David Penn | Credit: Jesus Ugalde Few artists embody the enduring spirit of house music quite like David Penn. Across more than three decades, the Spanish DJ and producer has moved through changing scenes, formats and trends without losing the musicality that first pulled him towards the genre. From the crossover success of Kadoc’s ‘The Night Train’ to becoming Beatport’s number one House artist of all time (source: BeatStats), his story is one of constant evolution built around a remarkably consistent emotional core. His latest single, ‘Satisfy My Soul’, brings many of those threads together. Released through his own Urbana Recordings imprint, the track combines a classic M1 organ, 90s-inspired drums and a sample rediscovered deep within his personal library. It feels contemporary, but unmistakably connected to the records and influences that first shaped him. Long before house music entered the picture, Penn was already certain that music would become part of his life. He began studying piano and learning how to write music at nine years old, developing an understanding of melody and harmony before discovering electronic music through clubs. “I was starting to go out, listening to house music and acid house, and I really liked it,” he recalls. “Especially classic house with melodies, harmonies and organic vibes. I already knew that I wanted to work in music, but I hadn’t thought about electronic music until that moment.” That attraction to musical house did not emerge from nowhere. His earliest listening was shaped by the records playing at home, where his father introduced him to a wide spectrum of American funk, soul and disco. Stevie Wonder, Earth, Wind & Fire and Michael Jackson became foundational influences, teaching him the power of groove, songwriting and emotional immediacy. As the 1980s progressed, his listening expanded towards Depeche Mode, The Cure, Frankie Knuckles, Todd Terry and Masters At Work, before artists such as David Morales and Roger Sanchez further defined his understanding of what house music could become. Credit: Jesus Ugalde There was no single record or club night that convinced Penn to pursue music seriously. That certainty had already arrived during his first year at classical music school. What followed was a long period of experimentation, with the 1990s allowing him to explore house, techno and pop under different names while gradually discovering what felt most authentic. “For me, it was a learning period,” he says. “When I did Kadoc’s ‘The Night Train’ with two colleagues, it was faster and stronger, but it wasn’t specifically my sound.” The record would go on to become a defining crossover hit, selling more than two million vinyl copies worldwide, but the identity now associated with David Penn began taking clearer shape in 1999. That was when he started releasing under his own name and leaning deeper into melodic house, pianos, harmonies and the musicality that had been present since childhood. The evolution was not always straightforward. When EDM began dominating the global dance music landscape, traditional house found itself pushed into a more difficult position. For Penn, those years forced a period of reinvention without requiring him to abandon the qualities that made his music distinctive. “There was less space for house music, and those were hard years for me,” he explains. “But at the same time, I forced myself to experiment with making something different while retaining my true essence.” Rather than chasing the scale and excess of EDM directly, he sharpened his own productions. The drums became tougher, arrangements became more focused and every element had to justify its place. “I simplified the instrumentation and only tried to include things that mattered in the track,” he says. “Clear hooks and more energy in general.” That process also transformed his confidence. Early in his career, self-doubt often shaped the way he approached the studio, but the years spent adapting through difficult periods helped him trust his instincts. “When I first started, I doubted myself a lot,” he says. “After the EDM phase, I gained more confidence in myself and my music because I realised that what I liked, the public also liked.” Today, Penn remains more demanding than ever, but that scrutiny now exists alongside a much stronger understanding of who he is creatively. Compare his earliest records with ‘Satisfy My Soul’ and the progression is clear in the weight of the drums, the production quality and the energy. Yet the central ingredients have never really disappeared. “Higher energy, stronger drums and a better sound,” he says. “But at the core of it, the essence is still the same.” That continuity is what gives ‘Satisfy My Soul’ its impact. Built from a vintage sample that had sat unused for years, the track reconnects with the 90s through its organ sounds and rhythmic language while carrying the clarity and power of Penn’s current productions. It does not feel like a nostalgic recreation. Instead, it represents the way his origins continue to live inside everything he makes. ICYMI: Oscar Rosmano on Lisbon's Club Culture, Temple Club and Protecting Underground Nightlife ODF on UK Club Culture, Genre Fluidity and His LOCUS Debut 'Hear Dis' On Scene: Mason On Amsterdam's Hidden Bars, Creative Spirit And The Return Of Nite Rites Even after three decades, countless releases and performances across the world, Penn still speaks about music with the urgency of someone at the beginning of the journey. “I need to make music,” he says. “It’s something that comes from my heart and I need to express it.” That need remains more important than milestones, rankings or legacy. What matters is continuing to enjoy the process, finding new records inside the studio and taking them onto dancefloors. “I always think that my best song is still in process,” he says. “And my best show is yet to come.” Every artist's journey can be traced back to a handful of records. The tracks that first opened the door, the ones that shaped their creative identity, and the music that best represents where they stand today. For David Penn, those choices span more than three decades of house music while perfectly reflecting the musical thread that has connected his career from the very beginning. The first record that made David Penn fall in love with electronic music: The track that fundamentally shaped the way he thinks about making and playing house music: The record that best captures where David Penn finds himself creatively today: For David Penn, the journey from piano lessons to global house music mainstay has never really been about chasing trends or moments. It's been about following instinct, trusting musicality and staying true to the sound that first made him fall in love with dance music. Several decades on, that story is still being written. David Penn Spotify / Instagram / Facebook / Soundcloud / YouTube Explore more Origins: Origins archive · All features

