Rising Italian duo 2Seater makes a bold debut on Techords with their newest single, ‘Tainted,’ set for release on 30th January 2025. Inspired by Soft Cell’s iconic 80s hit ‘Tainted Love,’ this underground Deep Tech roller reimagines the classic with a darker, more contemporary edge, delivering a track designed to captivate modern dancefloors. Grab your copy: https://www.beatport.com/release/tainted/4870695 The production on ‘Tainted’ is a testament to 2Seater’s sharp creativity and attention to detail. Layering crisp percussion and a pulsing low-end groove with hypnotic atmospheric textures, the duo weaves subtle hints of the original melody into their deeply immersive sound. The result is a track that feels both nostalgic and innovative, seamlessly bridging past and present influences while staying rooted in the underground deep tech aesthetic. With ‘Tainted,’ 2Seater showcases their ability to craft dynamic, club-focused tracks while paying homage to timeless musical influences. Their debut on Techords signals a promising year ahead for the duo as they continue to carve out their place in the global electronic music scene. 2Seater https://www.instagram.com/2seater_official https://soundcloud.com/user-43012327 Techords https://www.instagram.com/techordsltd https://soundcloud.com/techords

Innovative UK-based company ROLI has announced the launch of 'Piano', a new music-learning keyboard designed to provide a comprehensive and intelligent system for both beginners and seasoned musicians. The instrument features 49 full-sized keys equipped with ROLI's BrightKey light-up system, which guides users by illuminating the keys to indicate which notes to play next. Each key offers per-note pitch bend and polyphonic aftertouch, allowing for expressive control, such as bending individual notes within a chord—a hallmark of ROLI's renowned Seaboard products. The integration of these features aims to make learning and playing more intuitive and engaging. The system is powered by ROLI's AI Assistant, designed to help users get started, teach music history and theory, and provide useful prompts on new concepts to learn. The keys can glow to display different scales, chords, arpeggios, and more, enabling users to practice music theory without the need to read sheet music. Connectivity options for the ROLI Piano include USB-C for computer connection and Bluetooth MIDI for wireless integration. It also features a MIDI output for direct hardware connections and a sustain pedal input to add more expression to performances. The keyboard is compatible with all major Digital Audio Workstations (DAWs) and offers up to six hours of battery life, enhancing its portability. The ROLI Piano is currently available at an introductory price of £319, with a planned increase to £548 in the future. Additionally, ROLI offers a bundle that includes the Piano and the ROLI Airwave for £798. The Airwave is a multifunctional device that serves as both an AI-powered music teacher and a digital theremin, providing instructional guidance and allowing advanced musicians to manipulate sound effects through hand movements above the keys. This release underscores ROLI's commitment to blending technology and music education, offering tools that cater to a wide range of users, from novices to experienced musicians. Check it out on ROLI's official website here.

Spotify has made a $150,000 donation to President Donald Trump's inauguration ceremony, held on January 20, 2025. The streaming giant also hosted a pre-inauguration brunch on January 19, featuring prominent podcasters such as Joe Rogan, Ben Shapiro, and Tim Pool. The event aimed to highlight "the power of podcasts in this election." In a statement, Spotify explained that the donation aligns with its efforts to expand its presence in Washington, D.C., and to further the goals of its platform and creators, regardless of the political party in power. The company emphasised that hosting events in political capitals worldwide is standard practice to advance its policy issues. This contribution places Spotify among other tech companies that supported the inauguration. Competitors Apple and Amazon each donated $1 million to the event. The inauguration ceremony featured performances by artists such as Carrie Underwood, Lee Greenwood, and opera singer Christopher Macchio. Leading up to the official event, additional performers, including Snoop Dogg, Nelly, Soulja Boy, Jason Aldean, and the Village People, participated in rally-style events. Spotify's involvement in the inauguration has sparked discussions about the role of tech companies in political events and the potential implications for their public image. As Spotify continues to navigate its position in the political landscape, stakeholders and users alike are observing how such actions align with the company's stated mission and values.

