Zuezeu Hollywood-based DJ and producer Zuezeu has unveiled his latest single, ‘GO’, marking a confident return with a tech house release built for peak-time dancefloors and high-energy club sets. The new single sees the producer lean into a more direct and uncompromising sound. Driven by rolling percussion, punchy low-end grooves and a commanding spoken-word vocal, ‘GO’ constantly evolves rather than settling into repetitive loops, giving the track an energetic momentum that keeps listeners engaged from start to finish. Released alongside an accompanying music video, the project extends the record's bold personality beyond the music itself. Set inside a prison, the visual casts Zuezeu as an inmate, using the striking backdrop to reinforce the confrontational tone and restless energy that define the production. The release follows Zuezeu's 2024 debut album ‘More Life’, signalling another step in the evolution of an artist who continues to develop a sound rooted firmly in contemporary club culture. While previous releases balanced melodic moments with dancefloor appeal, ‘GO’ places groove and attitude front and centre. Since launching the project in 2020, Zuezeu has steadily expanded his international profile through performances across North America, Europe and Asia. Highlights include appearances at EDC Las Vegas, headline club shows in the United States and performances in Tokyo and Seoul, helping establish a growing global audience alongside an increasingly active online following. With ‘GO’, the Hollywood producer delivers another statement of intent, combining modern tech house production with a memorable vocal hook and a dynamic arrangement that feels purpose-built for late-night club systems. Zuezeu Instagram | Website | Facebook | Spotify

(L-R) Lauer, Léonie Pernet, Marina Trench One year after unveiling his acclaimed second album ‘ii’, DESTIINO is opening a new chapter with ‘rem(ii)xes’, a three-track EP that reinterprets some of the record's defining moments through the eyes of three of electronic music's most respected producers. Released via Lumière Noire on 26th June, the collection sees Lauer, Marina Trench and Léonie Pernet each bring their own musical language to Pierre-Alexandre Busson's introspective project, transforming familiar material into something entirely new while preserving the emotional core that defined the original album. Rather than producing conventional club remixes, each artist reshapes the source material through their own distinctive lens. Lauer injects ‘Musique Electronique Répétitive’ with shimmering kosmische influences and driving cold-disco rhythms, while Marina Trench pushes ‘Somlake’ towards darker electro and techno territory through dense percussion and hypnotic grooves. Completing the collection, Léonie Pernet's interpretation of ‘My Crush’ expands the cinematic qualities of the original, layering haunting piano, analogue textures and slow-building emotional tension. The release continues the evolution of DESTIINO as a project distinct from Busson's internationally recognised work as Yuksek. Where Yuksek has long occupied dancefloors with colourful house and disco productions, DESTIINO has become a vehicle for more reflective compositions that blur the boundaries between electronic music, film scoring and experimental songwriting. That creative freedom has become a defining characteristic of the project, with ‘rem(ii)xes’ demonstrating just how adaptable the material from ‘ii’ remains when placed in the hands of like-minded artists. The EP also arrives ahead of DESTIINO's appearance at La Crème Festival, where he will perform a special back-to-back set with CHLOÉ, founder of Lumière Noire. By inviting three contrasting artists to reinterpret his work rather than simply update it for the club, DESTIINO delivers a remix collection that feels like a natural extension of the original album, expanding its emotional and musical universe instead of revisiting familiar ground.