DEADLINE Brazilian producer DEADLINE has quickly become one of the most exciting names emerging from the new wave of melodic techno. Blending cinematic emotion with huge festival scale energy, his productions have earned support from names including David Guetta, Vintage Culture and Tiësto, while performances at Tomorrowland Brasil, Ultra Brasil and Laroc Club continue pushing his profile onto a global stage. Fresh from reworking Nathassia’s ‘Perfect Harmony’ into a darker, more expansive melodic techno weapon via ArchangelUK Recordings, DEADLINE steps into Hot Picks to share 10 records that continue shaping his DJ sets, productions and wider connection to electronic music. David Guetta, MORTEN & Fedde Le Grand – Night In Detroit [Future Rave] “I’ve been playing this track for over a year now, and I’m still impressed by the reaction it gets every time. The combination of those heavy, distinctive synths with the iconic ‘Put Your Hands Up For Detroit’ vocal makes it incredibly effective on the dancefloor. It manages to feel both nostalgic and modern at the same time, which is something I really appreciate. David Guetta and MORTEN have been major influences on me as artists, and this record perfectly showcases why their collaboration works so well. It’s powerful, memorable and consistently one of the strongest moments in my sets.” Sentinel – Like Fire [BODY HI] “One of the reasons I picked this track is because it immediately felt unique when I first heard it. The combination of rave-inspired stabs with a modern melodic techno bassline caught my attention right away. It felt familiar and nostalgic while still sounding fresh and forward-thinking. Even before the release, I knew this was a record I wanted in my sets as soon as possible. Since then, it has become a regular part of my shows. It creates energy without feeling predictable and always seems to connect with people on the dancefloor.” Adam Sellouk & Zerky – Touch It [Spinnin’ Deep] “I’m a big fan of both Adam Sellouk and Zerky, so it’s no surprise this record became one of my favourites. What I love most about ‘Touch It’ is how naturally it blends modern indie dance influences with melodic techno elements. The groove feels effortless, the vocals are memorable and the atmosphere has a lot of personality. It’s become one of those tracks that I consistently use near the beginning of my sets because it helps establish the mood without giving away all the energy too early. Elegant, musical and extremely effective.” Rafael Cerato & Laherte – Thunderbolt [SIMULATE] “This track grabbed my attention because of its acid synth work and the way it develops tension throughout the arrangement. The groove is tighter and more restrained than many melodic techno records, which gives it a very distinctive character. It’s actually a track I often play directly after ‘Touch It’ because the two records complement each other perfectly. While they share a similar energy, ‘Thunderbolt’ takes things into a darker and more hypnotic direction. I’m a huge fan of tracks that create movement without relying on huge drops, and this record does exactly that.” ARTBAT, R3HAB, Stylo, Eli & Dani feat. NAIIM – Fight Machine [UPPERGROUND] “ARTBAT have been one of my biggest influences for years, so I was immediately curious when this collaboration was announced. What makes ‘Fight Machine’ stand out for me is how naturally it blends different worlds of electronic music. You can hear the melodic techno influence from ARTBAT alongside the bigger festival energy that R3HAB brings, creating a track that feels powerful without losing its identity. The vocal works perfectly and the overall production is massive. I love records that can bridge underground and mainstream influences while still feeling authentic, and this track does exactly that. It always brings a huge amount of energy to my sets.” ICYMI: Influences: pdqb Explores The Records Behind ‘DER TRANSIENTE ZEUGE’ Nutritious On New York Club Culture, Analogue Instincts And The Energy Behind ‘Freefall’ Qolaj On Transformation, Hardgroove And Rebuilding Club Music Through ‘Re-Adoption’ Jebu – Consequences [REFUNE] “This track brings back a lot of memories for me. I remember hearing Steve Angello play it regularly in his sets around 2015, at a time when I was still dreaming about becoming a DJ and performing on big stages myself. Back then, I used to think, ‘If I ever get the chance to play those kinds of shows, I have to include this track in my sets.’ Recently, I rediscovered it and started playing it again. What’s amazing is how well it has aged. The acid-driven drop and the distinctive groove still sound relevant today, and it continues to fit naturally into my shows.” Vintage Culture – Find A Way (Adam Sellouk Remix) [VINTAGE CULTURE] “This is easily one of the tracks I’ve played the most since it was released. Adam Sellouk took an already strong record and transformed it into something that feels perfectly tailored for modern dancefloors. The electro-inspired synths in the drop bring a unique character that immediately stands out, while the vocals in the breakdown create a huge emotional moment. That combination of power and emotion is something I’m constantly searching for in music. Every time I play this track, it creates a reaction. It has become one of my favourite weapons during my sets.” Armin van Buuren & JOA – Heavy [ARMADA] “‘Heavy’ is one of those rare records that completely transforms the energy of a room. Even though it has been played extensively since its release, it still feels incredibly powerful every time I hear it. The combination of the melody and those huge synths creates an instant emotional connection with the crowd. It’s become one of those tracks that I always try to fit into my sets