Tomorrowland has announced its full line-up for the 2025 festival, set to take place over two weekends: 18th-20th and 25th-27th July, in Boom, Belgium. This year's event will feature performances from over 600 artists across 16 stages. The main stage will host prominent acts, including Anyma, Armin van Buuren, Alok, Amber Broos, Charlotte De Witte, Amelie Lens, ANNA, Martin Garrix, Job Jobse, Swedish House Mafia, David Guetta, and Fisher. Notable back-to-back sets are scheduled, such as Anyma b2b Solomun, Dimitri Vegas b2b Fantasm, DJ BORING b2b HAAi, Timmy Trumpet b2b Dimitri Vegas, VTSS b2b SPFDJ, and Sam Divine b2b Arielle Free. The Symphony of Unity orchestra will perform dance classics on the Freedom stage during both weekends, adding a unique element to the festival's diverse offerings. Stage hosts for 2025 include Indira Paganotto's ARTCORE, FISHER's Catch & Release Records, Amelie Lens' EXHALE, He.She.They., Monstercat, Amber Broos, Lost Frequencies & Friends, Smash The House from Dimitri Vegas & Like Mike, and Yves V's V Sessions. Belgian pre-sale tickets will be available here on Saturday, 25th January, at 11:00 CET, with worldwide pre-sale starting at 17:00 CET the same day. General worldwide ticket sales will commence on 1st February at 17:00 CET. Interested attendees can pre-register for tickets on Tomorrowland's official website. For a complete list of performers, day splits, and additional details, visit Tomorrowland's official website or check their recent Instagram announcement.

Reloop has introduced the Keypad Pro, a new MIDI controller designed to meet the needs of both novice and professional electronic music producers. The Keypad Pro offers an intuitive interface packed with high-end features, making it an ideal tool for creating and performing music. At an accessible price point, the Keypad Pro features velocity-sensitive pads, assignable knobs, and seamless integration with major DAWs like Ableton Live, FL Studio, and Logic Pro. Its compact design ensures portability, catering to producers who want to create music on the go without compromising functionality. Reloop’s reputation for delivering high-quality, user-friendly gear makes the Keypad Pro a welcome addition to its product lineup. The controller also includes RGB backlit pads and an ergonomic layout, making it equally suitable for live performances and studio use. With this release, Reloop aims to democratise access to music production tools, empowering the next generation of creators to explore their sound. The Keypad Pro is now available for purchase via Reloop’s official website and select retailers worldwide.

Electronic music luminary DJ Koze has announced the release of his long-awaited new album, Music Can Hear Us, set to drop this April. This marks his first full-length project since 2018’s critically acclaimed Knock Knock. Fans are already abuzz with anticipation, especially following the announcement of the album's lead single, Pure Love, featuring Damon Albarn of Gorillaz fame. The album promises to be an eclectic mix of Koze’s signature quirky, soulful production, with contributions from a range of collaborators. Known for blending experimental elements with warm, emotional melodies, DJ Koze is celebrated for pushing the boundaries of electronic music. Early previews of Music Can Hear Us suggest a record that balances introspection with playful energy, keeping listeners hooked from start to finish. Damon Albarn’s involvement adds another layer of excitement to the release. The Gorillaz frontman’s unmistakable vocals are expected to bring a poignant, human touch to Koze’s innovative soundscapes. With his ability to consistently defy expectations, DJ Koze has become one of electronic music’s most revered figures. This latest album is poised to further cement his legacy as a trailblazer in the industry.

