IMS (International Music Summit) Ibiza, renowned as the thought-leadership hub at the crossroads of culture, education, industry, and wellness in electronic music, announces the comprehensive program for its fifteenth annual summit. With over 60 discussions and sessions featuring 125+ speakers, this milestone edition promises to be a transformative experience for thousands of delegates. It will delve into the current state of the electronic music landscape and chart the course for the year ahead. For more information and passes, visit https://www.internationalmusicsummit.com. Scheduled across three days, IMS Ibiza will convene trailblazers, creators, and disruptors from the global electronic music ecosystem, offering a singular platform to explore best practices and innovations across vital sectors such as music, technology, diversity & inclusion, education, and health & wellness. This year’s summit, co-hosted by esteemed BBC Radio 1 personalities Pete Tong MBE and Jaguar, will dissect pressing topics shaping the electronic music community while unveiling the eagerly anticipated IMS Business Report, a cornerstone of the industry’s strategic landscape. Day one’s pivotal session, “Rebuilding Our Community: How To Bring Back Peace, Love, Unity & Respect,” will address the imperative of restoring industry values amidst recent global upheavals. Moderated by Georgia Taglietti from the Association For Electronic Music, the discussion will feature influential voices, including DJ Pierre, Madame Ghandi, Ruth Daniel, Maria May, and Professor Timothy Morton. Notable keynote addresses include insights from industry leaders such as AlphaTheta’s Mark Grotefeld and Tomorrowland founder Michiel Beers, offering invaluable perspectives on the industry’s evolution and social impact. Keynote interviews will spotlight luminaries like Sarz, Mochakk, and Chloe Caillet, exploring wellness themes, artistic legacy, and industry longevity. Moreover, IMS Ibiza will spotlight the burgeoning South African Dance Music and Amapiano scenes, celebrating their global resonance and cultural significance. Sessions like “Amplifying Amapiano & African Dance Music” will showcase the genre’s journey from local townships to international prominence, underscoring Ballantine’s True Music’s commitment to diverse music communities. Diverse discussions spanning Market Focus in Germany, challenges in SWANA’s Electronic Music Scene, and the fusion of world music genres in electronic sounds will provide attendees with invaluable insights into industry trends and innovations. The summit will also feature The Art of Areté’s wellness-focused area, offering daily sessions on mental health, nutrition, and digital well-being in collaboration with IMS founding partner AlphaTheta. New for 2024, The Brave Space, presented by HE.SHE.THEY. - in partnership with Downtown & FUGA - will curate live podcasts and discussions, spotlighting diversity and celebrating icons like Frankie Knuckles. Addressing environmental concerns, IMS Ibiza will host discussions on Music’s Power In The Climate Crisis, embodying its commitment to sustainable action through partnerships like EarthPercent. Ben Turner, co-founder of IMS, underscores the summit’s purpose: “In our 15th edition, the theme of ‘Rebuilding Our Community’ aims to foster constructive dialogue and positive change in these unprecedented times.” In addition to its enriching content, IMS Ibiza offers delegates the chance to experience Ibiza’s vibrant music scene through networking events and mixers. It showcases, culminating in the iconic IMS Dalt Vila closing celebration at the historic UNESCO World Heritage site. Don’t miss this unparalleled opportunity to engage with the future of electronic music at IMS Ibiza 2024. Grab your delegate pass here. International Music Summit https://www.instagram.com/internationalmusicsummit https://www.facebook.com/InternationalMusicSummit https://www.internationalmusicsummit.com

