Arky Waters For Arky Waters, debut album Holdin' On isn't simply a collection of tracks. It's a snapshot of a particular moment in his life, documenting both his own artistic evolution and the community that helped shape it. Released via Mammal Sounds Records, the album marks a significant turning point for the Australian producer. While earlier releases often emerged from solitary studio sessions, Holdin' On reflects the influence of Sydney's club culture, collaboration and the freedom that comes from letting go of creative expectations. Looking back now, Arky can hear that transformation unfolding across the record itself. "When I listen back to the album I can literally hear the moments where I'm starting to let myself feel free in the way I'm producing," he explains. "Ableton is almost becoming like an instrument that I'm finally getting used to." Although Holdin' On represents his first full venture into bass music, the genre has quietly shaped his musical journey from the very beginning. "Bass music was what got me into electronic music in the first place," he says. "It honestly just took this long to become technically good enough to produce it. To me, it's definitely the hardest genre to make." That technical challenge has fundamentally changed how he approaches the studio. Rather than building songs around existing sounds, Arky increasingly prefers creating everything himself from the ground up, paying as much attention to frequencies and physical impact as melody. "There's definitely a lot less tinkering involved now," he says. "A lot of the time, if I want a sound, I'll try to make it from scratch. There's much more consideration for how the music will sound on a big system." The shift hasn't only been technical. Surrounding himself with Sydney's underground community has transformed both his confidence and the way he views creativity. "Honestly, it's just made the whole process so much more fun," he says. "You naturally pick things up from other producers. Sharing resources and techniques makes the whole scene better." That sense of community runs throughout Holdin' On, with the city itself becoming almost another contributor to the project. Sydney's relative isolation has created an underground scene that absorbs influences from every corner of electronic music rather than following a single dominant sound. "There's so much variety here," Arky explains. "I think it comes from the fact we're so isolated. The Sydney sound pulls from all over the world. We get to pick and choose what we like, and it creates something really unique." While listeners outside Australia may not immediately recognise those influences, Arky believes there are still subtle clues hidden throughout the album. "Maybe the voices in the interlude are a giveaway," he laughs. For all its club-focused energy, Holdin' On never loses sight of emotional storytelling. Growing up in bands before moving into electronic music left Arky searching for ways to preserve that same emotional honesty within dance music. "I grew up writing really personal songs," he says. "When I started making electronic music, it felt really void of life in comparison." Closing that gap has become one of his biggest creative motivations. "I'm constantly trying to squeeze that same feeling out of electronic music." That balance between technical precision and emotional expression extends to the album's collaborations, particularly Take a Trip alongside LX. The track emerged during a relaxed studio session with no real expectations, yet still benefited from the pressure of a limited booking window. "It was a weird combination of both," Arky explains. "We only had the studio booked for two hours, so there was definitely that feeling of wanting to get something done quickly. I think the best ideas need a little bit of pressure." Elsewhere on the album, experimentation became just as important as efficiency. Tracks such as OMG demanded countless hours refining bass design, despite their relatively minimal arrangements. "The basses almost needed to have a conversation with each other," he says. "That took a really long time, but it was worth it." That willingness to experiment feels increasingly important within today's rapidly changing electronic landscape, where trends can appear and disappear almost overnight. Rather than worrying about what might perform best, Arky has consciously chosen to trust his instincts. "It's really crazy," he says. "I've been making music for so long now that I'm over doing anything for external validation." Having a supportive community has helped reinforce that mindset. "I'm lucky to have great people around me who support what I do, so it never feels like a lonely pursuit making music that isn't necessarily the most popular sound." With Holdin' On now out in the world, Arky already sees it less as a destination than the beginning of another creative chapter. More than anything, the album reinforced the value of stepping beyond familiar territory. "It was really healthy for me creatively to push my boundaries instead of sticking to what I already knew," he says. That philosophy is unlikely to disappear anytime soon. "Moving forward, experimentation is definitely going to take the front seat," he says. "I want to see what I can get away with." If Holdin' On captures the first clear snapshot of Arky Waters' artistic identity, it also points towards a future built on curiosity rather than certainty. As his confidence continues to grow, so too does his willingness to push further beyond the boundaries of his own sound. Arky Waters https://www.instagram.com/arkywaters https://open.spotify.com/artist/1cxe1pFJnavjEUC9hRKZli https://soundcloud.com/arky-waters