Hypoxic Make Your Era has steadily built a reputation for championing the next wave of melodic Drum & Bass talent, and its forthcoming ‘Summer Mixtape 2026’ continues that mission with ten tracks that blur the lines between dancefloor energy, songwriting and crossover appeal. One of the tracks really showcasing that level of quality on the compilation is New Zealand talent Hypoxic's ‘Never Be Enough’. Positioned as the second track on the mixtape, ‘Never Be Enough’ perfectly captures the direction Make Your Era has been moving towards over the past year. Built around soaring vocal melodies, rolling Drum & Bass grooves and polished modern production, the record balances emotional weight with undeniable dancefloor momentum. Rich pads and uplifting synth work provide the foundation before crisp drums and powerful low-end lock everything into place, creating a record equally suited to festival stages and repeat home listening. Rather than chasing heavier Jump Up territory, Hypoxic leans into melody and atmosphere without sacrificing energy. The result feels fresh, contemporary and unmistakably aligned with the label's evolving identity. The track forms part of Make Your Era's latest compilation, curated by label founder Vibe Chemistry. Alongside exclusive cuts from Medicine and Vibe Chemistry himself, the project brings together artists including Feed The Fire, OHKAY, Maurizzle, Iskia, Danger and GU, reflecting the label's continued commitment to showcasing the breadth of modern Drum & Bass. Since launching, Make Your Era has become one of the UK's most exciting emerging Drum & Bass imprints by prioritising artist development over rigid genre boundaries. The label's focus on strong songwriting, memorable hooks and forward-thinking production has helped establish a distinctive catalogue that feels equally at home in clubs, playlists and festival sets. With ‘Never Be Enough’, Hypoxic delivers one of the compilation's defining moments, offering a confident statement from an artist and label continuing to push melodic Drum & Bass into exciting new territory. Hypoxic https://www.instagram.com/hypoxicdnb https://open.spotify.com/artist/1M4zPcINLauYm4AQU8XXzb https://soundcloud.com/hypoxic-989267756 Make Your Era https://www.instagram.com/makeyourera https://soundcloud.com/makeyourera

Robin Thurston Progressive house producer Robin Thurston is set to make his debut on Magnetic Magazine Recordings with new single ‘Equinox’, arriving on 26th June as the label's 68th release. Known for his melodic, long-form approach to electronic music, Thurston has steadily built a reputation through releases on labels including Particles, Soundteller, Bonzai, ARRVL, AH Digital and The Soundgarden. With support from respected selectors including Hernan Cattaneo and Nick Warren, his productions have found a home among DJs who favour atmosphere, storytelling and patient progression over immediate impact. ‘Equinox’ continues that philosophy. Built around expansive pads, evolving lead melodies and refined progressive house grooves, the track gradually unfolds across spacious arrangements, allowing emotion and movement to develop naturally. Rather than relying on oversized drops or formulaic structures, Thurston focuses on subtle progression, creating a record designed for the deeper moments of a DJ set where mood becomes as important as energy. The release also marks another step forward for Magnetic Magazine Recordings, whose catalogue has increasingly focused on melodic electronic music that balances dancefloor functionality with emotional depth. Speaking recently about his creative process, Thurston explained that experience has taught him to value simplicity and patience over complexity. Rather than trying to fit every idea into a single production, he now centres each track around one strong musical concept, allowing arrangements to evolve organically while giving melodies the space to breathe. That approach is evident throughout ‘Equinox’. Every element feels carefully considered, with the production prioritising flow, atmosphere and gradual development instead of instant gratification. The result is a record that rewards attentive listening while remaining firmly rooted in progressive house's dancefloor traditions. As his profile continues to grow through consistent releases and support from some of the genre's most respected names, ‘Equinox’ reinforces Robin Thurston's reputation as a producer committed to thoughtful songwriting and timeless club music over passing trends. Robin Thurston Instagram - Spotify - SoundCloud Magnetic Magazine Recordings Instagram – SoundCloud

David Penn House music veteran David Penn has released his latest single, ‘Satisfy My Soul’, delivering another groove-led production via his own Urbana Recordings while once again demonstrating why he remains one of the genre's most consistent producers. Rather than building the record around a fresh studio session, the track began with a forgotten sample buried deep within Penn's personal archive. Rediscovering the recording inspired the producer to pair it with the unmistakable M1 organ sound that defined countless house records throughout the 1990s, creating a track that bridges classic influences with modern club production. The result is a feel-good house cut driven by rolling drums, infectious piano chords and uplifting vocal hooks, carrying the warm, soulful energy that has become synonymous with Penn's productions over the past three decades. Early reactions suggest the record is already proving effective on dancefloors, with Penn road-testing it throughout recent performances across Europe and Ibiza before its official release. The single arrives during another prolific period for the Spanish producer, who continues to balance an extensive touring schedule with a steady stream of releases. Recent years have seen him collaborate with Vintage Culture and Raphaella, revisit his Kadoc classic 'Nighttrain' for its 30th anniversary, and release music through labels including Defected, Toolroom and Fool's Paradise. Widely recognised as one of house music's most enduring figures, Penn remains the highest-ranked house artist in Beatport history, reflecting both the longevity and consistency of a career that has spanned more than three decades. 'Satisfy My Soul' reinforces the qualities that have defined that journey. Built around timeless house music foundations rather than short-lived trends, the record delivers a familiar but refreshed sound that feels equally at home on festival stages, Ibiza dancefloors and underground club systems. David Penn Spotify / Instagram / Facebook / Soundcloud / YouTube Urbana Recordings Soundcloud / YouTube