Step into a realm where four minds unite, representing two of the most dynamic duos in recent Drum & Bass history. Anglo-Russian duo Magnetude and French duo Burr Oak come together on Evolution Chamber to deliver the much-anticipated track, 'I Want You'. Download/Stream it here: https://lnk.to/EVOC037. This isn't just your typical dance floor anthem; 'I Want You' is a blend of artistic expression and collaborative synergy. This compositional masterpiece goes beyond genre boundaries, inviting listeners on a journey, combining Magnetude's classical roots and Burr Oak's technical prowess. The opening of 'I Want You' sets the stage for a captivating exchange between emotive instrumentation, gradually building up into euphoric soundscapes. This musical dialogue leads to a climactic synth-line section, evoking emotion and establishing a profound connection with the listener as the track builds into an explosive drop, showcasing the forward-thinking musical expression of these four minds. The track reaches new heights with an electrifying second drop, infusing the composition with euphoric synth lines and pulsating energy. Their ability to craft intricate narratives through sound solidifies them as true visionaries in music with this emotionally charged composition. Fasten your seatbelts and dive into a realm of cutting-edge sound and timeless beats as Magnetude & Burr Oak take you on a ride and demonstrate precisely why they're considered two of the hottest duos in today's Drum & Bass scene. Magnetude, the collaborative force of Rustam Mansurov and James Peacock, is defined by their unique and dramatic sound, fueled by a shared passion for storytelling in music. Despite being born thousands of miles apart, their connection thrives intensely, bound by common interests and creative ideologies. Both boast rich musical histories, influenced by composers like Ennio Morricone and John Williams, and they channel their synergy into a dynamic partnership. Their journey began in 2010 on VKontakte, evolving through collaborations and culminating in the 2016 'Hyperdrive' EP under Lifted Music. With a presence on renowned labels like Eatbrain and RAM Records, Magnetude's tracks have featured in games and rocked dancefloors globally, showcasing their prowess. As co-founders of Evolution Chamber, alongside Task Horizon and Receptor, they emphasise unity within the music community, solidifying their creative signature and continuing their unfolding narrative. Burr Oak emerges as a compelling collaborative venture, born from the creative minds of The Clamps and Opsen, united with a shared purpose of crafting passionate and contemplative music. Their extensive discography boasts numerous releases on esteemed labels such as Trendkill, Eatbrain, Blackout, and C4C, inviting listeners to immerse themselves in a musical realm where the epic tale of outlaw cowboys unfolds. The narrative woven by Burr Oak resonates as "Music For A Struggled Generation," echoing a powerful and evocative sentiment that transcends conventional boundaries. Magnetude x Burr Oak ‘I Want You’ is available to download/stream via Evolution Chamber: https://lnk.to/EVOC037.

The much-anticipated Brighton Music Conference (BMC) gears up for its 11th edition, promising an unparalleled experience in electronic music and networking. Adding to the excitement, BMC drops its second wave of names, unveiling over 80 speakers and artists set to grace the event from 22nd to 25th May 2024. This year's BMC, held at the iconic Brighton i360 complex and various venues across the vibrant city, is poised to continue its legacy as the UK's premier electronic music and networking extravaganza. With a lineup boasting industry-leading professionals, BMC offers a dynamic programme featuring insightful talks, interactive workshops, and invaluable networking opportunities. Among the newly announced luminaries for BMC 2024 are renowned figures such as Adam Carter with an Exclusive Promo, A Guy Called Gerald, and Alex Grey from Cavendish Music. The lineup includes esteemed personalities like Caroline the DJ, Chris Goss of Hospital Records, and Danielle Moore from Crazy P, among many others. Last year's milestone 10th-anniversary edition witnessed a record-breaking attendance, setting the stage for BMC's next decade of excellence. Committed to fostering a welcoming environment, the BMC team provides a platform for industry professionals and electronic music enthusiasts to connect, learn, and forge new opportunities. BMC is the ultimate summer warm-up event for seasoned professionals and avid music lovers. In addition to the star-studded lineup, BMC 2024 boasts participation from over 70 businesses and sponsors, underscoring its significance within the industry. From established labels like Anjunadeep and Armada Music to influential platforms such as BBC Radio 1 and Beatport, BMC partners with leading entities to elevate the electronic music landscape. The excitement doesn't end there, with pod parties and networking events set to be unveiled soon. Stay tuned for updates on BMC's lineup and networking opportunities. For a comprehensive list of confirmed speakers and artists, visit [here].

