Hot Picks: Harry Oliver Shares 10 House Records In Heavy Rotation
London DJ and producer Harry Oliver has been building serious momentum throughout 2026. Alongside co-founding Deep Horizon Events, which has hosted parties across the UK, Ireland and Belgium, his productions have earned support from the likes of Max Dean, Omar+ and Mad.Again, while his online production tutorials have amassed more than five million views.
His latest release sees him land on Belters Only’s We Are Active Records with ‘This Feelin’, backed by the groove-heavy ‘Housework’. The two tracks capture different sides of Oliver’s sound, moving between warm, driving house, R&B-inflected vocals, elastic basslines and sleek electronic production.
For his Hot Picks, Harry digs into ten records currently connecting with him. There are nods to classic house alongside contemporary underground cuts from the likes of Vitess, M-High, Marsolo and Rooléh, with dreamy synth work, stripped-back grooves and 90s influences recurring throughout.
Denia – Ibiza (El Mix Mas Elegante) [Rezpektiva]
“I came across this one a while back, and it just stuck with me. There’s something really nostalgic about it, but at the same time the vibe still feels completely right. It’s one of those tracks I can come back to, and it always takes me somewhere.”
Vitess – Electric Feelings [Retro Futura]
“I’ve been really into Vitess recently, and his whole latest album is great. There’s a lot of inspiration in there for me, particularly in the way he approaches his sound and keeps things feeling fresh while still being rooted in house music. ‘Electric Feelings’ is a standout for me.”
Michel de Hey & Job De Jong – Get On Up [Haventrax]
“I just straight-up love this track. It has that 90s house feeling, but it’s been refreshed and modernised in a way that makes it work perfectly now. It’s got the energy and groove I’m always looking for.”
M-High – What’s Going On [Up The Stuss]
“I’ve been playing this one a lot recently. I love the groove, and the way it builds throughout the track with the synths. It has that proper house feel to it, 90s influence, but still sounds really fresh. Definitely one I’ll be keeping in the bag for a while.”
Dreamatic – Audio Trip [Dreamatic]
“The synths are a big part of what makes this one for me. I love the analogue feel and the atmosphere of the track, but it still feels fresh rather than dated. There’s a real warmth to it that I’m always drawn towards.”
Stardust – Music Sounds Better With You [Because Music]
“I know this one is an obvious choice, but I couldn’t leave it out. It was one of the first house records I really connected with, and it’s always stuck with me. Even now, whenever I play it, it just works. You can put this on in pretty much any setting and people instantly connect with it. It’s one of those records that never really loses its magic.”
Marsolo – On A Mission [LOCUS]
“I love this track, and it feels very close to the direction I’m heading in with my own music now. The synths, the dreamy feel and the way it still manages to sound fresh while keeping that underground edge really appeal to me. It’s the kind of balance I’m trying to find in my own productions.”
Rupert Ellis – Midnight Voices [LOCUS]
“This is another one I’ve been really into. I love the atmosphere on this, especially the synths and the way the groove just rolls along. It’s got that deeper, dreamy feel but still works in a club, which is something I really like.”
Reber – Dancing With Myself [Eastenderz]
“Really into this one at the moment. The groove is so good, and I love how stripped back it is without feeling boring. It’s got that proper underground feel that I’m always drawn to, and I’ve been playing it a lot recently.”
Rooléh – Want To Know [No Art]
“This one’s been doing it for me recently. I love the groove, and that vocal hook is so good. It’s got loads of energy but still feels really stripped back, which I’m into.”
Across the ten selections, there’s a clear thread running through what Harry Oliver is drawn to right now. Warm analogue textures, rolling grooves and 90s house references sit alongside the cleaner, stripped-back approach of the new generation, with several picks pointing directly towards where he wants to take his own productions next. It’s a balance that also runs through ‘This Feelin’ and ‘Housework’, pairing immediate dancefloor energy with plenty of soul beneath the surface.