Rolbac Lebanese DJ and producer Rolbac has joined the Circus Recordings family for the first time, unveiling new single ‘Where Is My Love’ via Yousef's long-running imprint. The release marks another significant step in the producer's growing international profile, following a steady run of releases that have established him as one of the Middle East's leading electronic music exports. Built around a heartfelt vocal performance, ‘Where Is My Love’ leans into emotion without sacrificing its dancefloor focus. Warm piano stabs, rich synth textures and a deep, rolling groove combine to create a track that balances intimacy with club-ready energy. Eighties-inspired melodic touches weave through the arrangement, while crisp percussion and understated production keep the record moving with confidence from beginning to end. Rather than chasing peak-time intensity, Rolbac opts for patience and atmosphere, allowing the vocal and melodies to develop naturally across the track. The result is a production that feels equally suited to late-night clubs, open-air terraces and extended listening sessions. The Circus debut continues an impressive run for the Lebanese artist, whose catalogue now includes releases on respected underground labels including Einmusika, Kindisch, Senso Sounds, MAHOOL and UNSEEN. His productions have steadily expanded his reach beyond the Middle East, earning support from DJs and audiences across the international house and melodic electronic music scene. Away from the studio, Rolbac continues to build an increasingly global touring schedule. Alongside regular appearances throughout the Middle East, the producer has recently performed in South America and is set to appear at Hï Ibiza later this summer. With ‘Where Is My Love’, Rolbac delivers a confident debut for Circus Recordings, combining emotional songwriting with refined dancefloor sensibilities. It is another strong statement from a producer whose international rise shows little sign of slowing down. Rolbac https://www.instagram.com/rolbac_ofc https://open.spotify.com/artist/5HfazbsZC06O4dycKstvWh https://soundcloud.com/undrtoneblog

Vibe Chemistry Make Your Era returns on 26th June 2026 with the arrival of its ‘Summer Mixtape 2026’, a ten-track Drum & Bass compilation capturing the brighter, more melodic and emotionally driven side of the label’s evolving sound. Bringing together a mix of exclusive new material alongside standout catalogue favourites, the project reflects the label’s continued focus on artist development, songwriting and forward-facing dance music built equally for dancefloor moments and repeat listening. Buy/Stream it here: https://cygnusmusic.link/emxnpp7. Where previous Make Your Era compilations leaned heavily into darker Jump Up energy and high-impact low-end pressure, ‘Summer Mixtape 2026’ widens the scope considerably. Across the project, liquid influences, vocal-led songwriting, cinematic intros and crossover electronic textures sit alongside heavyweight club production and rolling Drum & Bass foundations. The result feels intentionally varied while still remaining cohesive from start to finish. Leading the release are three brand-new exclusives from key emerging names within the label’s growing roster. Medicine opens the mixtape with ‘Say My Name’, followed by Hypoxic’s ‘Never Be Enough’, before label head Vibe Chemistry returns with ‘What Can I Do’, adding another fresh cut to the steadily evolving MYE catalogue. Alongside the new material, the compilation also brings together several standout records that have helped define the label’s identity over recent months. Feed The Fire & OHKAY, Maurizzle, Medicine, Iskia, Danger and GU:STUFF all contribute to a project that balances vocal-led accessibility, underground club energy and modern Drum & Bass versatility without ever losing momentum. Rather than feeling like a disconnected playlist of singles, the mixtape flows as a snapshot of where Make Your Era currently sits creatively, spotlighting a new generation of artists pushing melodic and crossover Drum & Bass into exciting territory. The mixtape continues Make Your Era’s wider vision of creating a platform for the next generation of Drum & Bass artists while avoiding rigid genre boundaries. Rather than focusing solely on one corner of the scene, the label continues embracing records that prioritise identity, emotion and replay value alongside club impact. Curated by Vibe Chemistry, Make Your Era has quickly established itself as one of the UK’s most exciting developing electronic imprints pushing bass-led dance genres, consistently spotlighting rising talent and helping shape a more melodic and song-driven future for the genre. The ‘Summer Mixtape 2026’ feels like another defining snapshot of that direction, capturing a label and artist roster continuing to evolve in real time. Make Your Era Beatport – Instagram – TikTok