because I know it will have an impact. Few records manage to feel both massive and emotional at the same time, and that’s exactly why this one remains so special to me.” Simon Doty & My Friend feat. Tailor – Follow Me [ANJUNADEEP] “Simon Doty is one of those artists whose music I genuinely listen to outside of DJ sets and studio sessions. While not every one of his tracks fits naturally into my performances, I’m consistently inspired by his songwriting and melodic approach. ‘Follow Me’ is a perfect example of what makes his music so special. The melodies feel emotional without being overly dramatic, and the arrangement unfolds in a way that keeps you engaged from start to finish. It’s the kind of track I can listen to repeatedly, whether I’m driving, relaxing at home or looking for inspiration in the studio.” Orbital – Halcyon + On + On [London Records] “This is one of my favourite electronic tracks of all time. My connection to it goes back to childhood, when I first heard it during the ending sequence of the 1995 Mortal Kombat film. That moment stayed with me for years and played a role in shaping my appreciation for electronic music. Recently, with the new Mortal Kombat releases bringing back those memories, I found myself listening to it frequently again. Beyond the nostalgia, though, ‘Halcyon + On + On’ is simply a masterpiece. Its atmosphere and emotion remain just as powerful today as when it was first released.” DEADLINE Instagram - Spotify - SoundCloud Explore more Hot Picks: Hot Picks archive · Influences · All features

Manuel Ribeca Italian DJ and producer Manuel Ribeca steps onto Milan imprint Motel Calypso with ‘Traigo Mi Flow’, out now via stores & streaming. The release marks Ribeca’s first appearance on the label founded by Massi Rocket, a platform known for its blend of minimal deep tech, disco and progressive house. Across Milan’s underground circuit and beyond, Motel Calypso has built a reputation for spotlighting artists whose sound prioritises groove and dancefloor function. ‘Traigo Mi Flow’ captures Ribeca’s approach clearly. Hypnotic percussion loops, warm bass pressure and robotic vocal textures combine into a stripped but textured club tool designed for late-night rooms. It follows a growing run of releases on labels such as Sola Records, Clarisse Records and And Dance, while his DJ schedule has taken him through venues including Hï Ibiza, Amnesia Ibiza and Marina Beach Club Valencia. For this edition of Hot Picks, Ribeca highlights ten tracks that consistently shape his sets. The selections reflect the sound he gravitates toward in the booth. Groove-led tech house, minimal rhythms and rolling basslines designed to keep the dancefloor moving. TRACE - Good Time [8bit Records] “Essential lines, constant energy and a warm, enveloping groove.” Supernova - Velvet Avenue [Lapsus Music] “A house journey with a velvety touch. Refined groove and funky bass leading straight to the dancefloor.” Sebastian Villavisencio - Euphoria [Under No Illusion] “Warm frequencies and driving tech energy with drops that never let up.” Rob Stillekens - Tell Me Why [Altra Moda Music] “A minimal weave of fresh grooves, deep bass and hypnotic vocals.” Datelees, Swavè - I Sabes Que [Somethin Light] “Rounded bass and hot energy. The Spanish vocal drives the dancefloor.” Malone, Cyava - She Like [Elrow Music] “The elegance of Italian tech house meets Cuban fire. Warm flow with strong club pressure.” Fifi Forte - Reflections [Deeperfect] “Controlled pressure with clean dynamics and a rhythm that captivates.” DJ Oliver - Body Shaker (Rendher Remix) [Mindshake Records] “A concentration of rhythm and pressure with sharp groove and club energy.” Qubiko - Momento [8bit Records] “A perfect balance of rhythm, atmosphere and intensity with constant energy.” Alex Steve - Baby Drive Me [Sound D Elite] “A deep groove wrapped in a sensual vocal with a warm and hypnotic atmosphere.” Manuel Ribeca’s selections reflect a clear philosophy behind the decks. Groove always leads. Each track builds momentum through rhythm, bass weight and subtle textures rather than excess layers. That approach carries directly into ‘Traigo Mi Flow’. The record sits comfortably within the Motel Calypso catalogue while reinforcing Ribeca’s own direction. Club-focused music that values feel, energy and connection above all else. As his international presence continues to expand through touring and releases, these Hot Picks offer a window into the sounds currently shaping his sets and studio mindset. For anyone following the deeper corners of tech house and minimal, Ribeca’s trajectory is one worth watching closely. Manuel Ribeca Instagram - Soundcloud - Spotify Motel Calypso Instagram - Website - Soundcloud Explore more Hot Picks: Hot Picks archive · Influences · All features

Khen Khen and Yotam Avni have just released their ‘Retro’ EP via Sasha’s Last Night On Earth, delivering two records built around atmosphere, movement and emotional depth. Across both tracks, the pair balance hypnotic grooves with melodic detail in a way that feels timeless rather than trend-led. There are clear nods to classic progressive house structures throughout, but the production stays firmly rooted in the present. Warm textures, rolling percussion and subtle tension define the EP from start to finish. To mark the release, Khen shares ten records that continue to shape his sets and wider musical identity. The selections move between deep progressive rollers, darker melodic cuts and timeless dancefloor records that prioritise feeling over excess. Eli Nissan - Hedonism This one is a true piece of art. Truly beautiful, hypnotic, and groovy with a flow that takes every floor to a different dimension. Dilby & Danny Howells - Soul Drive I’ve been a huge fan of Dilby's productions for a long time, and this collab with Danny is a great example of why. A peak-time and full-on track on the house tip that always does the trick. Y-Traxx - Mystery Land (Roy Rosenfeld Remix) A huge remix of a true classic. Very mysterious build-up, an epic breakdown, with a super tight and pumpy groove. Kasper Koman - Different Plain A perfect long intro that creates a special vibe leading into a beautiful proggy groove. Kasper is a master at these kinds of tracks, and that’s why he’s one of my favourites. Sahar Z & Shai T - Rebirth A bunker in my sets. A close to complete