emesh | Credit: Antonio Muñoz producer emesh has unveiled his latest release, ‘Kairós’, continuing a musical journey that has seen him blur the boundaries between deep techno, immersive electronica and meditative sound design for more than two decades. Built around hypnotic grooves and evolving textures, ‘Kairós’ is less concerned with immediate dancefloor impact than with creating a sustained sense of movement and emotional immersion. The track unfolds patiently through subtle modulation, layered melodies and restrained harmonic development, allowing its atmosphere to gradually take shape rather than rushing towards obvious climaxes. At the heart of the release is the idea of transition. Inspired by the ancient Greek concept of kairos – the defining moment when action becomes inevitable – the production explores the space between anticipation and release, using repetition and gradual evolution to draw listeners deeper into its rhythmic framework. That philosophy reflects emesh's wider artistic identity. Alongside his work as an electronic music producer, Antonio has spent years exploring sound healing practices, incorporating Tibetan singing bowls, shamanic drums and therapeutic instruments into his broader creative process. While ‘Kairós’ remains firmly rooted in deep techno, those influences subtly inform the track's emphasis on presence, space and mindful listening. Over the past 20 years, emesh has developed a catalogue spanning labels including Initiate Rec., Piranha Siberia Dub, Blue Lotus and Velvet Dub Collective, while also performing alongside artists such as James Holden and presenting dedicated sound healing concerts. With ‘Kairós’, he brings those parallel worlds closer together than ever before. The result is a deeply atmospheric techno production that balances dancefloor functionality with introspection, demonstrating how electronic music can be both physically engaging and emotionally absorbing. Rather than chasing intensity through sheer force, ‘Kairós’ builds its impact through patience, offering a hypnotic listening experience that rewards complete immersion. emesh https://www.instagram.com/armoniadelsonido https://open.spotify.com/artist/6FOX0GGKVXBVzT5YbJ6gxb NAIAD. Records https://www.instagram.com/naiadrecs.official https://soundcloud.com/naiadrecsofficial https://naiadrecs.bandcamp.com

Lenzman | Credit: Earth Agency The drum & bass community is mourning the loss of Dutch producer, DJ and label founder Lenzman, who has died following a three-and-a-half-year battle with cancer. He was 47 years old. Born Teije van Vliet, Lenzman became one of the defining figures in soulful drum & bass over the past two decades, earning widespread respect for his emotionally rich productions and meticulous approach to the genre. His family confirmed that he passed away on Saturday, 11th July, after a long fight with kidney cancer, which was first diagnosed in January 2023. Following his diagnosis, Lenzman underwent surgery to remove a kidney before later requiring emergency brain surgery after the cancer spread. Despite multiple setbacks and further treatment, he continued making music, running his label and performing whenever his health allowed. Earlier this year, it was confirmed that treatment had come to an end, prompting a series of fundraising events organised by the drum & bass community to support him and his family. Lenzman first rose to prominence through releases on Goldie's legendary Metalheadz imprint, where his 2014 album ‘Looking At The Stars’ established him as one of the genre's leading melodic voices. In 2016, he launched his own label, The North Quarter, which quickly became one of the most respected homes for soulful drum & bass, championing artists including Redeyes, Tokyo Prose and FD while helping shape a new generation of producers. His influence extended far beyond his own catalogue. Known for blending liquid drum & bass with elements of jungle, hip hop and soul, Lenzman's productions earned admiration from artists across the electronic music spectrum, while his label became synonymous with thoughtful, musical drum & bass that prioritised emotion alongside dancefloor impact. Tributes have poured in from across the global drum & bass community, with artists, labels and fans remembering not only his contribution to the music but also his generosity, warmth and commitment to supporting emerging talent.

ZUSO Australian producer ZUSO has revealed his self-titled debut EP, bringing together a year of collaborative releases while introducing brand-new single ‘Breath’ featuring fellow Australian artist jnr. Released on 8th July, the five-track collection represents the culmination of a carefully planned rollout that has seen ZUSO steadily introduce his evolving melodic progressive house sound through collaborations with Matilda Pearl, Keelan Mak, Maver and Beckah Amani. Completing the project is ‘Breath’, an unreleased track that provides the EP's emotional centrepiece. Built around shimmering melodies, warm synth textures and patient, uplifting arrangements, ‘Breath’ captures the qualities that have become synonymous with ZUSO's production. jnr.'s expressive vocal performance adds another layer of emotion, creating a track that balances introspective songwriting with dancefloor-ready energy. According to ZUSO, the single almost never reached completion. "I started writing this song towards the end of 2024, but never quite got around to finishing it," he explains. Revisiting the project months later with a fresh perspective ultimately led to the collaboration with jnr., transforming the unfinished idea into one of the project's defining moments. Beyond introducing new music, the EP reflects a significant stage in the producer's artistic development. Rather than simply collecting previously released singles, the project presents a broader creative statement, with each collaboration representing a different chapter while maintaining a consistent musical identity throughout. "'ZUSO' isn't just a collection of songs, it's a reflection of everything I've experienced, learned and felt over the past few years," the producer says, describing the record as the foundation for the next phase of his career. With its blend of melodic progressive house, emotive songwriting and carefully curated collaborations, the self-titled EP marks an important milestone for ZUSO, highlighting both his growth as a producer and his ability to unite diverse creative voices within a cohesive musical vision. ZUSO https://linktr.ee/zuso_music

