Rolbac Lebanese DJ and producer Rolbac has joined the Circus Recordings family for the first time, unveiling new single ‘Where Is My Love’ via Yousef's long-running imprint. The release marks another significant step in the producer's growing international profile, following a steady run of releases that have established him as one of the Middle East's leading electronic music exports. Built around a heartfelt vocal performance, ‘Where Is My Love’ leans into emotion without sacrificing its dancefloor focus. Warm piano stabs, rich synth textures and a deep, rolling groove combine to create a track that balances intimacy with club-ready energy. Eighties-inspired melodic touches weave through the arrangement, while crisp percussion and understated production keep the record moving with confidence from beginning to end. Rather than chasing peak-time intensity, Rolbac opts for patience and atmosphere, allowing the vocal and melodies to develop naturally across the track. The result is a production that feels equally suited to late-night clubs, open-air terraces and extended listening sessions. The Circus debut continues an impressive run for the Lebanese artist, whose catalogue now includes releases on respected underground labels including Einmusika, Kindisch, Senso Sounds, MAHOOL and UNSEEN. His productions have steadily expanded his reach beyond the Middle East, earning support from DJs and audiences across the international house and melodic electronic music scene. Away from the studio, Rolbac continues to build an increasingly global touring schedule. Alongside regular appearances throughout the Middle East, the producer has recently performed in South America and is set to appear at Hï Ibiza later this summer. With ‘Where Is My Love’, Rolbac delivers a confident debut for Circus Recordings, combining emotional songwriting with refined dancefloor sensibilities. It is another strong statement from a producer whose international rise shows little sign of slowing down. Rolbac https://www.instagram.com/rolbac_ofc https://open.spotify.com/artist/5HfazbsZC06O4dycKstvWh https://soundcloud.com/undrtoneblog

Vibe Chemistry Make Your Era returns on 26th June 2026 with the arrival of its ‘Summer Mixtape 2026’, a ten-track Drum & Bass compilation capturing the brighter, more melodic and emotionally driven side of the label’s evolving sound. Bringing together a mix of exclusive new material alongside standout catalogue favourites, the project reflects the label’s continued focus on artist development, songwriting and forward-facing dance music built equally for dancefloor moments and repeat listening. Buy/Stream it here: https://cygnusmusic.link/emxnpp7. Where previous Make Your Era compilations leaned heavily into darker Jump Up energy and high-impact low-end pressure, ‘Summer Mixtape 2026’ widens the scope considerably. Across the project, liquid influences, vocal-led songwriting, cinematic intros and crossover electronic textures sit alongside heavyweight club production and rolling Drum & Bass foundations. The result feels intentionally varied while still remaining cohesive from start to finish. Leading the release are three brand-new exclusives from key emerging names within the label’s growing roster. Medicine opens the mixtape with ‘Say My Name’, followed by Hypoxic’s ‘Never Be Enough’, before label head Vibe Chemistry returns with ‘What Can I Do’, adding another fresh cut to the steadily evolving MYE catalogue. Alongside the new material, the compilation also brings together several standout records that have helped define the label’s identity over recent months. Feed The Fire & OHKAY, Maurizzle, Medicine, Iskia, Danger and GU:STUFF all contribute to a project that balances vocal-led accessibility, underground club energy and modern Drum & Bass versatility without ever losing momentum. Rather than feeling like a disconnected playlist of singles, the mixtape flows as a snapshot of where Make Your Era currently sits creatively, spotlighting a new generation of artists pushing melodic and crossover Drum & Bass into exciting territory. The mixtape continues Make Your Era’s wider vision of creating a platform for the next generation of Drum & Bass artists while avoiding rigid genre boundaries. Rather than focusing solely on one corner of the scene, the label continues embracing records that prioritise identity, emotion and replay value alongside club impact. Curated by Vibe Chemistry, Make Your Era has quickly established itself as one of the UK’s most exciting developing electronic imprints pushing bass-led dance genres, consistently spotlighting rising talent and helping shape a more melodic and song-driven future for the genre. The ‘Summer Mixtape 2026’ feels like another defining snapshot of that direction, capturing a label and artist roster continuing to evolve in real time. Make Your Era Beatport – Instagram – TikTok