track that has everything I like in House, Progressive, and everything in between. Greg Ochman - Eyeshausca A super groovy melodic track with an incredible breakdown. Keeps the tension in a way that’s perfect for the dance floor. TEED - The Echo (Durante Remix) Straight, solid groove. Sometimes, simple is better. A classic progressive kind of track with a modern touch and a great vocal. Play this a lot. Mike Rish - Primah The darker side of progressive is what I usually play. Pumpy and uplifting vibe. Kyotto - Home In The Sky Very talented new artist from Sri Lanka, which is a new hotbed for my kind of sound. He debuted on my label, Closure, with a beautiful tune full of emotion. Alcatraz - Giv Me Luv (Sebastien Leger Remix) I can’t stop playing this remix from Seb. An evergreen track that I still enjoy as much today as when I was a kid. There’s a clear consistency running through these selections: Long-form tension. Emotion through groove rather than overload. Records that slowly pull a room deeper instead of demanding instant reaction. That same approach defines the ‘Retro’ EP. It’s music built for dancers who want to stay inside the journey rather than rush to the drop, balancing warmth, restraint and hypnotic energy in a way that feels increasingly rare in modern club music. Khen Instagram - Soundcloud - Spotify Yotam Avni Instagram - Soundcloud - Spotify Last Night on Earth Instagram - Soundcloud - Website Explore more Hot Picks: Hot Picks archive · Influences · All features

HOLL3 Nottingham’s HOLL3 is entering a defining moment. Her ‘Transcend EP’, released via d0ted, marks the next step for an artist translating years of dancefloor experience into sharp, genre-blending productions. Drawing from UKG, techno and bass-driven club sounds, the three-track release captures the same low-end pressure and percussive intensity that have defined her DJ sets across the UK and Ibiza. Alongside her release, HOLL3 steps up for our Hot Picks series with a selection that reveals the foundations behind her sound. Moving through nostalgic house, jungle, and modern underground club weapons, these are the records that continue to shape her identity as both a DJ and producer. Late Nite City – Head Nod [Late Nites] Had on non stop repeat this last year. The perfect level of dreamy stabs with a groovy bassline. This song just clicks in my mind, I absolutely love it. Madvilla – I Said Dance [Hot Wings Trax] After hearing Dungeon Meat first play this track out, I was desperate for the ID and eventually stumbled across it which is one of the top feelings. Since then Madvilla has become one of my favourite producers of the year. So much talent and such a unique sound which is medicine to my ears. The Trip – A Bit Spooky [Tessellate] Such an insane second drop on this track. Sounds absolutely huge in the club and is one of them which really surprises you the more the track develops. A regular in my sets. Units For Hour – I Get Ready (Bass Mental Mix) A life changing track. It changed the path I wanted to take with the music I played and produced, and made me fall deeply in love with that 90s nostalgic house style. Those who know, know. George Daniel – Screen Cleaner (Oscar Farrell Remix) Has such a naughty drop, proper bass face moment. Crowds have been loving this one in my sets recently. John Acquaviva, Dan Diamond, Alex D’Elia, Nihil Young – Good Music (St. David Club Room Remix) [Definitive Recordings] The names in the title. Relatable lyrics. A proper naughty little underground track that was made for playing in the darkest and naughtiest of clubs. Tim Reaper, Comfort Zones – All The Time [Banoffee Pies Records] Jungle is my guilty pleasure, and this one does it all for me. Expertly layered breakbeat rhythms into dazzling ambient sounds that come together to form a track that is heaven to my ears. Reaper is one of the top in the game. KAYTRANADA – Home I first discovered this track in an old 2018 set and instantly fell in love with it. He kept us waiting years before releasing it. Very special track from an insane producer. Disclosure – My Intention Is War (Fig ii) [Moda Black] Had to include one of the first artists that led to me falling in love with dance music. That old deep house sound is incredibly special and still resonates strongly today. Lone – From A Past Life [R&S Records] Another of my favourite tracks. A record that takes you away instantly into a dreamy and calm state. Forever on repeat. Taken together, HOLL3’s Hot Picks reflect an artist grounded in dance music’s lineage while pushing firmly forward. From formative discoveries that shaped her early direction to newer tracks commanding attention in her current sets, the selection mirrors the same balance of emotion and impact found across the ‘Transcend EP’. As she continues to build momentum through her productions, events and club appearances, HOLL3 is steadily defining a sound rooted in UK culture while speaking to the future of the dancefloor. HOLL3 https://www.instagram.com/holl3_dj/ https://open.spotify.com/artist/1EFei8elIe5yxmYk3A8T3Q https://soundcloud.com/holly-nicholson-1 Explore more Hot Picks: Hot Picks archive · Influences · All features

BABA New York producer BABA arrives on Modern Delivery Xpress this month with ‘River’s All Wet’, a loose-limbed house cut built around winding low-end grooves, sweeping melodies and the kind of understated movement that rewards repeat listens. The release marks the first MDX appearance from the multi-instrumentalist, whose musical roots stretch back to indie surf rock bands, piano lessons and years spent developing as a songwriter before turning his attention towards club music. That live background continues to shape his productions today, with ideas often performed rather than programmed, creating records that feel organic, fluid and full of character. Ahead of the release of ‘River’s All Wet’, we asked BABA to share some of the records that continue to inspire his approach to house music, groove and sound design. The result is a selection that moves between Hot Creations classics, deep house staples and modern club weapons, all connected by a shared sense of personality and individuality. Lee Foss – Run Around “This track is perfect within its imperfections. Throughout its runtime, the third ever Hot Creations release continuously threads the needle between dissonance and