Byrd BYRD returns with one of his most personal releases to date, unveiling ‘When I See You Again’ as the lead single from his forthcoming ‘We Will Rave Again’ EP, arriving via Future Techno Records. The track fuses driving techno foundations with soaring trance-inspired vocals, delivering a production that balances raw dancefloor energy with genuine emotional weight. Built around a relentless groove and powerful low-end, ‘When I See You Again’ steadily unfolds through evolving synth textures, atmospheric pads and uplifting vocal hooks. Rather than relying purely on intensity, BYRD allows the melodic elements to breathe, creating moments of release that feel equally suited to peak-time club spaces and festival settings. At its core, however, the track carries a deeply personal story. Written in memory of two close friends the producer lost, ‘When I See You Again’ became an outlet for grief, transforming difficult emotions into a record centred on hope, connection and celebration through music. That emotional honesty gives the production added depth without ever distracting from its dancefloor focus. The euphoric melodies feel earned rather than sentimental, sitting naturally alongside the driving percussion and rolling energy that define the arrangement. The release also marks the beginning of BYRD's new EP on Future Techno Records, showcasing an artist continuing to explore the space where powerful club music meets meaningful storytelling. With ‘When I See You Again’, BYRD demonstrates that dance music can be both emotionally resonant and built for the biggest systems. It is a fitting introduction to the ‘We Will Rave Again’ EP and a reminder of electronic music's unique ability to bring people together through shared moments on the dancefloor. BYRD https://www.instagram.com/byrd.techno https://open.spotify.com/artist/4qL1kSi1Pco1fX3OHG7K7b https://soundcloud.com/byrdmp3

Amsterdam Dance Event has expanded the programme for its 30th anniversary ADE Pro conference, announcing another wave of speakers that further strengthens this year's focus on the future of electronic music, artist independence and emerging global scenes. Among the latest additions are Mochakk, Solarce Brothers, Josh Baker, SPFDJ, Orbital's Paul Hartnoll, Ed Banger founder Pedro Winter (Busy P), Gideon Berger and Sarah Williams, joining a programme that already includes Jean-Michel Jarre as Guest of Honour alongside previously announced speakers Mosimann, Novah and LYZZA. Access to the ADE Pro Conference and networking program is available with an ADE Pro Pass, now still available at Early Bird rate. Rather than simply reflecting on three decades of dance music culture, this year's conference is looking firmly ahead. ADE Pro 2026 is built around three central themes: the future of independent music in an increasingly consolidated industry, the evolving relationship between artists and major technology platforms, and how collective action can help shape electronic music's next chapter. Several of the newly announced sessions directly reflect those discussions. Josh Baker will explore the growing role of artists as entrepreneurs, examining how DJs and producers are increasingly building businesses beyond music through labels, events and education. Meanwhile, Paul Hartnoll will take part in a discussion exploring sampling, consent and cultural ownership, coinciding with the 30th anniversary of Orbital's landmark album In Sides. The expanded programme also continues ADE's emphasis on emerging regional scenes. Brazil remains one of this year's key focus territories, with Mochakk and Solarce Brothers joining wider conversations about the country's rapidly growing influence on the global electronic music landscape. Elsewhere, Pedro Winter and Because Music founder Emmanuel de Buretel will reflect on two decades of collaboration and what independent music businesses need to remain competitive, while Gideon Berger, Sarah Williams and Matt Black will discuss the role music communities can play in driving wider social change. Taking place from 21st to 25th October, the 30th edition of ADE Pro once again positions itself as one of the electronic music industry's leading forums for discussion, networking and debate, bringing together artists, executives and innovators to examine where dance music goes next.

