Judgement Sundays lands in Liverpool with Judge Jules, John O’Callaghan and Signum for a Bank Holiday day rave at Hangar 34.

M-High debuts on Life and Death with ‘Taking Time’, the lead single from his upcoming ‘Dark Web Pinger’ EP.

Red Axes join fabric presents with a 16-track mix and new single ‘Time To Take It’, out now via fabric Records.

Aaron Suiss debuts on Magnetic Magazine Recordings with ‘Relayered’, a refined melodic house cut built on groove, balance and control.

Junction 2 2026 confirms its return to London with a full lineup across three summer dates for its 10th Anniversary.

SHINE Ibiza returns to 528 Ibiza on 24th September with Paul van Dyk, Aly & Fila and Bryan Kearney for a one-day trance festival.

Molécule explores sound, environment and analogue experimentation as he traces the origins of his new ‘A:R’ EP on Lumière Noire.

UK duo Nichols+Roark debut on Renaissance with the ‘Full Circle EP’, a progressive house release shaped by their long history with the label.

Norwegian electronic artist Niilas shares five key influences behind his Sámi-inspired electronic album ‘Nama Haga’.

Kidislive selects ten club cuts shaping his sound as ‘A Shot From The Heart’ lands on 8 Head Records.

Boom Merchant Boom Merchant ’s new single, Throw Up , is intense techno with a boisterous vocal and gritty drums. The original is joined by remixes from Fractious and Obsidian Wave, both of whom focus on the original’s hypnotic elements. After bubbling under the surface for years, Boom Merchant is now making headway within the international techno scene. He is originally from Ireland, and spent many years living in Glasgow, where he was resident at some of the city’s most

We review Cafe’s ‘I Feel It Now’, an emotional deep house track driven by melodic textures, female vocals and late-night groove.

We review Justin Hahn’s ‘Hit The Club’, a hard techno track built for peak-time sets with driving kicks and relentless energy.

We review Neon Palm’s ‘I Can’t Stop’, a guitar-led tropical house track marking a new direction for the Southampton producer.

We review Devenish’s ‘L.I.L.Y.’, a house track blending warm synths, vocal samples and uplifting club energy.

We review A2K’s ‘The Pocket’, a tech house track on Obscura Recordings with melodic techno and trance influences.

We review ‘Indaba’ by Aaron Sevilla, KIDY and Lizwi, an Afro house track driven by tribal percussion and emotive vocals.

We review Greve The Globe’s jungle remix of ‘Clair de Lune’, flipping vocal layers into breakbeats and deep bass energy.

We review Pat Lok’s remix of ‘Find A Way’, flipping Liset Alea and Lowly Light into a UK Garage and bass house club track.

We review ‘Close To The Edge’ by HydraTek and Mvrlø, a hard techno track driven by raw energy, distortion and late-night pressure.

We review Wassay and Bruno Blanc’s ‘Embrace’, a filter house cut gaining global traction across Ibiza, Australia and club charts.

We review Vanjanja’s ‘Bela Vilo’, a vocal-led melodic techno track built for festival moments and driving energy.

We review Tinlicker’s ‘Release’, a melodic techno track blending emotive vocals and club energy ahead of their new album.

We review Corkidi’s ‘Desert Bloom’, an Afro house track blending deep house grooves, dark rhythms and hypnotic club energy.