consonance. Repetitive beeps and squawks draw in a peculiar soundscape that can only really be found in this era of music. The vocals are repetitive yet switch up at the perfect moments. The whole song just feels kinked, like something is wrong with it but everything is right at the same moment. It never fails to leave me craving for more.” Crazy P – Disc Odyssey (Remix) “After seeing a video of Ben Sterling drop this track in his Raw Cuts Brooklyn set, I was instantly hooked. ‘Disc Odyssey’ has so much organic character to it. It's a perfect breather, giving the audience a fresh taste of the past while tying in the present. The second drop features a supercharged moment that I can only describe as a psychedelic explosion.” Yamagucci & Mary Jane – Please You “Yamagucci and Mary Jane really do their thing on ‘Please You’. It's a sleek, futuristic thumper with enchanting vocals and one of the catchiest, most provocative basslines I have ever heard. My favourite part about ‘Please You’ is the fact that you can listen to it in the club, in the car with your grandparents, when you are going to sleep, or when you are waking up. It’s incredibly versatile. It's one of those tracks that's easy to instantly fall in love with, especially through its beautifully curated simplicity. If a spaceship from the year 2070 were a song, it would be ‘Please You’.” Lee Foss & Lee Curtiss – Closer “‘Closer’ is hands down one of my favourite Repopulate Mars releases because it refuses to sit in a box. The synths are reminiscent of Foss’s earlier works with Hot Creations, playful yet driving. Slightly off, while being exactly where they need to be. The vocals are seductive, hypnotic and full of air. It's a quirky yet confident piece of timeless art that will forever be one of my favourite songs.” Calussa, Ammo Avenue & Jungle Jack – Vacilón “Not many tracks radiate the same warmth and comfort as ‘Vacilón’. I remember discovering this one in the peak of the NYC winter, only to feel like I was in Miami hearing the boys play it out live. The sampling is just immaculate on this one, accompanied by percussion honed through years of experience. It's impossible for me to listen to this track without feeling the irresistible urge to smile and dance.” Patrick Topping – Shwicked “This early Hot Creations release does what Lee Foss’s ‘Run Around’ achieves, perhaps in a slightly more stripped-back manner due to its lack of vocals. This song has so much space in the mix, occupied by playful, percolating synths. The bass sounds a little detuned which throws things off in the right way. ‘Shwicked’ has a certain humour to itself, a self-awareness of the absurd settings it might find itself being played in.” Jay De Lys – Someday “This elrow Music roller is an instant standout and immediately got me into Jay De Lys. The M-1 organ lead and catchy vocals drive the track while percussive elements keep the groove running on high. The track is relatively simplistic yet genius in its strategic placement of all elements. Each ingredient is clearly curated through Jay’s expertise, proving how important it is for a producer to have an artistic ear.” Babak Shayan – Believer “‘Believer’ holds an extremely special place in my heart. It represents everything I love about the Plastic City label, pure deep house class. The soft-spoken, breathy vocals are the cherry on top and the track’s blissful simplicity carries it to vast depths. The amount of space in this mix is also worth mentioning.” Nick Curly – Joystick “I could picture Nick Curly dropping this masterpiece in Ibiza with the sun beaming down on a packed dancefloor. The drums and background textures carry serious weight, but the glitched-out, hypnotic one-note synth is the true reward of ‘Joystick’. The energy is undeniably taken up a notch with this track. I can only imagine its impact live.” Nick Curly – Ushuaia “With ‘Joystick’ featuring bright spurts of energy, ‘Ushuaia’ represents the darker side of Curly’s discography. You can literally feel the lights being dimmed as you listen to this 8bit Records story. The melodic synths and samples are hard to pick apart as they deeply blend into the track. Every sound feels very rounded off in this piece. Nothing is too harsh on the ears. A whispered vocal chop percolates throughout the track and the melodic aspects yearn for more, leaving me to wonder what was running through Curly’s mind when he produced ‘Ushuaia’.” BABA Instagram - Soundcloud Modern Delivery Website - Instagram - Facebook - Twitter (X) Explore more Hot Picks: Hot Picks archive · Influences · All features

Contact Point UK producer Contact Point returns to Make Your Era with his latest single ‘See Me’. The vocal-led UK garage record captures a moment of seasonal shift. Built on crisp 2-step rhythm, warm melodic textures and confident vocal presence, the track balances physical groove with emotional lift. Elastic bass movement drives the energy while subtle atmospheres create space for the topline to breathe. It marks another step forward for Contact Point within the label’s core roster. Curated by Vibe Chemistry, Make Your Era has steadily evolved into a platform supporting forward-thinking UK club music across bass culture, garage and drum and bass. For this edition of Hot Picks, Contact Point shares the music shaping his mindset right now. From UK rap and drum and bass to emotional vocal records and personal studio moments, the selections reflect the sounds that keep him inspired both in the studio and in everyday life. CA$PAR - Next Up Freestyle (Prod. Sempa) “Caspar is just on another level. Flow, style and vibes are all on point. And Sempa on production is the perfect match.” Kanye West - Touch The Sky ft. Lupe Fiasco “I always play this early in the day to set the mood right. Dancing around the house, getting the body moving. Pure bliss and nostalgia.” Saint Ludo x Kasst 8 - Subliminals “This one needs no explanation. Absolute wanger. Bass-heavy madness that pushes the pulse into overdrive.” Giggs & Skepta - Look Out “Two legendary figures from the UK scene. Hearing this still brings back memories of growing up. It always ends up on my morning playlist.” Dimension - Where Do We Go ft. Poppy Baskcomb “This is the kind of emotional music I love. Huge energy, powerful vocals and a track that moves constantly. Pure feeling.” Teddy Swims - Lose Control “Teddy’s