The UK music industry has achieved a historic milestone, recording a staggering £2.39 billion in sales for 2024, according to the British Phonographic Industry (BPI). This marks an impressive 6.7% increase from the previous year, solidifying the UK’s position as a global powerhouse in music consumption and production. Vinyl music sales played a significant role in driving this growth, with a resurgence that shows no signs of slowing down. The format accounted for a remarkable portion of physical sales, with fans gravitating towards the tangible, nostalgic experience that vinyl offers. Streaming also continued to dominate, contributing over 70% of the revenue as platforms like Spotify, Apple Music, and Amazon Music secured their place as industry staples. The increase reflects not only the public’s unwavering appetite for music but also the resilience and adaptability of the industry in embracing technological changes and new revenue streams. Geoff Taylor, CEO of the BPI, attributed the success to the UK’s rich talent pool and the ongoing innovation in how music is marketed and consumed. With artists like Dua Lipa, Fred Again.., and Elton John contributing to the global appeal of British music, 2024’s figures set a high bar for 2025. However, challenges remain, including ensuring equitable royalties for artists in the streaming age.

Tom Rowlands, one-half of the iconic electronic duo The Chemical Brothers, has taken his talents to the small screen with a new TV project. Rowlands has composed a techno-infused soundtrack for a forthcoming television series about Benito Mussolini. The project, directed by acclaimed filmmaker Joe Wright, is set to blend historical storytelling with modern aesthetics, with Rowlands’ score playing a pivotal role. Drawing inspiration from the rave culture of the 1990s, Rowlands described the score as a dynamic mix of pulsating beats, hypnotic synth lines, and ambient layers. The intention was to create a soundscape that juxtaposes the gravity of the historical narrative with contemporary energy. It’s a fresh take on period drama scoring, aiming to engage a new generation of viewers. The Chemical Brothers are no strangers to crossing into film and television, with their music featured in several high-profile productions over the years. However, this marks a significant solo endeavour for Rowlands. Fans of the duo and electronic music enthusiasts alike are eagerly anticipating the release, which promises to highlight Rowlands’ unique ability to push boundaries. The Mussolini series is slated for release later this year, with its soundtrack already generating buzz as a bold step in the intersection of history and electronic music. Check it out below:

Legendary dance music publication DJ Mag has announced a major format shift. Starting this year, the magazine will transition to a premium quarterly edition, moving away from its previous monthly schedule. This change comes as part of an effort to modernise its design, content, and overall offering to cater to the evolving preferences of its global readership. The new quarterly edition promises a richer reading experience, featuring in-depth artist interviews, exclusive behind-the-scenes insights, and a focus on long-form content that dives deeper into the stories behind the music. DJ Mag editor Carl Loben highlighted the importance of adapting to today’s digital age while retaining the magazine’s identity as a respected voice in the electronic music community. This move follows trends in other parts of the print industry, where publications are refining their output to appeal to a niche but highly engaged audience. While the publication will retain its iconic brand identity, the quarterly editions aim to become collector’s items, cherished by dance music aficionados worldwide. Since its launch in 1991, DJ Mag has been a cornerstone of the electronic music scene, serving as a platform for DJs, producers, and industry news. With this bold reinvention, DJ Mag hopes to set a new standard for music journalism in the 21st century. For more info or to subscribe to DJ Mag's quarterly print edition, visit https://djmag.com.

