Pim van der Sluis Pim van der Sluis makes a confident first impression on OYSTARR with ‘Fake Like That’, a House record that blends infectious vocal hooks with rolling grooves and polished club production. Sitting comfortably between Tech House, Bassline and UKG influences, the track focuses on delivering maximum dancefloor impact without overcomplicating its formula. From the opening bars, the groove establishes itself as the driving force. A punchy kick and tightly programmed percussion create a solid rhythmic foundation, while the bassline injects enough movement to keep the energy flowing throughout. The production feels clean and purposeful, with every element given enough room in the mix to contribute without competing for attention. The vocal hook is undoubtedly the standout feature. Catchy without becoming repetitive, it provides a memorable focal point that helps distinguish the track from many of its contemporaries. Rather than dominating the arrangement, the vocal is woven naturally into the groove, allowing the instrumental to remain just as important in shaping the track's identity. The arrangement keeps things moving through subtle variations and well-timed transitions instead of relying on constant breakdowns or oversized drops. This measured approach gives DJs plenty of flexibility while ensuring the record maintains its momentum from beginning to end. Although the overall structure stays within familiar House territory, the combination of groove, vocal placement and crisp production prevents it from feeling predictable. While those looking for more adventurous songwriting may wish for a few unexpected twists, ‘Fake Like That’ succeeds by executing its core ideas with confidence and precision. It understands exactly what kind of record it wants to be and delivers on that promise with consistency. As a debut on OYSTARR, ‘Fake Like That’ positions Pim van der Sluis as a producer with a strong grasp of contemporary club music. It is an accessible, well-crafted House release that balances underground sensibilities with broad dancefloor appeal. Pim van der Sluis https://instagram.com/pimvandersluis_ https://open.spotify.com/artist/5JXeqsvkKd72A8Vk4VFgzJ

Ginchy ‘Echoes’ sees Ginchy and Tellur combine their strengths on a progressive house release that places melody and emotion at the heart of its sound. Built with large festival stages and expansive club systems in mind, the track balances uplifting synth work with driving rhythms, creating a production that steadily builds towards moments of genuine impact. The arrangement opens with a confident sense of purpose, introducing a solid rhythmic foundation before gradually expanding into a wider melodic landscape. Punchy drums and a controlled low end provide enough weight to keep the groove moving, while layers of shimmering synths and evolving textures add a cinematic quality that gives the record its emotional identity. The melodic progression is the track's strongest feature. Rather than relying on a single hook, ‘Echoes’ develops through carefully layered harmonies and evolving lead lines that continue to build throughout the arrangement. The result is a record that feels immersive without becoming overcomplicated, maintaining enough space in the mix for every element to contribute to the overall atmosphere. Production quality is consistently strong, with clean transitions and well-balanced dynamics allowing each section to flow naturally into the next. The breakdowns generate anticipation without feeling overstretched, while the returns deliver satisfying energy that should translate effectively to festival crowds and larger club environments. Although the structure follows a familiar progressive house blueprint, the songwriting and melodic execution help it avoid feeling formulaic. ‘Echoes’ succeeds because it remains focused on delivering an emotional dancefloor experience without losing sight of its club functionality. Ginchy and Tellur demonstrate a clear understanding of pacing, melody and atmosphere, resulting in a polished collaboration that feels equally suited to late-night sets and main-stage moments. It is an uplifting, well-crafted release that should resonate with fans of modern progressive electronic music. Ginchy https://www.instagram.com/iamginchy https://open.spotify.com/artist/0HOE39NQ7ewDCXEZm796MP Tellur https://instagram.com/tellurmusic https://open.spotify.com/artist/5rvzvX60UWSsHXOKd2XwZT