voice is incredible. I love vocalists who can create this level of emotion with their voice.” Emily Makis - Too Fast “An absolute icon in the scene. Unruly, daring and inspiring. A true diamond.” Vibe Chemistry - Drink, Until I’m Blind “Vibe is one of the most versatile artists I know. His creativity and production always stand out. That dreamlike atmosphere really resonates with me.” Contact Point - Close My Eyes “This track symbolised a turning point for me. I made it in Ibiza while sitting by the pool watching the sunset. Listening back still sparks great memories.” Contact Point & Magenta - Glow “I loved making this with Magenta. We enjoy pushing boundaries and trying new ideas. It was another moment where I realised I wanted to do things differently.” Contact Point’s selections reveal a producer shaped by a wide musical palette. UK rap attitude, emotional vocal music and bass-driven club records all sit side by side, reflecting the diversity of sounds feeding into his productions. That blend is evident throughout ‘See Me’. The record taps into the rhythmic DNA of UK garage while embracing modern melodic detail and a clear vocal centre. It feels designed for movement but rooted in emotion. As the Make Your Era catalogue continues to grow, Contact Point’s latest release highlights an artist refining his voice within the evolving landscape of UK club culture. Contact Point Instagram – Spotify – SoundCloud Make Your Era Beatport – Instagram – TikTok Explore more Hot Picks: Hot Picks archive · Influences · All features

Merissa Mahilaa Merissa Mahilaa continues to build momentum across Europe’s underground circuit with the release of ‘Slushy’, a collaboration with Spanish producer J.WHEEL that captures the forward motion behind her rise. Defined by pressurised basslines, rolling drums, and sharp vocal interplay, the track reflects the groove-led identity she has developed through releases on SK Recordings and Agape Muzik, as well as appearances in clubs across Germany, Spain, and beyond. Sitting between house and tech with clarity and intent, ‘Slushy’ reinforces her position as an artist focused on rhythm, tension, and dancefloor connection rather than surface-level impact. That same instinct drives her selections as a DJ. The records featured in this Hot Picks playlist reflect the deeper framework behind her sets, spanning hypnotic rollers, minimal cuts, and emotionally charged club tools that shape the energy of a room over time. Each track highlights the balance between control and release that defines her approach, offering a clear window into the sounds influencing her current direction. I’ve pulled together a selection of tracks that have really resonated with me lately. Records I keep returning to in my sets because of the way they move a room, convey emotion or just feel timeless on the dancefloor. - Merissa Mahilaa Riaz Dhanani - Ride (Woodlands Records) “This Track carries a late-night tension that feels intimate yet confident. The vocal pulls you instantly, creating a moment where the room settles into its own rhythm.” Hector Couto-Lil Old Man (Sola) “Hector’s sound has this timeless quality that always works for me. It flows naturally and keeps movement constant without ever asking for too much attention.” Melanie Ribbe - Stricktly Rhythm (Agape Muzik) “A refined balance of strength and control. The arrangement feels focused and precise, allowing the rhythm to speak for itself while maintaining a steady sense of drive.” RSquared - What U Need (RWorks) “This track stands out for its playful and instant character. The vocal is light and memorable, while the melody carries a subtle 80s touch.” Francis de Simone - Fashion (Deeperfect) “Smooth and full of character. This record works beautifully as a smooth transition between deeper moments and more expressive parts of a set.” Iglesias - Dale Papasito (Hellbent Records) “This track carries a playful confidence that always gets a reaction. Light-hearted yet grounded, it brings a sense of release while keeping its underground edge intact.” Fer BR, C. Loubs - Throw It feat. C. Loubs (Shout Label) “A standout for its energy and attitude. The bold vocal paired with the groove creates that exact moment when the dancefloor lets go and follows the beat.” Stefano Noferini, ART NO LOGIA - Turn The Music Up (Deeperfect) “Direct and impactful, built for moments when the room needs clarity and focus. Straightforward in structure, but highly effective in context.” Indeep - Last Night a D.J. Saved My Life (Smeddles More Ass Mix) (Kookoo Records) “A familiar vocal reimagined through a modern lens. It bridges past and present in a way that feels natural and still very relevant on today’s dancefloor.” Jay de Lys - Control (PIV) “There’s something uplifting about this one. The 80s influence and the empowering vocal give it a light, confident feeling that always lifts the mood in a natural way.” Together, these selections map the foundation behind Merissa Mahilaa’s evolving sound. From late-night tension and groove-led minimalism through to playful vocal cuts and timeless club reworks, each record reflects a commitment to flow, patience, and emotional precision on the dancefloor. With ‘Slushy’ marking another step forward alongside J.WHEEL, her trajectory continues to align with artists pushing modern underground house into sharper, more intentional territory. As her productions and DJ sets reach wider audiences, these influences remain central to a sound built for longevity, shaped by instinct, and tested where it matters most. Merissa Mahilaa Instagram - Spotify - Soundcloud Explore more Hot Picks: Hot Picks archive · Influences · All features