Byrd BYRD returns with one of his most personal releases to date, unveiling ‘When I See You Again’ as the lead single from his forthcoming ‘We Will Rave Again’ EP, arriving via Future Techno Records. The track fuses driving techno foundations with soaring trance-inspired vocals, delivering a production that balances raw dancefloor energy with genuine emotional weight. Built around a relentless groove and powerful low-end, ‘When I See You Again’ steadily unfolds through evolving synth textures, atmospheric pads and uplifting vocal hooks. Rather than relying purely on intensity, BYRD allows the melodic elements to breathe, creating moments of release that feel equally suited to peak-time club spaces and festival settings. At its core, however, the track carries a deeply personal story. Written in memory of two close friends the producer lost, ‘When I See You Again’ became an outlet for grief, transforming difficult emotions into a record centred on hope, connection and celebration through music. That emotional honesty gives the production added depth without ever distracting from its dancefloor focus. The euphoric melodies feel earned rather than sentimental, sitting naturally alongside the driving percussion and rolling energy that define the arrangement. The release also marks the beginning of BYRD's new EP on Future Techno Records, showcasing an artist continuing to explore the space where powerful club music meets meaningful storytelling. With ‘When I See You Again’, BYRD demonstrates that dance music can be both emotionally resonant and built for the biggest systems. It is a fitting introduction to the ‘We Will Rave Again’ EP and a reminder of electronic music's unique ability to bring people together through shared moments on the dancefloor. BYRD https://www.instagram.com/byrd.techno https://open.spotify.com/artist/4qL1kSi1Pco1fX3OHG7K7b https://soundcloud.com/byrdmp3

Kirsty Every scene has artists who follow trends, and others who quietly build something that feels entirely their own. Irish DJ and producer Kirsty belongs firmly in the second category. Drawing inspiration from classic hardcore and gabber while refusing to soften its intensity, she has quickly become one of the most exciting emerging names pushing the sound into a new generation. Her productions blend old school rave energy with modern production, while her DJ sets thrive on unpredictability, nostalgia and relentless momentum. Her journey into electronic music started much earlier than many might expect. Growing up surrounded by the sounds of The Prodigy and Scooter thanks to her father, those records planted the seeds for what would eventually become her own musical identity. "I grew up listening to The Prodigy and Scooter playing around the house by my Dad," she says. "That's had a huge influence on what I play to this day." After teaching herself to DJ through YouTube tutorials and countless hours of practice, she worked her way from local Irish clubs to some of Europe's fastest-growing hard dance events. Recent appearances at XXL Malta and Second Speed have marked major milestones in that journey. "I've just come home from playing three different sets at XXL Malta," she says. "Seeing so many people fill the stages to see me was a real eye opener. I don't think it'll fully sink in for another few weeks." For her Undrscovered mix, Kirsty delivers exactly what has made her one of hardcore's most exciting rising talents. Rather than following one lane, she stitches together gabber, donk, hardcore and rave classics into a set that constantly surprises. "I like to play classic hardcore songs and add new twists to them," she explains. "You'll hear donk layered with gabber for example. I don't want people to be able to expect what's coming next." That same philosophy extends into her own productions. "My sound is old school hardcore with a new raw sound." One track perfectly captures where she currently sits creatively. "My track 'HOTCORE SUMMER' describes where I'm at to a T right now. Heavy bass gabber with a catchy vocal and euphoric breaks. It's almost like I've captured my entire sets into one song." Despite the growing momentum, Kirsty remains deeply connected to the culture that first drew her towards gabber. Community continues to sit at the heart of everything she does, both online and on the dancefloor. "I never wanted to become an influencer," she says. "I want to talk to people as people, not robots behind a screen. That's why I love going into the crowd and dancing before and after my sets." Behind every set also sits hours of digging. "I think I have almost 300 playlists on SoundCloud, all organised by different moods and genres," she laughs. "There's definitely an easier way to do it, but that's what works for me." Looking ahead, there's plenty more to come. Her forthcoming collaboration with GO$PEL, 'DOUBLE TROUBLE', already features inside this mix and previews another step forward in her evolving sound. "It's loud as fuck and crazy," she says. "Pretty much sums us up." With major festival appearances, international Teletech dates and a growing catalogue of original music on the horizon, Kirsty continues to prove that hardcore's next generation doesn't need to abandon its roots to move forward. If this mix is any indication, she's only getting started. Kirsty https://www.instagram.com/kirsty.dj https://open.spotify.com/artist/3OBEuov8Fe0tVpWVvGzoh8 https://soundcloud.com/djkirsty