Mackleny and Xaviezko strike an impressive balance between tradition and innovation on ‘NuStep’, delivering a jungle record that honours the genre's roots while introducing enough fresh ideas to feel firmly grounded in the present. Built around classic breakbeats but elevated through thoughtful musicality, the track captures the raw energy that has defined jungle for decades without becoming an exercise in nostalgia. The production is driven by rolling amen breaks that provide relentless momentum from the outset. The drum programming feels lively and precise, maintaining the controlled chaos that makes jungle so exhilarating while leaving enough room for the surrounding instrumentation to breathe. Every rhythmic shift feels intentional, giving the track a natural flow that keeps the energy high without becoming overwhelming. Where ‘NuStep’ separates itself is through its use of live instrumentation. Jazz-inspired trumpet phrases, expressive piano lines and a warm bass performance introduce an organic quality that contrasts beautifully with the intensity of the percussion. These elements are woven naturally into the arrangement rather than feeling like decorative additions, adding depth and personality while broadening the emotional range of the production. The arrangement continues to evolve throughout its runtime, introducing subtle changes that maintain interest without disrupting the groove. There is a confidence to the production that allows the strongest ideas to develop naturally, resulting in a record that feels equally rewarding for focused listening and club play. The combination of old-school influences and polished modern production gives the track broad appeal without compromising its underground identity. Rather than simply recreating familiar jungle formulas, Mackleny and Xaviezko use them as a foundation for something with its own character. ‘NuStep’ is an energetic, skilfully produced release that captures the excitement of classic jungle while pointing confidently towards the genre's future. Mackleny https://instagram.com/mackleny_ https://open.spotify.com/artist/0OhPRNmylTtIPYgk4Zxh0e

Yalla Habebe Yalla Habebe taps into the sun-soaked energy of Afro House on ‘Ibiza’, delivering a groove-driven production that places rhythm and atmosphere firmly at its core. Built around tribal percussion, warm melodic textures and Latin influences, the track captures the carefree spirit suggested by its title without relying on unnecessary complexity. From the opening bars, the percussion establishes the record's identity. Layered drums and organic rhythmic patterns provide a hypnotic foundation that remains engaging throughout, while a deep, rolling low end keeps the groove firmly anchored. Rather than constantly introducing new ideas, the production allows its core rhythm to breathe, creating a steady sense of momentum that feels equally suited to beach clubs, sunset sets and open-air festivals. A custom vocal hook adds another layer of accessibility, arriving at key moments to reinforce the track's uplifting character without overwhelming the instrumental. The balance between vocal and groove is well judged, ensuring the production remains focused on movement rather than becoming overly dependent on lyrical repetition. Subtle melodic flourishes and atmospheric effects help maintain interest as the arrangement develops, adding colour without distracting from the percussion-led foundation. What works particularly well is the track's commitment to simplicity. 'Ibiza' doesn't attempt to reinvent Afro House or chase every current production trend. Instead, it focuses on delivering a clean, well-balanced club record built around infectious rhythm and positive energy. While listeners seeking greater musical complexity or more adventurous arrangement choices may find it plays within familiar territory, the confident execution makes it an enjoyable and effective dancefloor tool. ‘Ibiza’ succeeds by understanding exactly what it wants to achieve. Yalla Habebe delivers an approachable Afro House release that values groove above all else, creating a feel-good record that should find a natural home in warm-weather playlists and DJ sets throughout the season. Yalla Habebe https://instagram.com/yallahabebe https://open.spotify.com/artist/3XO5mDGAQYNmCOit3zZJ1i

Kriss Reeve Kriss Reeve leans into peak-time club energy on ‘DON'T REMEMBER’, delivering a track that confidently blends Tech House foundations with the heavier impact of Bass House and flashes of Electro House. Built with large festival stages in mind, the production wastes little time establishing its intent, favouring punchy rhythms, weighty low end and an arrangement designed to keep momentum high from beginning to end. The groove is the track's strongest asset. Driving percussion and a thick, rolling bassline provide a solid foundation, while tightly controlled drum programming ensures the energy never drifts. The transitions are clean and purposeful, with tension building naturally before releasing into drops that carry enough impact without feeling overproduced or overly reliant on effects. Vocal elements are used sparingly but effectively, adding memorable hooks that break up the instrumental without distracting from the groove. Combined with distorted synth textures and gritty sound design, they help give the track an identity that sits comfortably between underground club music and more accessible festival-focused house. The production feels polished throughout, with every element occupying its own space in a balanced and powerful mix. Rather than reinventing the genre, ‘DON'T REMEMBER’ focuses on executing familiar ideas with confidence. Its combination of Tech House grooves and Bass House power feels well judged, making it easy to imagine in both large outdoor festival sets and high-energy club environments. While some listeners may hope for a more unexpected twist in the arrangement, the track's commitment to straightforward dancefloor functionality ultimately works in its favour. ‘DON'T REMEMBER’ showcases Kriss Reeve's understanding of what makes a modern club record connect. It is energetic without becoming chaotic, polished without sacrificing character, and delivers the kind of dependable peak-time impact that has earned his productions support across the international dance music scene. Kriss Reeve http://instagram.com/krissreeve https://open.spotify.com/artist/5oS267l8pGKqJmh9ZhCYGS