Relishing in the triumph of their latest co-production ‘Lev’ back in September, old friends, frequent studio partners and Scenarios label mates Maga and Tim Engelhardt now return to the Lisbon-based imprint for their latest collaboration ‘Around’. Out now, the eagerly anticipated new single marks the first official release on Scenarios this year, following a string of well-received releases over the course of 2023. Delving deep into their expansive sonic repertoires for this latest dancefloor cut, ‘Around’ sees Maga and Engelhardt deliver an irresistible concoction of mind-warping synthesizers, soulful vocals and powerful bass hooks to elicit an intoxicating narrative from the outset. Taking listeners on an absorbing journey across its undulating, seven-minute duration, the record drills deep into the subconscious with its compelling spirit, as the two producers join forces on another euphoric, peak-time anthem. For Maga – who launched Scenarios together with Sean Doron, Emanuel Satie and Tim Engelhardt in April 2022 – ‘Around’ arrives off the back of his first single of 2024, ‘Love Accelerator’ (with Emanuel Satie), which was released on Tel Aviv-based imprint Frau Blau at the end of January. This latest single, which has already been road tested to immense reception during a landmark tour of Brasil and at EDC Mexico this past weekend, is just the latest in a whole host of new music scheduled this year for Maga, as the Frenchman looks set to make 2024 his most prolific year to date. With a storied discography that spans almost a decade, Tim Engelhardt has become a stalwart of the scene, captivating audiences worldwide with this own unique brand of melodic house and techno. As the founder and label boss of recently launched LIFEFORMS imprint – as well as his ongoing involvement with the Scenarios collective – the German native has cultivated his own distinctive sound, with his commitment to quality and authenticity earning him acclaim from tastemakers, critics and industry peers alike. Established in 2022 as an all-encompassing artist collective, label and events brand, Scenarios has taken the electronic music world by storm over the past two years with their intelligent, exquisitely crafted productions and instantly recognisable sound palette. Known the world over for their unique underground energy and standout international showcase events the collective has forged a deep and melodic sound all of their own, which is as organic and ethereal as it is experimental. Maga & Tim Engelhardt - Around is out now via Scenarios: https://scenarios.lnk.to/011

Buy / Steam ‘Never Forget’ Ever rising progressive talent Tommy Farrow has today released the forthcoming single from his latest EP project with a track called ‘Never Forget’. This release seamlessly blends gospel elements that awaken the musical senses. It's a reflective musical journey that seamlessly transitions into Tommy's signature deep house beats, ideal for late-night revelry on the dance floor. Collaboratively crafted with UK producer Levi David, it's a testament to their creative synergy. Tommy has garnered respect from industry titans like Kevin De Vries, Pete Tong, Arodes, Rufus Du Soul, Fideles and more for his deeply touching music that stirs emotions and keeps the dancefloor in motion. He has also been touted by Radio mainstays Danny Howard and Annie Mac (at the time) and released music on coveted labels such as Armada Music, Stress Records and Shall Not Fade. The new release will be part of a seven track EP coming later this year which includes previous singles ‘Demons In The Dark’ and ‘Her’. - - - - For more info on Tommy Farrow please visit: Instagram | Soundcloud

Evolution Chamber presents "Transmissions". A brand-new EP series focusing the spotlight on up and coming artists. Download/stream it from 8th March here: https://lnk.to/EVOC036. In an industry often dominated by established names, Evolution Chamber takes pride in its mission to uncover and proudly showcase the next generation of musical talent. The "Transmissions" series serves as a testament to the label's commitment to innovation and providing a platform for emerging artists to share their voice with the world. https://open.spotify.com/album/67mboRWxwiQf0wxqdpkGjo?si=3nsJ2FnISvKJqEJMmQJXtw The inaugural instalment of this series features a collective of artists from all corners of the globe, each with their own individual and unique sound. Hungarian newcomer HRSPX kicks things off with the twisted, yet melodic 'Gynura', while the Portuguese and British collaborative efforts of Impex & Konquest bring forth the highly sought-after vocal anthem 'Sin Sister'. Young Serbian prodigy OMNEUM contributes the musical, glitchy, hard-hitting 'Blade Dance', with Russia's own TNTKLZ hitting back with their fast-paced energetic slammer 'Failed Mechanics' while New Zealand's very own Victim delivers a dark roller from down under in the shape of '1000 Faces' "Transmissions" breathes new life into a fresh chapter for Evolution Chamber, a label steadfast on its journey to evolve and shape the future of Drum & Bass.