BAGO Make Your Era continues its summer release schedule with 'Composure', the latest single from Brazilian-English producer BAGO, arriving on 10th July 2026. Built around rolling Drum & Bass foundations, memorable vocal hooks and subtle nods to jungle and breakbeat culture, the release delivers a sound that feels equally at home on crowded dancefloors, long night drives and repeat headphone listens. Buy/Stream it here: https://cygnusmusic.link/8l9xwl8. From the outset, 'Composure' establishes a distinct atmosphere. Pulsating musicality, fluid low-end movement and crisp drum programming provide the foundation, while layers of melodic detail create a sense of momentum that carries naturally throughout the record. There is an effortless balance between energy and emotion, allowing the track to remain club-focused without sacrificing its wider appeal. Subtle jungle and breakbeat influences weave through the arrangement, adding texture and movement without distracting from the track’s modern Drum & Bass identity. The result feels contemporary and forward-thinking while still carrying an appreciation for the sounds and rhythms that helped shape the genre’s evolution. At the centre of the release sits a catchy and instantly recognisable vocal topline that gives 'Composure' much of its character. Rather than relying purely on impact, the record leans into atmosphere and feeling, creating a track that lingers long after the final bars while maintaining enough weight and drive to thrive in a club environment. For BAGO, the release marks another step forward in a sound that continues to evolve across multiple corners of Drum & Bass. Originally shaped by influences spanning both Brazil and the UK, his productions draw on a broad palette of styles while remaining firmly rooted in bass music culture. That versatility is evident throughout 'Composure', which feels both accessible and distinctive in equal measure. Now based in Devon in South West England, BAGO has steadily developed a reputation for blending influences from across the Drum & Bass spectrum into records that prioritise musicality, movement and emotional connection. 'Composure' continues that approach, showcasing an artist comfortable operating between club functionality and wider listening appeal. The release also reinforces Make Your Era’s commitment to spotlighting emerging talent pushing contemporary Drum & Bass forward. Under the guidance of Vibe Chemistry, the label continues to provide a platform for artists developing their own identity while connecting with audiences across both underground and crossover spaces. With its memorable vocal presence, rolling groove and refined production, 'Composure' arrives as another strong addition to the growing Make Your Era catalogue and a confident statement from one of the scene’s developing talents. Bago Instagram - TikTok - Spotify - SoundCloud Make Your Era Beatport - Instagram - TikTok

Hot Since 82 Hot Since 82 has unveiled ‘Life’s Too Short’, the second single taken from his forthcoming album ‘Obsessions’, arriving via his own Knee Deep In Sound imprint on 10th July. While the album reflects Daley Padley's personal and creative evolution, the latest single tells a story of patience. Originally produced six years ago, ‘Life’s Too Short’ was left off his previous album after the producer felt it wasn't ready. Rather than reworking it, Padley left the track untouched, waiting until the right moment to finally share it. "I've been sitting on this record for so many years, always believing that one day I'd get to share it with you all," he says. "It's a track that's always resonated with me... and who doesn't love a feel-good piano house anthem?" Built around uplifting piano chords, infectious vocal hooks and breakbeat-inspired rhythms, ‘Life’s Too Short’ delivers a warmer, more celebratory side of Hot Since 82's production style. Blending classic house influences with rolling percussion and vibrant dancefloor energy, the track balances nostalgia with contemporary production. Padley describes the record as one that simply makes people want to move. "I'm so happy to finally release this. I genuinely hope it puts a smile on your face, because you simply can't help but dance to it." The release continues the journey towards ‘Obsessions’, Hot Since 82's forthcoming album due on 4th September. Written across years of touring, reflection and personal growth, the project promises to offer a deeper insight into the artist behind one of house music's most enduring names. If previous single ‘Shaded’ looked back towards the records that shaped his career, ‘Life’s Too Short’ shifts the focus towards pure dancefloor joy, proving that sometimes the strongest records simply need time before finding their moment. Hot Since 82 https://www.instagram.com/hotsince82 https://open.spotify.com/artist/1tRBmMtER4fGrzrt8O9VpS