Thousands of UK music and sports fans are set to receive refunds after competition regulators ruled that StubHub UK breached consumer protection laws by failing to display mandatory ticket fees at the start of the purchasing process. The ruling marks one of the most significant actions taken so far under the UK's strengthened consumer protection framework and serves as another warning to ticketing platforms operating within the live events sector. Rather than focusing solely on ticket resale itself, regulators targeted the way prices were presented to consumers. According to the UK's Competition and Markets Authority (CMA), some customers purchasing tickets through StubHub UK between April and December 2025 were shown an initial ticket price that did not include unavoidable service and delivery charges. Those fees only appeared later in the checkout process, a practice commonly known as "drip pricing". The CMA found that this prevented consumers from accurately comparing prices before making purchasing decisions. As part of the settlement, StubHub UK will refund more than 50,000 customers, with total repayments exceeding £590,000. The company has also been fined close to £900,000 after admitting it breached consumer law and agreeing to settle the investigation early. The case highlights growing scrutiny around ticketing transparency across the live events industry. As ticket prices continue to rise, regulators have increasingly focused on hidden charges and purchasing practices that make it difficult for consumers to understand the true cost of attending concerts, festivals and sporting events. StubHub UK stated that the issue stemmed from what it described as an isolated platform error rather than a deliberate business practice, adding that the problem has since been corrected and affected customers will receive automatic refunds. For the wider live music sector, the ruling signals that regulators are prepared to take a tougher stance on pricing transparency as consumer protection rules continue to evolve. Investigations into other ticketing and online retail businesses remain ongoing.

DJ Hugo Bianco An Ibiza-based DJ once associated with some of the island’s most recognisable club brands has been named by Spanish authorities as the alleged leader of an international drug trafficking network operating between Spain and the United States. The case centres on Hugo Bianco, an Argentina-born DJ who previously appeared at venues including Ibiza institutions such as Amnesia, Pacha and Destino. According to Spanish court rulings reported this week, Bianco has been identified as a central figure in a long-running investigation examining the alleged movement of narcotics between Europe and North America. The development follows years of investigation by Spain’s Guardia Civil in collaboration with US Homeland Security Investigations. Rather than focusing on isolated offences, authorities claim the operation uncovered a wider network with connections stretching across Ibiza, Barcelona and Miami. For electronic music audiences, the story is notable not simply because of the scale of the allegations, but because it places a figure connected to the international club circuit at the centre of a major criminal case. Ibiza has long occupied a unique position within global dance music culture, attracting artists, promoters and industry professionals from around the world, making cases of this nature particularly high profile. Court documents reportedly allege that the network was involved in the movement and distribution of multiple controlled substances, with investigators carrying out arrests and searches across several locations during the operation. Bianco is understood to be residing in Florida and has reportedly failed to respond to court summons issued in Spain. Reports indicate he has been declared a fugitive from justice while legal proceedings continue. The case remains subject to further legal processes, including potential appeals, but already represents one of the most significant criminal investigations involving a figure connected to Ibiza’s electronic music scene in recent years. As the story develops, it is likely to attract continued attention from both the international dance music community and wider media due to the scale of the allegations and the profile of those involved. Read the full report from Diario de Ibiza here.

Cercle Electronic music livestream and events platform Cercle has revealed it is facing significant financial difficulties, resulting in the cancellation of its planned Mexico festival and raising concerns about the future of one of dance music's most influential media brands. The announcement comes after more than a decade of growth that transformed Cercle from a small independent project into a globally recognised platform known for hosting performances in extraordinary locations around the world. Founded with an initial investment of just €10,000, the company has since produced more than 200 events and broadcasts, attracting millions of viewers through its distinctive combination of electronic music and landmark settings. According to the organisation, a combination of rising production costs, increasing taxes and shrinking margins has placed unsustainable pressure on the business. The team stated that it can no longer deliver the planned Mexico festival to the standards audiences have come to expect from the brand. Over the years, Cercle has become synonymous with ambitious performances from artists including Carl Cox, Boris Brejcha, Ben Böhmer and Amelie Lens, staged at locations ranging from historic castles and cultural landmarks to remote natural landscapes. The news prompted an immediate response from parts of the electronic music community. Several artists publicly offered support, with producers including Chris Avantgarde and Ann Clue expressing willingness to assist future fundraising efforts aimed at helping the project navigate its current challenges. While Cercle's French festival remains scheduled to go ahead, the cancellation of the Mexico edition represents a significant setback for a platform that has played a major role in redefining how electronic music is experienced online over the past decade. Whether the organisation can successfully navigate its current financial difficulties remains to be seen, but the reaction from artists and fans highlights just how important Cercle has become within global dance music culture.