As the excitement builds for the IMS Ibiza summit 2024, the organisers are thrilled to unveil additional speakers who will join the ranks of industry pioneers converging in the picturesque setting of Cala Llonga. These thought leaders represent a diverse array of roles within the electronic music ecosystem, each bringing a unique perspective to the table. The newly announced speakers include: Chloe Lula - Resident Advisor, Senior Producer / Artist Evelyne Côté - evenko, Director Booking, Concerts & Events Grace Ladoja - Metallic Inc, Music Executive, Homecoming, Founder Manager of Sarz Heiko Hoffman - The Orchard Director A&R, Artist & Label Partnerships Jessica Capaz McCarthy - Pacha Group, Artistic Director Jim O'Regan - Wasserman Music, Agent Madame Gandhi - Artist Philip Sherburne - Pitchfork, Contributing Editor Ruth Daniel - In Place of War, CEO, EarthSonic, Artistic Director Sarah Jane Nicholson - Paradise Worldwide, Managing Director Africa Rising Music Conference, Founder These influential figures span the spectrum of the electronic music industry, from editorial and talent representation to event curation and artist management. Their collective expertise promises to enrich the discussions at IMS Ibiza, offering valuable insights into the challenges and opportunities that define the current landscape. Related: IMS Ibiza Announces Lineup for Annual Dalt Vila Party, Including Alex Wann, Franky Wah, Miss Monique, Mochakk and More Set against the backdrop of the newly opened Mondrian Ibiza and Hyde Ibiza hotels in Cala Llonga, IMS Ibiza 2024 will provide an exclusive and intimate setting for networking and collaboration. With direct access to the beach and shared facilities, delegates can anticipate an immersive experience that goes beyond the traditional conference format. As the summit approaches, the anticipation continues to grow, and electronic music enthusiasts around the globe eagerly await the transformative conversations and connections that will unfold at IMS Ibiza 2024. For a complete list of speakers and topics, as well as information on booking delegate badges, visit the official website here. Stay tuned for further announcements as IMS Ibiza 2024 promises to be a pivotal moment in the evolution of electronic music, uniting visionaries and shaping the future of the industry.

Can you share a memorable experience or gig you've had while performing as a DJ? I got to DJ on top of a yacht in Tahiti in the middle of the Pacific Ocean with 6 other yachts in a circle formation during sunset. I was playing Rufus Du Sol while watching sharks and stingrays swim to the center of the yacht formation and people jumping in to swim with them. They can apparently hear the music and frequencies and it attracted them. It was so beautiful to watch I honestly had tears. I also DJed a private event at Michael Jacksons Neverland Ranch which was a very memorable experience. How do you stay updated on the latest music trends and discoveries in your genre? I like to dedicate 2 days a month where I deep dive on Beatport, and other record pools that I am apart of. I also listen to different playlists on Spotify while I workout or go for a run and when I come across a track I really like, I then screenshot it. It’s a nice way to multitask and get a workout in by being productive and finding new music at the same time. What are some of your favorite plugins or soft synths, and why? Oh this is a hard one. To be honest I have many favorites for different purposes. My favorite soft synths are definitely Diva & Serum and I also love all the Arturia stuff. I use the Fabfilter ProQ a lot. For reverb I like Toraverb & Valhalla Shimmer is one of my favorites. I really like Thermal for saturation and Portal for happy accidents, both great plugins by Output. What was your first experience with music production, and how did it shape your journey? I got ableton when I was 22 years old and just started making remixes and one thing led to another and got to do my first official remix for Christina Aguilera. It’s so funny to look back at stuff you produced when you first started haha. Can you give anyone just starting out any tips of music production? Honestly YouTube is free school. That is how I learned how to produce. I would binge watch 100’s of tutorials and masterclasses for years until it clicked. I would say consistency is key. It is super important to put in a few hours a day every single day. Even if you have creative blocks still go in the studio and make music. Not every track is gonna be great. This will keep your flow and you will get faster and better at writing. Also try new techniques and don’t get stuck on old ones. Pick up a new instrument and just go for it! Can you walk us through your typical creative process when starting a new project? I am super organized in my studio and have all my samples organized by color, name, and genres and have everything at my disposal and made custom templates which helps tremendously. In sessions I immediately name each track and color it. As for process I usually start with a kick & baseline but sometimes with a vocal idea that I sang on my iPhone and work around it. Honestly I like to switch it up and not just have one system. How do you handle creative blocks, and are there specific strategies you find effective in reigniting inspiration? I think it’s very important to have a balanced life, eat healthy and exercise regularly. I personally am a morning person and wake up super early and start my day off boxing. It helps me clear my head first thing. Then I come