SMR Scottish producer SMR has joined the Teletech roster with ‘LUV3RBOY’, a hard-hitting two-track EP that showcases his uncompromising approach to modern rave music. Representing the latest step in the Glaswegian artist's rise through the harder electronic music scene, the release blends industrial techno, hardcore and gabber influences while retaining a distinct sense of experimentation that separates it from more conventional peak-time productions. The title track wastes little time establishing its intent. Hammering kicks, relentless low-end movement and abrasive industrial grooves create immediate impact before the arrangement shifts into more unexpected territory through futuristic synth work, electro-inspired textures and haunting vocal elements. The contrast between mechanical intensity and cinematic atmosphere gives ‘LUV3RBOY’ a distinctive identity, balancing raw power with detailed sound design. The second cut, ‘Gabber From Glasgow’, takes a more direct approach. Built around pounding hard techno rhythms, rave-inspired synths and commanding MC vocals, the track pays tribute to classic gabber while reimagining its uncompromising energy through a contemporary lens. Fast-paced, aggressive and unapologetically club-focused, it captures the spirit of underground rave culture while fitting naturally within Teletech's modern sonic aesthetic. Over recent years, SMR has steadily developed a reputation for pushing beyond traditional hard techno conventions, drawing influence from industrial music, hardcore and leftfield electronic sounds to create productions that feel both destructive and inventive. With ‘LUV3RBOY’, he delivers one of his strongest statements to date. Combining relentless dancefloor functionality with imaginative production choices, the EP marks an impressive debut on one of the UK's leading labels for harder electronic music while further cementing SMR as one of Scotland's most exciting emerging talents. SMR https://www.instagram.com/smr._dj https://open.spotify.com/artist/2jeVqhfMEakqSTFB0NafrS

Juliet Fox Juliet Fox has unveiled the next instalment of her evolving ‘Technopatra’ project with the release of ‘Phases Of You’, arriving on 10th July as the third chapter in the producer's ambitious six-part release series. Following the arrival of ‘Underground Queen’ and ‘Desert Fever’ earlier this year, the new single continues to build the wider narrative behind the project, combining music, visual storytelling and a developing artistic identity that unfolds with each release. Where the previous singles introduced the world of ‘Technopatra’, ‘Phases Of You’ turns inward, exploring themes of personal growth, healing and self-discovery. Inspired by the different emotional stages people experience throughout life, the track reflects Juliet Fox's own journey, drawing on both personal experiences and the lessons learned throughout her career. Musically, the release stays true to the Australian producer's signature sound. Fast-paced percussion, driving techno grooves and punchy low-end energy provide the foundation, while Fox's unmistakable spoken vocal style once again sits at the centre of the production, adding a personal dimension that has become a defining characteristic of her recent output. The release arrives ahead of one of the busiest periods of Juliet Fox's year, with performances scheduled at Tomorrowland, [UNVRS] Ibiza, Awakenings, Brunch Festival, Rave The Planet and Pyramid Ibiza over the coming months. As ‘Technopatra’ continues to unfold, ‘Phases Of You’ offers another glimpse into the wider creative vision behind the project, balancing peak-time techno with a more introspective narrative that extends beyond the dancefloor. With three chapters now released and three more still to come, Juliet Fox continues to shape one of the year's more distinctive long-form electronic music projects through a combination of storytelling, performance and uncompromising techno. Juliet Fox https://www.instagram.com/djjulietfox https://open.spotify.com/artist/7zH0EpzFgwmwpnEprtvDig