Lazarusman ‘The Dust Has Settled’ sees Lazarusman and Stimming deliver a deeply immersive electronic production that values atmosphere and emotional nuance over immediate dancefloor impact. Blending elements of melodic techno and deeper Tech House, the collaboration unfolds with quiet confidence, allowing texture and subtle progression to take centre stage. The rhythmic framework is deliberately restrained, with tightly controlled percussion establishing a steady pulse without dominating the mix. Every drum element feels carefully placed, creating movement while leaving plenty of space for the production's finer details to emerge. Rather than building around dramatic peaks, the groove evolves through small rhythmic shifts and understated variations that keep the track engaging throughout. Stimming's production shines in the record's rich sonic palette. Organic textures, evolving synth layers and understated melodic phrases drift through the arrangement, creating an atmosphere that feels spacious and contemplative. Instead of chasing obvious melodic payoffs, the track develops through gradual layering, rewarding listeners who invest in its slower pace and attention to detail. Lazarusman's spoken-word performance provides the emotional anchor. His unmistakable delivery feels woven into the production rather than sitting above it, becoming another instrument within the arrangement. The vocal adds narrative weight without disrupting the hypnotic flow, reinforcing the reflective mood that defines the record from beginning to end. What makes ‘The Dust Has Settled’ particularly compelling is its commitment to restraint. Every production decision serves the wider atmosphere, resulting in a track that feels cohesive and intentional. While those seeking bigger hooks or more dramatic climaxes may find its progression understated, the measured approach ultimately becomes its greatest strength. As a collaboration, Lazarusman and Stimming demonstrate a shared understanding of space, pacing and emotional storytelling. ‘The Dust Has Settled’ is a sophisticated electronic record that favours depth over spectacle, offering an absorbing listening experience that reveals more with each return. Lazarusman https://www.instagram.com/thelazarusman https://open.spotify.com/artist/4Sh3sUk5Pq69gqPHT89aCc Stimming https://www.instagram.com/stimming_official https://open.spotify.com/artist/2yPveJtn9DpeN0CgNJHvAQ

Chrisstrat With ‘Deep In My Mind’, Chrisstrat delivers a patient and immersive production that places atmosphere ahead of instant gratification. Sitting between progressive house and melodic techno, the track embraces slow-burning development, using subtle shifts in texture and rhythm to create tension rather than relying on dramatic hooks or oversized drops. The foundation is built around a driving, acid-tinged bassline that remains a constant presence throughout the arrangement. Its hypnotic quality provides a strong anchor for the surrounding production, while crisp percussion and understated drum programming maintain forward momentum without becoming overly aggressive. The groove feels deliberate and controlled, encouraging listeners to settle into its steady pulse rather than chasing constant peaks. Much of the track's identity comes from its evolving synth work. Mid-range textures gradually expand across the stereo field, while restrained pads introduce a darker emotional tone that complements the sparse vocal motif. The repeated vocal is used effectively as an atmospheric element rather than the centrepiece of the production, reinforcing the hypnotic mood without distracting from the instrumental progression. One of the record's strongest qualities is its confidence in pacing. The arrangement unfolds gradually, allowing each section to breathe before introducing new ideas. A stripped-back breakdown provides a welcome moment of tension, creating space before the track slowly rebuilds through layered textures instead of opting for an obvious melodic payoff. This measured approach rewards attentive listening and feels particularly well suited to late-night club environments. While those seeking immediate hooks may find its understated nature less accessible, the commitment to subtle progression ultimately gives the track its character. Every production choice feels considered, resulting in a cohesive listening experience that values mood and immersion above spectacle. ‘Deep In My Mind’ is a thoughtfully produced record that demonstrates Chrisstrat's understanding of tension, space and long-form arrangement, offering a refined journey that should resonate with fans of deeper progressive and melodic electronic music. Chrisstrat https://instagram.com/chrisstratofficial https://open.spotify.com/artist/3Tvghg2BssuCHTyQbcQe8v