home have a shower and start making music. If throughout the day I am stuck creatively I will go for a walk in nature because that always refreshes me or I set a timer and write in a journal. Did you have a good 2023 and what are you most excited about in 2024? I had an incredible year and so grateful to be doing what I love! I feel like I really re-found my sound in 2023 and excited to really make it come to life in 2024. I feel really good about it. I also will be doing a lot of great collabs and have a secret project in the pipeline that I have been also working on. Just really inspired and excited to share all this new music with the world that I have been working on. Follow GRLSKOUT Instagram: https://instagram.com/grlskout Spotify: https://open.spotify.com/artist/5vyB8VjPUFchKtPm4kwPDn Soundcloud: https://soundcloud.com/grlskout Facebook: https://www.facebook.com/GRLSKOUT/ Tik Tok: https://www.tiktok.com/@grlskout

Mz Worthy releases her first single of the year and the second on her new label Love & Forgive, a soaring, electro-acid-house hybrid about the power of warmth, love and respect. We took the opportunity to catch up with her for a chat. Since releasing your breakout track "Irst Te" with Dirtybird Records in 2007, how do you feel your music has evolved, and what has driven these changes? The evolution of music styles has been profound since 2007, coinciding with my growth both as a producer and engineer. Over the years, I've honed my skills and gained confidence, catalyzing significant transformations in my approach to music. Initially drawn to tribal house vibes, my journey led me through phases of bass-driven tracks before culminating in the distinctive sounds I craft today. My artistic evolution is deeply intertwined with my changing musical tastes and the endless well of inspiration that fuels my creativity. Recently, I've found immense joy in venturing beyond the confines of pure dance floor beats, exploring new sonic territories. I've been captivated by the allure of creating music suited for leisurely strolls or long drives, embracing a more laid-back vibe that resonates with me on a personal level. Could you describe your creative process when producing a new track? How do you balance the technical aspects of production with the emotional content of your music? My creative process unfolds organically within the studio walls. I enter with an open mind, allowing the music to flow naturally without imposing any preconceived notions. While some sessions yield little more than experimentation, there are those rare gems where everything clicks into place, and I ride the wave of inspiration. On the technical front, I address immediate adjustments if they significantly impact the track's sonic landscape. However, I often reserve detailed technical fine-tuning until the composition is near completion. This approach allows me to immerse myself fully in the artistry of engineering, finding as much satisfaction in shaping the sound as I do in the initial creation process. You've shared that coming out as transgender was like putting pieces of a puzzle together. How has this personal evolution influenced your music and your connection with your audience? It was like putting a puzzle together, but its like you don’t you have all of these pieces. The growth I've experienced through this journey has been profound. Reflecting on the past, I realize I was merely a shell of myself. Now, my music exudes a sense of joy and lightness that wasn't there before. I find myself drawn to songs I never would have considered for my sets in the past. Above all, I've forged a deeper connection with my audience. When I step onto the stage, I feel a profound sense of presence, fully engaged with each and every person in the crowd. What can you tell us about your new single You Can't Label Me? I was craving something fresh and innovative, a departure from my usual creative routine. In a rare moment of clarity, I entered the session with a clear vision in mind. As I tinkered with chords and sounds, a beautiful progression emerged, effortlessly falling into place. Initially, I toyed with a processed vocal sample until a mantra began to form in my mind: "No no no, You Can't Label Me." Aware of my limitations as a vocalist, I enlisted the help of my friend Dominique Gomez to bring this vision to fruition. Now, as I share this piece with the world, my hope is that listeners will find empowerment in its message—never allowing themselves to be confined by others' labels. This is the second release on your new label, Love & Forgive. What can we expect from the imprint over the coming year? While I'm still navigating the trajectory of this label, I'm thrilled at the prospect of having a platform to showcase my music on my own terms. The freedom to share my creations with the world without constraints is incredibly liberating. As for the content, I'm open to exploring a myriad of styles within the electronic music realm. While the focus remains on electronic music, you may also encounter tracks with similar vibes, delve into house beats, or immerse yourself in ambient sounds. The possibilities are endless, and I'm excited to embark on this journey of musical exploration. As a role model for other trans people in dance music, what responsibilities do you feel come with this visibility? How do you navigate the challenges and opportunities it presents? Navigating the journey of self-discovery, especially in the public eye, has been a process filled with its own set of challenges and triumphs. While initially daunting, I've