Amsterdam Dance Event has expanded the programme for its 30th anniversary ADE Pro conference, announcing another wave of speakers that further strengthens this year's focus on the future of electronic music, artist independence and emerging global scenes. Among the latest additions are Mochakk, Solarce Brothers, Josh Baker, SPFDJ, Orbital's Paul Hartnoll, Ed Banger founder Pedro Winter (Busy P), Gideon Berger and Sarah Williams, joining a programme that already includes Jean-Michel Jarre as Guest of Honour alongside previously announced speakers Mosimann, Novah and LYZZA. Access to the ADE Pro Conference and networking program is available with an ADE Pro Pass, now still available at Early Bird rate. Rather than simply reflecting on three decades of dance music culture, this year's conference is looking firmly ahead. ADE Pro 2026 is built around three central themes: the future of independent music in an increasingly consolidated industry, the evolving relationship between artists and major technology platforms, and how collective action can help shape electronic music's next chapter. Several of the newly announced sessions directly reflect those discussions. Josh Baker will explore the growing role of artists as entrepreneurs, examining how DJs and producers are increasingly building businesses beyond music through labels, events and education. Meanwhile, Paul Hartnoll will take part in a discussion exploring sampling, consent and cultural ownership, coinciding with the 30th anniversary of Orbital's landmark album In Sides. The expanded programme also continues ADE's emphasis on emerging regional scenes. Brazil remains one of this year's key focus territories, with Mochakk and Solarce Brothers joining wider conversations about the country's rapidly growing influence on the global electronic music landscape. Elsewhere, Pedro Winter and Because Music founder Emmanuel de Buretel will reflect on two decades of collaboration and what independent music businesses need to remain competitive, while Gideon Berger, Sarah Williams and Matt Black will discuss the role music communities can play in driving wider social change. Taking place from 21st to 25th October, the 30th edition of ADE Pro once again positions itself as one of the electronic music industry's leading forums for discussion, networking and debate, bringing together artists, executives and innovators to examine where dance music goes next.

Thousands of UK music and sports fans are set to receive refunds after competition regulators ruled that StubHub UK breached consumer protection laws by failing to display mandatory ticket fees at the start of the purchasing process. The ruling marks one of the most significant actions taken so far under the UK's strengthened consumer protection framework and serves as another warning to ticketing platforms operating within the live events sector. Rather than focusing solely on ticket resale itself, regulators targeted the way prices were presented to consumers. According to the UK's Competition and Markets Authority (CMA), some customers purchasing tickets through StubHub UK between April and December 2025 were shown an initial ticket price that did not include unavoidable service and delivery charges. Those fees only appeared later in the checkout process, a practice commonly known as "drip pricing". The CMA found that this prevented consumers from accurately comparing prices before making purchasing decisions. As part of the settlement, StubHub UK will refund more than 50,000 customers, with total repayments exceeding £590,000. The company has also been fined close to £900,000 after admitting it breached consumer law and agreeing to settle the investigation early. The case highlights growing scrutiny around ticketing transparency across the live events industry. As ticket prices continue to rise, regulators have increasingly focused on hidden charges and purchasing practices that make it difficult for consumers to understand the true cost of attending concerts, festivals and sporting events. StubHub UK stated that the issue stemmed from what it described as an isolated platform error rather than a deliberate business practice, adding that the problem has since been corrected and affected customers will receive automatic refunds. For the wider live music sector, the ruling signals that regulators are prepared to take a tougher stance on pricing transparency as consumer protection rules continue to evolve. Investigations into other ticketing and online retail businesses remain ongoing.