Kidislive San Diego-born, Long Island-raised producer Kidislive returns to 8 Head Records with his new EP ‘A Shot From The Heart’, released 13th March 2026. The four-track project marks his third appearance on the label and continues a journey that has seen the artist explore electronic music across house, techno, and experimental club sounds for more than fifteen years. Previous releases on labels including Mad Motel and DistroKid have gained support from figures such as Richie Hawtin, Oliver Heldens and Carl Craig. ‘A Shot From The Heart’ unfolds through a minimal techno lens shaped by atmosphere and texture. The title track opens the EP with warm synth layers and drifting vocal fragments, while ‘Doomsday’ moves into deeper hypnotic territory through commanding bass weight. ‘Ketamine Machine’ stretches further into experimental territory with modular synth movements before label boss Gerry Read closes the release with a punchy house-leaning remix. For this Hot Picks feature, Kidislive highlights ten records that capture the underground energy shaping his sets and studio mindset. The selections move through dub techno, house classics and leftfield electronic sounds that continue to inspire his approach to club music. Candi Staton - Do Your Duty (Erectus Rework) [Honest Jon’s Records] “Great one by the legend Pépé Bradock. A subtle belter that can be played anywhere in any set.” RQZ - Jungle Julia [Latch Records] “Epitome of smooth cruising dub techno. I picture hearing this when walking into a warm after-hours room at 7am.” Frost & Einzelkind - Life Electric [Pressure Traxx] “This is the track you keep replaying after hearing it once. Shockingly obscure and not as well known as it should be.” Derrick May - Sueño Latino (Illusion First Mix) [Buzz Records / Indisc] “Some tracks carry a cosmic journey underneath the surface. The fact this was produced in 1992 is incredible.” Losoul - Open Door [Playhouse Records] “Another legendary classic. Pure groove and dancefloor hypnosis. ‘I’ll have another water, please.’ Timeless tune.” Quasar - Dragon Fighters [Go BANG! Records] “The lead synth hooks you instantly and melts your brain in the best way. Proper underground electronic energy.” Jarko Prongo - Rantz [Fresh Fruit Records] “This track captures those peak rave moments where the vibe is completely locked in.” Vincent Floyd - Heart Attack [Relief Records] “A track made for big rooms that alters your state of mind. Aggressive synth stabs that leave you hypnotised.” https://www.youtube.com/watch?v=Cp8v2-YVMiI Tim Harper - I Feel A Groove (Club Mix) [Peacefrog Records] “Rare house gem. Groovy bass and synth work that immediately gets people moving.” Gerry Read - Space Ribs [8 Head Records] “One of my favourites by Gerry Read. The turning point in the track feels full of emotion and hope. Sampling mastery.” Kidislive’s selections reveal a deep connection to underground electronic music culture. From Detroit techno pioneers to obscure house classics and dub techno atmospheres, the tracks reflect the foundations behind his evolving sound. That influence runs through ‘A Shot From The Heart’. The EP focuses on mood, space and hypnotic rhythm rather than immediate intensity, allowing the listener to move through shifting sonic environments. With growing recognition across the global club scene and continued support from influential DJs, Kidislive’s return to 8 Head Records highlights an artist steadily refining a sound rooted in underground energy and timeless electronic experimentation. Kidislive Instagram - Soundcloud - Spotify Explore more Hot Picks: Hot Picks archive · Influences · All features

Two Names Greek DJ and producer Two Names has spent more than a decade building a reputation across the country's club circuit, from residencies in Thessaloniki to appearances at venues including Cavo Paradiso Mykonos, Yalos Santorini and Piccadilly S3V. Now making his debut on connected with the afro house-driven ‘Manoukaki’, he continues to refine a sound rooted in groove, melody and dancefloor connection. Sitting between afro house and melodic house, ‘Manoukaki’ showcases the warm basslines, atmospheric vocals and evolving percussion that have become central to his productions. Ahead of the release, we asked Two Names to share some of the records currently inspiring his DJ sets and musical direction. From timeless house classics to modern afro house weapons, these are the tracks helping shape the journey. Aüra & Lexa Hill – Anikana-O “Whenever I want to inject some feel-good energy into the room, this record never fails. It's got that irresistible groove that gets people moving and smiling, while still leaving plenty of space to build towards the tougher side of my sound later in the set.” JUNO (DE) & Samm (BE) – Muralli “This record has been a regular feature in my main set lately. The groove is tight, driving, and full of energy, making it one of those tracks that instantly locks the dancefloor in and keeps the momentum building.” Nina Simone – Four Women (DESIREE Remix) “I love using this one during the early stages of a set. It's deep, classy, and effortlessly groovy, helping to establish the mood and guide the crowd into the journey without giving everything away too soon.” Junior Pappa – Twenty Two “When the room is fully connected and it's time to raise the pressure, this is one of the records I trust the most. It has that perfect combination of drive, tension and groove that can completely transform the atmosphere on the dancefloor.” Elias Kazais – Golden Glow “I love the piano elements in this track. They give it a timeless house feel while still sounding fresh in a modern set. It’s perfect for lifting the mood and keeping the groove flowing naturally.” Dennis Ferrer & Jerome Sydenham – Sandcastles “This is one of those timeless records that always finds its way back into my sets. It carries a special energy that connects generations on the dancefloor, reminding me why I fell in love with this sound in the first place.” Raz Alon – Mon Amour “This is the moment in the set where things start to get more serious. The groove is deeper and more focused, setting a tighter, more intense mood on the dancefloor while still keeping that forward momentum.” Martim Rola & Misha – On Business “This is one of those hands-in-the-air moments that always hits right. The energy is uplifting and direct, creating that instant reaction on the dancefloor where everyone lets go.” Milk & Sugar feat. John Paul Young – Love Is In The Air “This is another classic I always come back to when I want to bring emotion into the set. It creates a beautiful atmosphere on the dancefloor, where everything feels more intimate and driven by pure feeling.” Dave Anthony – I Don't Know Why (Manoo Remix) “This is one of those records that brings a real emotional connection to the dancefloor. When it drops, you can feel the love in the room. It creates a special moment where everyone is locked in together.” With ‘Manoukaki’, Two Names continues to build on the melodic and afro house foundations reflected throughout this playlist. Whether drawing inspiration from classic house records or contemporary groove-led productions, the common thread running through these selections is connection, atmosphere and the ability to create memorable moments on the dancefloor. Two Names Instagram - Soundcloud - Spotify connected Instagram - Soundcloud - Website Explore more Hot Picks: Hot Picks archive · Influences · All features