gradually embraced this journey of self-exploration, understanding that it's okay not to have all the answers right away. One role that I've wholeheartedly embraced is being a supportive presence for others who, like me, are on their own paths of self-discovery. There's a profound joy in extending a helping hand to those who may be navigating similar terrain, just as others have done for me in the past. It's a privilege to pay forward the kindness and guidance that I've received along my own journey. You've collaborated with artists like Eats Everything in the past. What do you look for in a collaborator, and are there any artists you're particularly keen to work with in the future? I value collaborating with individuals who bring a sense of joy and light-heartedness to the studio environment. It's important to me to foster a relaxed and playful atmosphere where creativity can flourish. Working with someone who shares this mindset makes the process not only productive but enjoyable as well. While there are a couple of people I have in mind for potential collaborations, I prefer not to mention any names at the moment. What matters most to me is finding those who resonate with my approach and who I can have a great time with while making music. Having played at some of the largest music festivals, what do you find most rewarding about live performances? How do you tailor your sets to connect with diverse audiences? Playing music for others is an experience like no other. Witnessing smiles light up faces in the crowd fills me with an indescribable joy. There's a magical connection that forms when I'm in the zone, dancing and feeling the music alongside my audience, free from the burden of worrying about the next track—it simply flows effortlessly. Before stepping into myself, I often found solace in hiding behind my music. But now, I've discovered a newfound sense of liberation and authenticity. When it comes to catering to diverse crowds, I approach each set with careful consideration, selecting tracks that resonate with both myself and the audience. Whether it's a large festival or an intimate venue, I tailor my sets to the specific energy and vibe of the moment, ensuring a memorable experience for everyone involved. In previous interviews you've hinted at upcoming releases and projects. Can you share more about what fans can expect from Mz Worthy in the near future? I have a release lined up for April on He.She.They—an EP titled "Vogue 1990." It's a dynamic two-track collection of house music that I'm eager to release and share with the world. With over two decades in the scene, what advice would you give to aspiring DJs and producers, especially those from the LGBTQ+ community, about navigating the industry and staying true to their identity? It's a challenge, but resisting the pressure to play only popular tracks in order to secure gigs is crucial. In my view, it's more fulfilling to curate sets that genuinely resonate with my artistic vision and passions. As a DJ, I see my role as an opportunity to introduce audiences to fresh and unexpected sounds that may not have crossed their paths otherwise. Additionally, it's important to be kind to yourself and not overly critical. Surprisingly, the sets I've felt least satisfied with often end up garnering the most positive feedback from listeners. Trust in your instincts and embrace the journey, knowing that authenticity and self-compassion are key ingredients in delivering memorable performances. Mz Worthy - You Can't Label Me feat. Dominique Gomez is out now on Love & Forgive

Breaking free from the laptop! After a year spent locked away in the studio, Grum returns with “Come With Me”, his first single release since 2022. Opening the start of a new chapter in his ever evolving sound, “Come With Me” takes a back to basics approach to electronic music. Created 100% from hardware drum machines, synthesizers and samplers, its striking melody pulls listeners along on a euphoric trip. This track will be the first of many released on his Being imprint, a new label set up to showcase artistic freedom. As well as new music, Grum has created a fully live show which he will be taking on the road in 2024. Based on the hardware he used to write the new music, this laptop-free performance will allow him to play and control all aspects of his tracks, and re-arrange and remix them live for a highly immersive sonic experience. STREAM NOW ON SPOTIFY

Malux returns to Evolution Chamber, bringing his unique blend of deep, progressive tech with a touch of the unconventional. His style features distinctive cutting drums and dynamic, morphing bass lines that culminate in the creation of 'Nosedive.' Download/Stream it here: https://lnk.to/EVOC034. With influences from both the future and the world of Neurofunk, Malux's sound is hard to pigeonhole. However, it's a sound that has earned him releases on major Drum & Bass labels such as Eatbrain, Blackout, Vision & Bad Taste. 'Nosedive' weaves through dystopian and futuristic vibes, showcasing its impactful and funky grooves. It's a prime example of Malux's talent for imprinting his sonic identity, displaying a mastery of advanced sound design with a mix of high-tech and low-fi precision—a skill typically reserved for experts. 'Nosedive' is a perfect example of Malux continuing to defy generic formulas and rewrite the Drum & Bass’ blueprint. Malux’s ‘Nosedive’ is available from 19th January 2024 via Evolution Chamber. MALUX https://www.facebook.com/maluxdnb https://www.instagram.com/maluxdnb https://open.spotify.com/artist/6CNd7Wpb36Ls8k7eHRWX3T https://soundcloud.com/maluxdnb EVOLUTION CHAMBER https://www.facebook.com/EvolutionChamberOfficial https://www.instagram.com/EvolutionChamberOfficial https://twitter.com/EvocChamber https://soundcloud.com/evolutionchamberofficial