DJ Tennis DJ Tennis has returned to his Life And Death imprint with new single ‘Misbehave’, a collaboration with vocalist Campbell King that arrives as the influential label celebrates its 15th anniversary. Released alongside an official music video, the track sees Manfredi Romano deliver one of his most direct dancefloor-focused productions in recent years. Built around commanding vocals, rolling percussion, lively basslines and vibrant rhythmic textures, ‘Misbehave’ captures the energy of open-air parties and peak-time club moments while retaining the musical identity that has long defined both DJ Tennis and Life And Death. Campbell King's vocal performance sits at the centre of the record, providing a confident focal point as layers of percussion and melodic elements gradually build around it. The result feels equally suited to festival stages, summer terraces and late-night dancefloors. The release arrives during a landmark year for Life And Death. Since launching in 2011, the label has become one of electronic music's most respected independent imprints, helping champion artists across house, techno, indie dance and more melodic corners of the underground. Over the years, it has developed a reputation for releases that prioritise songwriting, atmosphere and individuality alongside club functionality. As founder of the label, DJ Tennis has remained a central figure in shaping its direction. Beyond his work as a producer and DJ, Romano's career has spanned artist management, promotion and collaboration with artists across multiple genres, helping establish the broad musical perspective that continues to define the imprint. ‘Misbehave’ follows last year's well-received collaboration with Eliza Rose, ‘Playa Paradiso’, and continues a strong run of releases for both artist and label. As Life And Death enters its fifteenth year, ‘Misbehave’ serves as a reminder of the label's ability to balance underground credibility with records capable of making an immediate impact on dancefloors around the world. DJ Tennis Instagram | Facebook | X Life and Death Website | Instagram | Facebook | SoundCloud | Bandcamp

DJ Hugo Bianco An Ibiza-based DJ once associated with some of the island’s most recognisable club brands has been named by Spanish authorities as the alleged leader of an international drug trafficking network operating between Spain and the United States. The case centres on Hugo Bianco, an Argentina-born DJ who previously appeared at venues including Ibiza institutions such as Amnesia, Pacha and Destino. According to Spanish court rulings reported this week, Bianco has been identified as a central figure in a long-running investigation examining the alleged movement of narcotics between Europe and North America. The development follows years of investigation by Spain’s Guardia Civil in collaboration with US Homeland Security Investigations. Rather than focusing on isolated offences, authorities claim the operation uncovered a wider network with connections stretching across Ibiza, Barcelona and Miami. For electronic music audiences, the story is notable not simply because of the scale of the allegations, but because it places a figure connected to the international club circuit at the centre of a major criminal case. Ibiza has long occupied a unique position within global dance music culture, attracting artists, promoters and industry professionals from around the world, making cases of this nature particularly high profile. Court documents reportedly allege that the network was involved in the movement and distribution of multiple controlled substances, with investigators carrying out arrests and searches across several locations during the operation. Bianco is understood to be residing in Florida and has reportedly failed to respond to court summons issued in Spain. Reports indicate he has been declared a fugitive from justice while legal proceedings continue. The case remains subject to further legal processes, including potential appeals, but already represents one of the most significant criminal investigations involving a figure connected to Ibiza’s electronic music scene in recent years. As the story develops, it is likely to attract continued attention from both the international dance music community and wider media due to the scale of the allegations and the profile of those involved. Read the full report from Diario de Ibiza here.

Cercle Electronic music livestream and events platform Cercle has revealed it is facing significant financial difficulties, resulting in the cancellation of its planned Mexico festival and raising concerns about the future of one of dance music's most influential media brands. The announcement comes after more than a decade of growth that transformed Cercle from a small independent project into a globally recognised platform known for hosting performances in extraordinary locations around the world. Founded with an initial investment of just €10,000, the company has since produced more than 200 events and broadcasts, attracting millions of viewers through its distinctive combination of electronic music and landmark settings. According to the organisation, a combination of rising production costs, increasing taxes and shrinking margins has placed unsustainable pressure on the business. The team stated that it can no longer deliver the planned Mexico festival to the standards audiences have come to expect from the brand. Over the years, Cercle has become synonymous with ambitious performances from artists including Carl Cox, Boris Brejcha, Ben Böhmer and Amelie Lens, staged at locations ranging from historic castles and cultural landmarks to remote natural landscapes. The news prompted an immediate response from parts of the electronic music community. Several artists publicly offered support, with producers including Chris Avantgarde and Ann Clue expressing willingness to assist future fundraising efforts aimed at helping the project navigate its current challenges. While Cercle's French festival remains scheduled to go ahead, the cancellation of the Mexico edition represents a significant setback for a platform that has played a major role in redefining how electronic music is experienced online over the past decade. Whether the organisation can successfully navigate its current financial difficulties remains to be seen, but the reaction from artists and fans highlights just how important Cercle has become within global dance music culture.