Zuezeu Hollywood-based DJ and producer Zuezeu has unveiled his latest single, ‘GO’, marking a confident return with a tech house release built for peak-time dancefloors and high-energy club sets. The new single sees the producer lean into a more direct and uncompromising sound. Driven by rolling percussion, punchy low-end grooves and a commanding spoken-word vocal, ‘GO’ constantly evolves rather than settling into repetitive loops, giving the track an energetic momentum that keeps listeners engaged from start to finish. Released alongside an accompanying music video, the project extends the record's bold personality beyond the music itself. Set inside a prison, the visual casts Zuezeu as an inmate, using the striking backdrop to reinforce the confrontational tone and restless energy that define the production. The release follows Zuezeu's 2024 debut album ‘More Life’, signalling another step in the evolution of an artist who continues to develop a sound rooted firmly in contemporary club culture. While previous releases balanced melodic moments with dancefloor appeal, ‘GO’ places groove and attitude front and centre. Since launching the project in 2020, Zuezeu has steadily expanded his international profile through performances across North America, Europe and Asia. Highlights include appearances at EDC Las Vegas, headline club shows in the United States and performances in Tokyo and Seoul, helping establish a growing global audience alongside an increasingly active online following. With ‘GO’, the Hollywood producer delivers another statement of intent, combining modern tech house production with a memorable vocal hook and a dynamic arrangement that feels purpose-built for late-night club systems. Zuezeu Instagram | Website | Facebook | Spotify

(L-R) Lauer, Léonie Pernet, Marina Trench One year after unveiling his acclaimed second album ‘ii’, DESTIINO is opening a new chapter with ‘rem(ii)xes’, a three-track EP that reinterprets some of the record's defining moments through the eyes of three of electronic music's most respected producers. Released via Lumière Noire on 26th June, the collection sees Lauer, Marina Trench and Léonie Pernet each bring their own musical language to Pierre-Alexandre Busson's introspective project, transforming familiar material into something entirely new while preserving the emotional core that defined the original album. Rather than producing conventional club remixes, each artist reshapes the source material through their own distinctive lens. Lauer injects ‘Musique Electronique Répétitive’ with shimmering kosmische influences and driving cold-disco rhythms, while Marina Trench pushes ‘Somlake’ towards darker electro and techno territory through dense percussion and hypnotic grooves. Completing the collection, Léonie Pernet's interpretation of ‘My Crush’ expands the cinematic qualities of the original, layering haunting piano, analogue textures and slow-building emotional tension. The release continues the evolution of DESTIINO as a project distinct from Busson's internationally recognised work as Yuksek. Where Yuksek has long occupied dancefloors with colourful house and disco productions, DESTIINO has become a vehicle for more reflective compositions that blur the boundaries between electronic music, film scoring and experimental songwriting. That creative freedom has become a defining characteristic of the project, with ‘rem(ii)xes’ demonstrating just how adaptable the material from ‘ii’ remains when placed in the hands of like-minded artists. The EP also arrives ahead of DESTIINO's appearance at La Crème Festival, where he will perform a special back-to-back set with CHLOÉ, founder of Lumière Noire. By inviting three contrasting artists to reinterpret his work rather than simply update it for the club, DESTIINO delivers a remix collection that feels like a natural extension of the original album, expanding its emotional and musical universe instead of revisiting familiar ground.

Hypoxic Make Your Era has steadily built a reputation for championing the next wave of melodic Drum & Bass talent, and its forthcoming ‘Summer Mixtape 2026’ continues that mission with ten tracks that blur the lines between dancefloor energy, songwriting and crossover appeal. One of the tracks really showcasing that level of quality on the compilation is New Zealand talent Hypoxic's ‘Never Be Enough’. Positioned as the second track on the mixtape, ‘Never Be Enough’ perfectly captures the direction Make Your Era has been moving towards over the past year. Built around soaring vocal melodies, rolling Drum & Bass grooves and polished modern production, the record balances emotional weight with undeniable dancefloor momentum. Rich pads and uplifting synth work provide the foundation before crisp drums and powerful low-end lock everything into place, creating a record equally suited to festival stages and repeat home listening. Rather than chasing heavier Jump Up territory, Hypoxic leans into melody and atmosphere without sacrificing energy. The result feels fresh, contemporary and unmistakably aligned with the label's evolving identity. The track forms part of Make Your Era's latest compilation, curated by label founder Vibe Chemistry. Alongside exclusive cuts from Medicine and Vibe Chemistry himself, the project brings together artists including Feed The Fire, OHKAY, Maurizzle, Iskia, Danger and GU, reflecting the label's continued commitment to showcasing the breadth of modern Drum & Bass. Since launching, Make Your Era has become one of the UK's most exciting emerging Drum & Bass imprints by prioritising artist development over rigid genre boundaries. The label's focus on strong songwriting, memorable hooks and forward-thinking production has helped establish a distinctive catalogue that feels equally at home in clubs, playlists and festival sets. With ‘Never Be Enough’, Hypoxic delivers one of the compilation's defining moments, offering a confident statement from an artist and label continuing to push melodic Drum & Bass into exciting new territory. Hypoxic https://www.instagram.com/hypoxicdnb https://open.spotify.com/artist/1M4zPcINLauYm4AQU8XXzb https://soundcloud.com/hypoxic-989267756 Make Your Era https://www.instagram.com/makeyourera https://soundcloud.com/makeyourera