Since its inception in 2022, Indira Paganotto’s ARTCORE Records has been at the forefront of the electronic dance world. The label has made an indelible mark on the techno landscape with an unrelenting commitment to high-quality, cutting-edge releases. Throughout 2024, ARTCORE’s continuous output of singles, EPs, and its iconic 2-part VA series demonstrated its prowess in curating dynamic techno experiences. ARTCORE also took its electrifying presence on the road, selling out shows across Europe, South America, and Asia. As the year drew to a close, it became clear that ARTCORE was more than just a label; it was a movement shaping the future of contemporary techno. Looking ahead, 2025 promises to be just as monumental for ARTCORE. The label continues pushing boundaries with a double EP format from two different artists, combining the raw power of Mexico’s Interactive Noise with the fresh sounds of Brazil’s Avan7 & Becker. This release marks the first of the new year, and as expected from ARTCORE, it’s no ordinary drop. Interactive Noise kicks off the EP with ‘Tokyo Core,’ a track inspired by the personality of a yakuza character from the movie “Like a Dragon.” With trance-infused bass stabs, orchestral fills, and ominous pads, ‘Tokyo Core’ evokes a moody yet euphoric atmosphere that intensifies as the beat progresses. For Interactive Noise, this track is a testament to the power of harnessing cinematic influences within a high-energy techno framework. Grab your copy of 'ARTCORE DUO I' here. “Tokyo Core” was born out of a profound moment of inspiration. “The idea of ‘Tokyo Core’ was born right after watching the movie ‘Like a Dragon,’” Interactive Noise explains. “The movie filled me with so much energy about the personality of a yakuza, so I decided to create something with that feeling, something with such power that it would reverberate on stage.” Interactive Noise recalls the first time he played it live at an ARTCORE showcase in Colombia—an experience that left him deeply moved. “Believe me, that’s exactly how it felt when I played it live for the first time.” The collaboration with Avan7 & Becker introduces a new dynamic to ARTCORE’s ever-expanding sound. Their track ‘Meru’ opens with a visceral, guttural vocal sample that conjures a tribal atmosphere, instantly luring listeners into an immersive, otherworldly experience. As fierce grooves and metallic synths rumble into the mix, the track evolves into a cosmic whirlwind of ethereal melodics and fast-paced percussion. The combination of organic and futuristic elements on ‘Meru’ creates a stark contrast that proves just how well ARTCORE continues to blend the ancient and the contemporary in its releases. Interactive Noise returns to close the EP with the stirring anthem ‘Warrior Inside Me.’ This track stands out for its anime-inspired vocal samples, paired with a rhythm that intertwines seamlessly around the vocals. “It’s a standout track,” says Interactive Noise. “With a simple but powerful melody, it’s a mix between psytrance and techno, and whenever I listen to it, I feel like a warrior ARTCORE.” Despite its roots in psytrance, this EP marks a shift for Interactive Noise, one that embraces new sonic territories while staying true to his signature style. “I think music is broad enough to capture different emotions,” he shares. “In the end, we are human, and what we do is feel. I always try to create different profiles of emotions, from something dark and aggressive to something happy or melancholic.” This diversity of feeling is integral to the evolution of his sound, which has grown more distinctive with each release. “The trick is always to sound like yourself,” Interactive Noise emphasizes. “I’ve managed to achieve that. 95% of people who know my sound can identify me within a few seconds of hearing it.” Psytrance and techno have taken over the world stage, particularly over the past decade, and Interactive Noise is no stranger to this evolution. “To be honest, this style of psytrance-techno fusion is something I was doing 10 years ago, and now it’s back. It’s just a proper evolution of that concept,” he explains, referencing his breakout track ‘Ninja World’ from ARTCORE’s OFF-Sonar VA in 2024. “That song was a big step forward for me. It consolidated the sound I’m currently developing, and many people loved it, along with ‘The Punisher.’ These new releases on ARTCORE are of that same concept.” Reflecting on ARTCORE’s rapid ascent, Interactive Noise is humbled by the label’s incredible growth and global influence. “I’m impressed with the work the ARTCORE team does. It’s the first time I’ve seen a label grow so fast. It’s certainly because of the dedication and effort they put in, and I love working with ARTCORE. They always inject me with all the energy they emanate.” Looking forward to 2025, Interactive Noise is keen to push the boundaries even further. “The cinematic side is a good tool to give an epic and deeper touch to the tracks,” he says. “Personally, I love giving my music that touch and you’ll definitely hear it more in my upcoming tracks.” This year is set to be a major one for Interactive Noise, with numerous ARTCORE showcases scheduled around the world. “I’m very excited for this year,” he says with palpable enthusiasm. “I’m going to release a couple of singles before my fifth studio album. It’s going to be a big year for me.” As ARTCORE continues its global takeover, Interactive Noise is poised to lead the charge with new music, fresh experiences, and an unwavering commitment to creating powerful, boundary-pushing techno. Interactive Noise https://www.instagram.com/interactivenoise https://open.spotify.com/artist/4lA68EVFzoodItMp7RH2cv https://soundcloud.com/interactivenoise ARTCORE https://www.instagram.com/artcore_records https://soundcloud.com/artcore_records