ØTTA Portugal-born DJ, producer and multidisciplinary artist ØTTA has announced her long-awaited debut album ‘PELE DE MAR’, set for release later this year via her own label and global party brand, HOTTIES. Arriving alongside the announcement is new single ‘PULSO.’, one of the album’s most uplifting moments and a track that encapsulates the diverse influences shaping ØTTA’s musical identity. Combining sensual house grooves, Latin rhythms and the bass-heavy sounds she embraced while living in London, ‘PULSO.’ offers an energetic introduction to the wider project. Described as a deeply personal body of work, ‘PELE DE MAR’ traces ØTTA’s journey across the places, cultures and experiences that have shaped her over the last decade. Beginning in Lisbon and extending through London and South America, the eight-track album explores themes of identity, memory and self-discovery through a collection of club-focused productions. The title translates loosely as “skin of the sea”, reflecting the artist’s connection to the ocean and the role travel has played throughout her life and career. Across the album, listeners can expect everything from the Rio de Janeiro-inspired ‘RIO’ and the Paris-influenced ‘THAT SNACK’ to collaborations with Bibi Babydoll, Lua De Santana and FIAH. Before emerging as one of electronic music’s most distinctive rising talents through her breakout ‘Plus One’ EP and widely celebrated Boiler Room appearance, ØTTA spent years immersed in music, art and architecture. Those influences continue to inform both her productions and the wider creative vision behind HOTTIES, the community-focused label and event platform she founded. More than a debut album, ‘PELE DE MAR’ serves as a reflection on the people, places and experiences that have shaped ØTTA’s life, documenting a journey that spans continents while remaining firmly rooted in dance music culture. ØTTA Instagram | TikTok | Facebook | Spotify | Apple Music | YouTube

Sunnyside (US) Sunnyside (US) returns with new single ‘Move To The Rhythm’, landing via Techords on 25th June and showcasing the producer’s knack for crafting modern deep house built squarely for the dancefloor. The track sits at the deeper end of the contemporary house spectrum while maintaining a strong sense of momentum throughout. Rich FM basslines provide the foundation, locking into a swinging groove that immediately pulls the listener into its orbit. Above that, gritty synth textures and velvety pads create a warm but driving atmosphere, balancing weight and emotion in equal measure. What makes ‘Move To The Rhythm’ particularly effective is its sense of restraint. Rather than relying on oversized drops or obvious peak-time moments, Sunnyside (US) focuses on groove, movement and gradual progression. Every element feels purposeful, from the rolling percussion to the subtle melodic flourishes that emerge throughout the arrangement. The result is a record that feels equally suited to packed club floors and late-night listening sessions. There is enough low-end pressure to command attention on a large sound system, while the deeper harmonic elements provide the kind of replay value that extends beyond the dancefloor. The release forms part of the forthcoming ‘Move To The Rhythm EP’, arriving on Techords alongside companion track ‘OG Record’. Early previews have already generated attention across the underground circuit, highlighting Sunnyside (US) as another emerging name worth keeping an eye on within the modern house landscape. With ‘Move To The Rhythm’, Sunnyside (US) delivers a confident statement of intent. Deep, groove-led and packed with character, it is the kind of record that understands exactly what it wants to do and executes it with style. Sunnyside (US) https://www.instagram.com/sunnysidemia https://open.spotify.com/artist/0YKDNWwLhag2W2VPRrjRkt https://soundcloud.com/sunnysidemia Techords https://www.instagram.com/techordsltd https://soundcloud.com/techords