Waxman Magnetic Magazine Recordings celebrates its 60th release with the return of Canadian producer Waxman, who delivers a fresh interpretation of Olendo's 'Folklore'. Already recognised as one of the label's standout recent releases, the remix offers a new perspective while preserving the emotional character that defined the original, continuing Waxman's growing relationship with the imprint. Built around progressive house foundations, 'Folklore (Waxman Remix)' leans into patient arrangements, flowing grooves and subtle melodic development. Retaining the original's vocal centrepiece and carefully selected instrumental elements, Waxman reshapes the track into a deeper, late night offering designed for extended club sets while maintaining its introspective atmosphere. The release continues Magnetic Magazine Recordings' commitment to evolving its catalogue through carefully chosen reinterpretations that allow artists to place their own stamp on existing material without losing sight of what made the source record resonate in the first place. Rather than opting for a complete reinvention, Waxman's remix expands on the original's strongest moments with measured pacing, detailed production and a refined sense of movement. Marking an important milestone for the label, 'Folklore (Waxman Remix)' highlights both Waxman's melodic production style and Magnetic Magazine Recordings' ongoing focus on thoughtful, artist driven releases. Magnetic Magazine Recordings Instagram – SoundCloud

MXGN More producers than ever are pulling back the curtain on how they make music, but few have embraced it quite like MXGN. Alongside a growing catalogue of releases on labels including Filth on Acid, Teletech, No Mercy and NineTimesNine, the Liverpool artist has built an audience by breaking down production techniques, experimenting with hardware and documenting a creative process that rarely follows convention. That openness reflects a wider philosophy running through the entire project. Rather than encouraging producers to follow established formulas, MXGN wants people to challenge them. "I am starting to see a drop in diversity in the scene," he explains. "People are posting a lot of the same content and sharing the same methods over and over." After years spent experimenting in the studio, he has developed his own workflow and now sees value in showing others there is no single route towards making electronic music. "There is no right or wrong way of producing music. The best way is to try things no one else does. That's how you build your own sound." That mindset also explains why the MXGN project has gradually expanded beyond conventional DJ sets. While many artists move into live performance later in their careers, the transition felt surprisingly natural because his productions were already being created that way. "I have always produced music in a live setting," he says. "Assigning sounds to buttons and faders so I can jam everything in real time before arranging the track later." That approach eventually raised a simple question. "What if I could bring that same freedom into my performances?" Months of experimentation followed, eventually resulting in a hybrid setup that now sits at the centre of his live shows. Built around Ableton, the current rig combines a Xone:96 mixer with a Roland TB-03, Moog Subsequent 37, TR-8S drum machine and additional controllers that allow him to manipulate almost every element of the performance on the fly. "The opportunities are endless compared to a normal DJ set," he says. "It really interested me to get creative with it." Despite the growing technical complexity, MXGN insists the setup wasn't designed on paper before gradually coming together. Instead, it evolved organically over several years through constant experimentation. "My first bit of kit was a Trigger Finger," he recalls. "I'd spend hours jamming away, creating build-ups, drops and breakdowns while controlling every sound." As new equipment gradually entered the studio, every purchase was chosen because it served a specific purpose rather than simply adding more technology. "I would say it all came together through experimenting with different things and finding out what works for me." That same balance between preparation and spontaneity now defines every live performance. Although the foundations take months to build, no two shows unfold exactly the same way. "My main live set has been built over the last eight months," he explains. "Every performance is unique and thought of on the spot. It's very risky compared to a DJ set, but it's definitely worth it." Perhaps the clearest example of that philosophy arrives with his recent livestream inside a Liverpool church. Rather than choosing another warehouse or industrial setting often associated with harder techno, MXGN deliberately searched for somewhere that would feel unexpected. "I wanted to choose a unique space that I hadn't seen before," he says. "I scouted a few different locations, but this one grabbed my attention the most." Despite the surroundings, however, the performance itself will remain entirely instinctive. "My plan is to set up my equipment and just jam. No structure or planning. Just pure in-the-moment decisions. Exactly like I do in my own studio." That willingness to embrace uncertainty extends beyond the music itself. MXGN's videos have attracted millions of views by placing performances in unusual locations while combining educational content with live demonstrations. Rather than relying on polished studio clips, he prefers creating something that immediately sparks curiosity. "I think the videos grab people's attention because of how unusual they are," he says. "It creates a sense of mystery." "I like to push the boundaries as much as I can to create content that's not only engaging but also obscure." The locations themselves become part of the storytelling, complementing the energy and atmosphere of the music while avoiding repetition. At the same time, he is keen to remind people that social media rarely captures the preparation behind every performance. "There is a huge amount of work that goes into a live set," he explains. "Building all the individual sounds from scratch and making sure they all flow together." That attention to detail reflects the same philosophy running throughout his productions. Known for high-energy, acid-driven techno, MXGN sees performing and producing as two separate disciplines, even if they constantly inform one another. "I don't just make music to be played on the dancefloor," he says. "I also make music for general listening, whether that's in the car or the gym." Live performances, meanwhile, demand something entirely different. "When I do a DJ or live set, I want to give the best possible performance for that exact setting. Sometimes harder, sometimes softer, but always high energy and acid driven." Looking ahead, the live side of MXGN is only becoming more ambitious. Future plans include synchronising hardware with lighting and visuals to create increasingly immersive performances while continuing to expand the setup itself as new creative possibilities emerge. "I want to bring the live sets to life even more," he says. "Syncing buttons with lights and visuals to create a more immersive experience." For an artist whose entire project has been built around experimentation, that feels like the next logical step. Rather than chasing trends or repeating established formulas, MXGN continues to treat every production, performance and piece of content as another opportunity to discover something unexpected. And if that encourages the next generation of producers to break a few rules of their own, all the better. MXGN https://www.instagram.com/mxgnmusic https://www.tiktok.com/@mxgntechno https://open.spotify.com/artist/6Fc5E4Mkx9qxuiVhUA8WEg https://soundcloud.com/mxgn

