dad’s four track tape recorder, before the 90s and 00s electronic boom pulled him toward big beat, Balearic groove