Dan Sesko is an exhilarating new techno artist who recently dropped his debut EP via Barbuto's record label Mavic Music. Hailing from Odense in Denmark, Dan Sesko blends driving percussion with gripping synth lines to create tracks that are reminiscent of other producers such as Reinier Zonneveld and Julian Jeweil. Excited to learn more about the peak time style of this exciting up-and-coming producer, we invited Dan Sesko for this interview… Hi Dan Sesko, can you start by telling us what first attracted you to techno, and how would you describe your style? “I have been listening to electronic music as far back as I can remember. My parents were quite young when they had me and they always listened to early dance music in the car or at home in the kitchen. I have always been drawn to the more energetic electronic genres, and techno to me, is just the perfect blend between energy, groove and storytelling. To describe my own style, I would call it driving, energetic, melodic, and impactful.” Tell us about the local music scene where you live, and what influence it’s had on your own music? “There is not much of an actual techno music scene where I live. It’s slowly on its way up, with Danish acts as Faustix touring the country with a techno concept show. I honestly more often seek inspiration out and about in the rest of Europe. That would be Germany, Belgium, Holland, and the UK, just to name a few. To sum it up, I guess it influences me to go with what I find to be good and energetic music mostly.” Your new release “Solar Ray” comes via Barbuto's record label Mavic Music, and I wanted to ask how you first made contact with the imprint? “I am part of a music community called Finish More Music for a number of years and through that, got in touch with Barbuto and his label through that community. I sent a couple of demos, Barbuto liked them, and then we settled on a release. This being my first ever experience with a label has been such a joy! The people at Mavic Music, the community behind it and Barbuto himself, have been so kind and accommodating. I really appreciate the way I have been received.” Solar Ray is an EP featuring two of your original tracks, and it would be great to learn more about those productions and their concept? “I am still learning and settling on a workflow when producing. That means that sometimes when I make a track it can take forever to finish and it more often than not comes out sounding way overproduced. These two tracks are the essence of me not letting myself get caught up in some weird little detail that only I will be able to hear. I was just producing while having fun. That's what is the most important thing for me these days when producing music, and I believe that the audience is able to hear that.” Talk us through your studio set up, and any equipment that’s essential for your music production style? “I used to have a lot of gear. Push 2, Akai APC40, Korg Kaos Pad, different midi keyboards and controllers. Then with the help of the earlier mentioned music community, I refined my workflow and got to the conclusion that all that gear was just pulling me out of the flow. I boxed it all up, put it away, and now I don't even have a midi keyboard on my desk. It's all happening in my head, and then straight into Ableton Live. It works for me, and I am finishing more tracks than ever. Could be that I am gonna pull out a piece of gear at some point, but then it will be a planned session for playing around.” What was your biggest achievement of 2023, and what made it such a special moment? “My biggest personal achievement not regarding music was staying sober for a whole year. Everything just took off. Work, working out, being a parent, and making music. I can't recommend enough to just try and take a whole year out and only spend time on your goals and dreams. That year is gonna be over more quickly than you think and you will feel a lot farther down the road towards your dreams than ever. On the musical aspects, there is the fact that I am actually finishing tracks instead of just making loops or build-ups. everything I start turns into finished tracks. There is always something to learn from finishing your ideas, and there is no such thing as a bad idea when it comes to music. It just hasn't come to life yet. Last but definitely not least, is my debut release on Mavic Music. It made me believe in myself as a music producer and as an artist.” What is coming next in your schedule, and what are you most excited for in 2024? “I have a lot of new music I want to release throughout the year, and I am super excited to share my musical taste and sound as a DJ. My musical journey on social media is also going to be playing a big part, and let’s see, maybe 2024 is going to get me out to play for the people.” Thanks for taking the time to run through this interview, is there anything you would like to add before we finish? “I would like to thank the reader for taking your time to read this interview. I really appreciate it. I also would like to reach out to fellow music producers just starting out, and tell them all that hard work outshines talent every time! So, get in the studio or on your laptop every day and you are going to see results. Have a great 2024!” You can pick up a copy of Dan Sesko's new "Solar Ray" EP from HERE.