John Summit, Pete Tong, Franky Rizardo One of electronic music's most unexpected public disputes has escalated after John Summit accused Pete Tong of mishandling a remix of Everything But The Girl's classic ‘Missing’, prompting Franky Rizardo to withdraw his own version of the track from release. The controversy began when Summit publicly claimed that Tong had promised to release a collaborative version of his remix before later moving forward with a separate release credited to Pete Tong and Franky Rizardo. Summit shared screenshots of private conversations that appeared to show discussions about developing the track together, including references to orchestral arrangements, vocal recordings and production sessions. Summit also stressed that his frustration was directed solely at Tong, saying he did not believe Rizardo was aware of the full background surrounding the project. He later revealed he had completed his own orchestral version independently and intends to premiere it during upcoming performances. The story took another dramatic turn just hours later when Franky Rizardo announced he was withdrawing his remix from release altogether. In a statement shared on social media, the Dutch producer said that after learning more about the circumstances behind the project, continuing with the release "no longer feels right." He added that the decision was not about assigning blame or taking sides, but about remaining true to his personal values. The remix will now remain exclusive to his DJ sets for the foreseeable future. Pete Tong has not publicly responded to Summit's allegations at the time of writing, leaving several key questions unanswered about how the project evolved and why the planned release changed course. What began as a disagreement over a single remix has quickly grown into a wider conversation about collaboration, trust and creative ownership within electronic music. With one artist publicly sharing private messages, another voluntarily pulling his own release and one of dance music's most influential figures yet to comment, the dispute has become one of the scene's biggest talking points. Whether Tong chooses to address the allegations publicly remains to be seen, but for now the planned release of ‘Missing’ has been halted, leaving fans waiting to see how one of the year's most surprising industry controversies unfolds.

Profetik Profetik has expanded the vision of his Seraph Records imprint with the release of ‘Surrender’, a new collaboration featuring vocalist Diana Inez and the label's first vocal-led single. Marking another milestone in the producer's evolving catalogue, ‘Surrender’ blends melodic techno and house influences with cinematic songwriting, pairing driving club energy with a strong emotional narrative. The track explores themes of resilience, vulnerability and personal transformation, using Diana Inez's vocal performance as the emotional centrepiece of the production. Built around rolling percussion, a powerful bassline and sweeping chord progressions, the arrangement steadily develops through layered synth work, evolving melodies and atmospheric textures. Rather than relying solely on peak-time intensity, Profetik balances tension with moments of openness, allowing the vocal to remain central throughout the journey. As the track progresses, dark synth swells, rhythmic motifs and expansive melodic leads gradually build towards a euphoric climax, creating a production equally suited to large festival stages and immersive late-night club sets. The release reflects Profetik's continued focus on melodic electronic music that combines emotional storytelling with dancefloor functionality. Having increasingly established his identity within the melodic techno and house landscape, the producer continues to refine a sound centred on cinematic arrangements, dynamic production and memorable melodic hooks. For Diana Inez, the collaboration adds another expressive dimension to the record, delivering a vocal performance that complements the track's themes of letting go and embracing uncertainty without overpowering the production itself. As the first vocal release on Seraph Records, ‘Surrender’ represents an important step for both the label and its founder, signalling a broader creative direction while reinforcing Profetik's commitment to emotionally driven electronic music that resonates both inside and beyond the club. Profetik Website | Instagram | Spotify  Diana Inez Instagram | Spotify  Seraph Records Website | Instagram