Robin Thurston Progressive house producer Robin Thurston is set to make his debut on Magnetic Magazine Recordings with new single ‘Equinox’, arriving on 26th June as the label's 68th release. Known for his melodic, long-form approach to electronic music, Thurston has steadily built a reputation through releases on labels including Particles, Soundteller, Bonzai, ARRVL, AH Digital and The Soundgarden. With support from respected selectors including Hernan Cattaneo and Nick Warren, his productions have found a home among DJs who favour atmosphere, storytelling and patient progression over immediate impact. ‘Equinox’ continues that philosophy. Built around expansive pads, evolving lead melodies and refined progressive house grooves, the track gradually unfolds across spacious arrangements, allowing emotion and movement to develop naturally. Rather than relying on oversized drops or formulaic structures, Thurston focuses on subtle progression, creating a record designed for the deeper moments of a DJ set where mood becomes as important as energy. The release also marks another step forward for Magnetic Magazine Recordings, whose catalogue has increasingly focused on melodic electronic music that balances dancefloor functionality with emotional depth. Speaking recently about his creative process, Thurston explained that experience has taught him to value simplicity and patience over complexity. Rather than trying to fit every idea into a single production, he now centres each track around one strong musical concept, allowing arrangements to evolve organically while giving melodies the space to breathe. That approach is evident throughout ‘Equinox’. Every element feels carefully considered, with the production prioritising flow, atmosphere and gradual development instead of instant gratification. The result is a record that rewards attentive listening while remaining firmly rooted in progressive house's dancefloor traditions. As his profile continues to grow through consistent releases and support from some of the genre's most respected names, ‘Equinox’ reinforces Robin Thurston's reputation as a producer committed to thoughtful songwriting and timeless club music over passing trends. Robin Thurston Instagram - Spotify - SoundCloud Magnetic Magazine Recordings Instagram – SoundCloud

David Penn House music veteran David Penn has released his latest single, ‘Satisfy My Soul’, delivering another groove-led production via his own Urbana Recordings while once again demonstrating why he remains one of the genre's most consistent producers. Rather than building the record around a fresh studio session, the track began with a forgotten sample buried deep within Penn's personal archive. Rediscovering the recording inspired the producer to pair it with the unmistakable M1 organ sound that defined countless house records throughout the 1990s, creating a track that bridges classic influences with modern club production. The result is a feel-good house cut driven by rolling drums, infectious piano chords and uplifting vocal hooks, carrying the warm, soulful energy that has become synonymous with Penn's productions over the past three decades. Early reactions suggest the record is already proving effective on dancefloors, with Penn road-testing it throughout recent performances across Europe and Ibiza before its official release. The single arrives during another prolific period for the Spanish producer, who continues to balance an extensive touring schedule with a steady stream of releases. Recent years have seen him collaborate with Vintage Culture and Raphaella, revisit his Kadoc classic 'Nighttrain' for its 30th anniversary, and release music through labels including Defected, Toolroom and Fool's Paradise. Widely recognised as one of house music's most enduring figures, Penn remains the highest-ranked house artist in Beatport history, reflecting both the longevity and consistency of a career that has spanned more than three decades. 'Satisfy My Soul' reinforces the qualities that have defined that journey. Built around timeless house music foundations rather than short-lived trends, the record delivers a familiar but refreshed sound that feels equally at home on festival stages, Ibiza dancefloors and underground club systems. David Penn Spotify / Instagram / Facebook / Soundcloud / YouTube Urbana Recordings Soundcloud / YouTube