BLONDEX Spanish DJ and producer BLONDEX has never approached electronic music as a purely functional exercise. While her productions deliver the power, scale and impact expected of modern peak-time techno, there has always been something more cinematic sitting beneath the surface. Emotion, storytelling and world-building remain central to her identity, and nowhere is that more apparent than on her debut EXHALE EP, Twisted Reality. Arriving via EXHALE, the four-track release sees BLONDEX draw together the trance influences that first made her fall in love with electronic music and the heavier techno energy that has shaped her rise in recent years. The result is a project that feels both deeply personal and designed for the dancefloor. Music has been part of her life for as long as she can remember. Long before production entered the picture, she was already determined to become a DJ. "What first drew me to electronic music was the pure, instant happiness it gave me," she says. "Whenever someone asked me what I wanted to be when I grew up, my answer was always the same: a DJ." After spending years behind the decks, production became the natural next step. More than simply creating music to play in her sets, it allowed her to develop a voice that was entirely her own. "Creating your own music gives you the opportunity to tell your own story," she explains. "Standing in a booth and playing a record that came directly out of your own head and heart makes the connection with the dancefloor so much more intimate and real." That storytelling instinct sits at the heart of Twisted Reality. Rather than approaching the EP as a collection of club tracks, BLONDEX envisioned it as a journey through shifting emotional and mental states. "I've always been a very spiritual and mystical person," she says. "The concept behind Twisted Reality came from wanting to translate that sensitivity into the language of electronic music." The project explores the blurred space between dreams, reality and altered perception. Each track represents a different stage within that journey, moving between moments of release, introspection and intensity. Musically, the EP also showcases the sound BLONDEX has spent years refining. While techno dominates much of her current output, trance remains a constant influence. "Trance has without a doubt been the genre that has influenced me the most throughout my life," she says. "I discovered techno later and was immediately captivated by its darker and more hypnotic side." Rather than choosing between the two worlds, she eventually embraced both. "Today, my sound is about building a bridge between those universes, bringing together the emotional energy of trance with the driving intensity of peak-time techno." That fusion has become increasingly recognisable across her productions, helping her establish a distinctive identity within a scene that often favours clearly defined lanes. Visual thinking also plays a significant role in her creative process. Tracks rarely begin as technical exercises. Instead, they start with emotions, images and imagined environments. "When I'm in front of Ableton, I'm usually trying to capture a feeling rather than follow a technical plan," she says. "Sounds aren't just frequencies to me. They have textures, colours and landscapes." That mindset perhaps explains why tracks such as '2 Shadows As 1' feel particularly immersive. The record also sees BLONDEX incorporate her own vocals, adding another layer of vulnerability to the project. "Using my own voice felt like the most honest and organic way to communicate the emotion behind the track," she explains. "Club energy will always be at the core of what I do, but I also want my music to connect with people on a much deeper level." The EP also marks an important milestone in her relationship with EXHALE and Amelie Lens, whose support has helped provide a platform for artists operating between traditional genre boundaries. Throughout her career, BLONDEX has often felt caught between different corners of electronic music. "Sometimes my music is considered too melodic for the underground scene, while at the same time being too heavy for the more commercial side," she says. Finding a label that understood that balance proved invaluable. "What I appreciate most about EXHALE is being surrounded by a team that genuinely believes in my vision and encourages me to keep developing my identity without compromise." That confidence arrives at a time when her profile continues to grow rapidly. Appearances at major events including Awakenings and fabric have already established her as one of the more exciting names emerging from Europe's modern techno movement, while a debut appearance at Tomorrowland awaits this summer. Despite the increasing scale of those opportunities, her approach remains unchanged. "I still feel like the exact same girl with big dreams," she says. "My motivation remains exactly the same: to build a genuine connection with the dancefloor and tell my story through the music." Away from touring, she remains conscious of maintaining balance. Time with family, cooking, her vegetarian lifestyle and life with her dog Neula provide an important counterweight to the demands of the industry. "The music industry gives you incredible moments of euphoria, but the non-stop travel and pressure can easily sweep you away if you're not careful," she says. "Those small moments of normal life are what keep me grounded." For BLONDEX, Twisted Reality represents more than just a debut EP on a dream label. It feels like a statement of intent. "I wanted to reveal a much deeper side of who I am, both musically and personally," she says. "This EP is an important milestone, but it's definitely not the final destination. It's the beginning of a whole new chapter." With its blend of trance euphoria, techno intensity and deeply personal storytelling, Twisted Reality suggests that chapter is only just getting started. BLONDEX https://www.instagram.com/blondexmusic https://open.spotify.com/artist/0QnGNIjMdJOJQaDEDi2wym https://soundcloud.com/blondexmusic