With a multi decade spanning career behind him, prolific live artist Saytek shows no signs of slowing things down. His innovative techno energy has always strained the boundaries, consistently testing new waters with no performance being the same. It is this unique and spontaneous outlook on music which has landed him the “RAW & Live” EP on the heavily respected - Raw Industries label. Straight edge sounds extracted from live performances to give an insight of Saytek’s current and essential sound. Pulsating and enormous techno from one of the most devoted in the game. The first track “Never Lost (Live)” heats things up from the get go, a slick and driven motion from the UK live act, laced with tripped out vocals, creating hypnotic tension as it passes you by. “Check 125 (Live)” is constructed with a thunderous kick and throbbing industrial attitude, before you cross paths with “Every Body Work My Body”, playful samples flash in and out, complimenting the serious acid tinged rhythms that wander around them. “DET88 (Live)” is again further exemplary work from Saytek, looping tones sending the peak time dance floor into a frenzy. Dark and twisted movements for the small hours of the night. Not letting up the pace of the EP is “Get That (Live)”, mysterious synths and pads whirr in the depths of the darkness, stretching the mind of the listener as it moves. As expected Saytek kick starts 2025 with some of his finest work to date, gritty and smokey techno not for the faint hearted. With such longevity in the game Saytek sticks true to his underground sound, never shying away from experimentation. This release comes off the back of an Awesome Soundwave album, releases on other labels such as Laurent Garnier’s Cod3QR, and Kevin Saunderson’s KMS all whilst heavily touring playing the likes of Rave The Planet, underground clubs as well as tours in India, USA, Mexico and Canada to name a few countries which have embraced his sound in recent times. Buy & Stream "RAW & Live": https://bfan.link/saytek-raw-live

Electronic music innovators Josh Hunter and BBT are back with their collaborative single, ‘Pick Me Up,’ available on Perfect Havoc from 24th January. Featuring the soaring vocals of Jennifer, this track merges emotional storytelling with dancefloor-focused production. Atmospheric builds, driving basslines, and uplifting melodies deliver a euphoric listening experience. Download/stream it now: https://perfecthavoc.lnk.to/pickmeup. ‘Pick Me Up’ carries a heartfelt narrative. Josh Hunter shares, “When we wrote ‘Pick Me Up,’ we were reflecting on how people come and go in our lives. Some individuals leave such a lasting impression that they never truly fade away. You often find yourself sharing your biggest achievements and worries with them. That’s the essence of ‘Pick Me Up’—it’s about those special people who remain part of your journey, even when you can’t see them anymore.” Josh Hunter is a name synonymous with success, having co-written Gorgon City’s smash hit ‘Never Let Me Down.’ His productions on Good Company and Love & Other in 2024 have garnered support from global tastemakers, cementing his place in the upper echelons of UK dance music. BBT, a Liverpool-based DJ and producer, has spent the past 12 years defining his craft. Known for his dynamic DJ sets, which incorporate live percussion, BBT has performed at prestigious venues like O Beach Ibiza and The Grand National. His versatility and vibrant sound make him a standout in the electronic music landscape. Jennifer’s vocals bring another dimension to the track. A seasoned performer who has worked with Robbie Williams and played at major venues such as Wembley, Jennifer’s emotive delivery has a transformative quality. Her standout live performance of ‘Pick Me Up’ at The Grand National showcased the track’s anthemic potential. Released on Perfect Havoc, a label celebrated for breaking new talent and boasting over 11 billion streams, ‘Pick Me Up’ is a shining example of its expertly curated catalogue. Download/stream ‘Pick Me Up’ here: https://perfecthavoc.lnk.to/pickmeup.