Ethan Ramos After years touring and producing as one half of Californian house duo SHIFTY, Ethan Ramos is stepping into a new chapter with the launch of his solo project and his own label, Unleaded Records. Debuting the imprint with his two-track EP, 'Workaholic', Ramos introduces a sound rooted in deep grooves, emotional musicality and timeless house rhythms. From the introspective title track to the peak-time energy of 'Matter of Fact', the release sets the tone for a label built around artistic freedom, authentic club music and forward-thinking production. Ahead of the EP's release, Ethan shares ten records that continue to inspire his DJ sets and studio work. Chiquito – Upside Down "This track is a perfect reminder of what initially got me into the minimal side of house. Deep, repetitive basslines with abstract, almost ethereal breakdowns that return to the endless groove to keep you moving. Banger alert." Andrew Savich – Kick "Perfect record to start heating things up. This record has a summer deep groove that will lock you into the moment and keep you connected to what's happening right now." Tonend & Melbourne Drum Authority – Supreme "This record has such a timeless feel, with heavy chords and sweeping pads. It feels nostalgic yet future-forward at the same time. Perfect for daytime sets or to really lock in a club dancefloor." Luke Alessi – Blue Line To Monroe "ZERO FOUR TWO FIVE. No idea what this is referring to, but the vocal is perfectly balanced with the right amount of call-and-response synths over a groovy bassline. An absolute weapon of a tune." Max Chapman – Strung Up "This tune is such an absolute classic. The use of organic instruments creates such a timeless feel. You can play this whenever to remind people of what house music is all about." Supernova – Velvet Avenue "If you want to really lighten the mood, this record will absolutely help you achieve that. The balance of melodic tones with the consistent groove of the bassline establishes such a solid groove that it's impossible not to move." DJ Sneak & Demuir – Untouchable Funk "Coming out almost ten years ago now, this record has stood the test of time, proving that DJ Sneak and Demuir are so in tune with what timeless house music is really all about. This is a record I love playing during the beginning of my sets to really help people loosen up and open themselves up to the groove." Josh Butler – In The Pocket "As the title implies, this track is very much pocketed. This record is one that you can play at any time of the day, as it has such a tight groove and really isn't doing too much. Sometimes less really is more." Foynez – Wantcha "The Foynez boys have been absolutely crushing it lately. This track has such a perfect balance of letting the bassline dominate while allowing synth leads to guide the listener smoothly through the breakdowns right back into the funk." Mizaru – Telegraph "I've been playing this record in tons of sets over the last year. This track has such a unique blend of deep and minimal elements while still keeping the swung groove as the focus. Such a great tune to play towards peak time to keep people engaged while still taking them on a journey." The records featured here highlight the groove-first philosophy behind Ethan Ramos' solo sound. Whether drawing from deep minimal cuts, timeless house records or modern club rollers, every selection reflects the understated musicality that defines 'Workaholic' and sets the tone for the future of Unleaded Records. Ethan Ramos Instagram - Soundcloud - Spotify Unleaded records Instagram Explore more Hot Picks: Hot Picks archive · Influences · All features

Ketoots Fresh from teaming up with Brazilian house mainstay Julio Torres for new single ‘Thought I Should Go All The Way’, Ketoots continue building on a sound that sits comfortably between groove, melody and leftfield club energy. Released via Notre Dame’s Paranormal imprint, the track pairs hypnotic movement with Carol Monteiro’s magnetic vocal delivery, balancing intimacy with dancefloor momentum. The duo have steadily carved out a space that pulls from multiple corners of electronic music without feeling tied to any one lane. Disco influences, deeper house textures, tougher club moments and more experimental sounds all surface naturally in their work, and that same variety runs through their listening habits. For this edition of Hot Picks, Ketoots select ten records currently shaping their playlists and influencing what happens in the studio and behind the decks. Ninjury – Taste of Honey "A minimalistic disco-inspired track, two things we love." The Sound Republic - What Cha Momma Gunnan Say "Funky grooves and aggressive basslines, all over the place." Fonda Rae – Livin' In Ecstasy "The house anthem that is dear to our hearts." Armand Van Helden – Sugar Daddy "The only Samba house with stretched vocals that we know." Funk Assault – Funk Assault "Banger banger banger, we love techno." Daphni – If "Sampling madness, a very angry jazz." Modjo – Aknowledgement "Sonic awe, a very youthful track." Coya, Edu Imbernon – El Baile Alemán "Minimal tech house at its finest, sound design masterclass." Alloy Mental – I Am "Our favorite techno-punk, this one is so cool it hurts." Los Hermanos – Birth of 3000 "Greatest synth lines, this track has a universe of its own." Looking through Ketoots’ selections, there is a clear contrast running through the list. Minimal disco sits beside hard techno. Soulful house records sit next to experimental electronics. Groove remains the constant thread tying everything together. That balance also runs through ‘Thought I Should Go All The Way’. The track feels rooted in club functionality but still leaves room for emotion, melody and personality, pulling together many of the sounds that continue to shape the duo's direction. Ketoots Instagram - Soundcloud - Beatport Paranormal Instagram - Soundcloud Explore more Hot Picks: Hot Picks archive · Influences · All features