Rob Pearson Every artist has a story built from the sounds that moved them most. For Rob Pearson, it’s a journey that stretches from early electro and hip hop through acid house, jungle and the rise of UK tech house, all stitched into a career that has defined the underground for over two decades. Rob Pearson’s latest release, ‘Turnin’ Things Up’, lands on his long-running label Evasive Records on 14th November. The four-track EP shows the full range of his sound, from rolling tech house energy to deeper, groove-led cuts that nod to his roots while keeping things razor-sharp. Fresh from new releases on Fabric, Wiggle, Toolroom and his own Evasive imprint, Rob looks back on five records that shaped him and how they still echo through his music today. Mantronix – ‘Who Is It?’ “This record was, and still is, a huge influence on me. After growing up on all things electro, I got my real education from Mike Allen’s legendary rap show on Capital Radio between 1984 and 1987. I was obsessed with the Street Sounds Electro series, and this track from Mantronix’s Music Madness album blew my mind. At 12 years old, it sounded like the future. The rap was great, the hook was catchy, but it was Mantronik’s production that really got me. The drum edits and the structure were next level. That track helped shape my early path as a DJ and inspired me to start producing. Then, 30 years later, I ended up backstage with Mantronik in 2017 and got him to sign all my old records. A proper full circle moment.” Baby Ford – ‘Oochy Koochy (F.U. Baby Yeh Yeh)’ “Oochy Koochy pulled me right into acid house and the UK underground as it was taking shape. It was minimal, mechanical, off-kilter and nothing like what I’d heard before. The bassline was infamous. It actually blew the cutting lathe during mastering, which only added to its legend. Everything about that tune felt underground and mysterious, like you were part of something secret. It made me realise you didn’t have to follow the rules, and that’s something I’ve carried with me into my own productions ever since.” Exocet – ‘Sweet Talk’ “By the time this came around, things in South London were moving fast. Early rave and breakbeat were taking over. But this track stood out because it slowed things down. It was deep, heavy, and stripped right back. It taught me about dynamics and space, that less can actually do more. No big drops, no tricks, just pressure and movement. That sense of restraint and groove really stuck with me when I started building my own sound.” LTJ Bukem – ‘Music’ “When LTJ Bukem released Music, I was deep into drum and bass, releasing on Basement Records, getting support from Bukem, Fabio and Grooverider, and hosting my own pirate radio show as Rob Scratch on Energy 87.9FM. When I first heard this tune, it felt like it opened another dimension. It wasn’t just about aggression or tempo anymore. It had soul, emotion and balance. It gave me a new understanding of what drum and bass could be, and definitely shifted how I approached production.” Get Fucked – ‘Frequency Building’ (Dot to Dot) “After a few years producing for others at my studio in Croydon, I found myself drawn back into my own music around 1997. I was following DJs like Colin Dale and Mr. C, and that early South London tech house sound felt like a natural evolution. I picked up the Dot to Dot album at Eukatech in Covent Garden, not realising at the time that Get Fucked was Nathan Coles and Nils Hess. The track Frequency Building blew me away. It showed how much you could do with groove alone, no gimmicks, just movement and weight. That record pulled me fully into tech house. Around then, I was spending loads of time at Swag Records in West Croydon, the same building where I used to buy my first electro and hip hop records. It was like everything had come full circle. The same walls, the same energy, but a new sound that tied it all together.” Five records. Five eras. Each one carving out a layer of Rob Pearson’s journey, from crate-digging school days in Croydon to becoming one of the UK’s most respected underground producers. Rob Pearson https://www.instagram.com/djrobpearson https://open.spotify.com/artist/7tg8lOnuTKRRpJ5IvpdksB https://soundcloud.com/djrobpearson Explore more Influences: Influences archive · Hot Picks · All features

Darren Styles Darren Styles has spent decades at the centre of UK rave culture. From early hardcore roots through to global festival stages, his sound has always balanced energy with emotion. That connection doesn’t happen by accident. It’s built from years of listening, learning, and absorbing what works on a dancefloor. With his return to XOYO Birmingham set for 18th April, these influences give a clear view into what drives him. Not just sonically, but emotionally. You can hear it in his sets. You can feel it in the way his records land. This is where it comes from. Liquid - Sweet Harmony [XL Recordings] “This is one of those tracks that just captures a moment in time perfectly. It’s got that real rave spirit, but there’s also something really uplifting and emotional about it which has always stayed with me. That balance between energy and feeling is something I’ve always tried to bring into my own music. When I first heard this, it made me realise that dance music didn’t just have to be about beats, it could actually make you feel something. Even now, you still hear elements of that sound coming back around, and I think that influence is always there in the background of what I do.” The Prodigy - Your Love [XL Recordings] “The Prodigy were a massive influence on me early on, and this track is a big part of that. It’s got a rawness and energy that really stood out, especially at a time when the scene was still finding its identity. There’s something quite simple about it, but it hits hard and it sticks with you. That idea of creating something that feels powerful without overcomplicating it is something I’ve always taken into my own productions. It’s also a reminder of how important attitude is in music, not just the technical side of things.” Headhunterz - Scrap Attack [Scantraxx] “This track was a big moment for hardstyle and definitely had an impact on me as well. The scale of it, the way it builds, the melodies, everything about it just feels massive. It showed how far the harder styles could go in terms of production and emotion. That combination of power and melody is something I’ve always connected with, especially coming from a UK hardcore background. You want people to feel something but also have that drive on the dancefloor. Scrap Attack really nailed that and it’s a track I still respect a lot.” Paul van Dyk - For An Angel [Vandit Records] “This is just a timeless trance record. The melody is so simple but so effective, and it’s one of those tracks that instantly takes you somewhere when you hear it. It had a big influence on me in terms of how important melody can be in dance music. You don’t always need loads going on, sometimes it’s about finding that one idea that really connects. I’ve always been drawn to that euphoric side of things, and tracks like this definitely played a part in shaping that in my own sound.” The Stone Roses - Fools Gold [Silvertone Records] “This might not be a typical dance track, but it’s one that’s always stuck with me. It’s got a groove and a vibe that just pulls you in and keeps you there. Growing up in the UK, bands like The Stone Roses were such a big part of the culture, and I think that influence carries over into electronic music more than people realise. For me, it’s a reminder that feel is everything. Whether it’s a band or a dance track, if it’s got that groove and atmosphere, it will connect with people.” There’s a clear pattern across these choices. Emotion and energy sit side by side. Rave, trance, hardstyle, indie. Different worlds, but the same core idea. Music has to move you first. The rest follows. That’s exactly what you get at a Darren Styles set. Big moments. Strong melodies. No let up. And when he steps into XOYO Birmingham later this month, you already know what the goal is. Connection. Movement. Release. Everything these records represent, played out in real time. Darren Styles https://www.instagram.com/darrenstylesuk https://open.spotify.com/artist/2gZzTzeACSwFqkMroVxmnm https://soundcloud.com/darren-styles XOYO Birmingham https://xoyobirmingham.co.uk https://www.instagram.com/xoyobirmingham https://twitter.com/xoyobirmingham Click flyer above for tickets Explore more Influences: Influences archive · Hot Picks · All features

REMIXIA London-based duo REMIXIA step forward with their debut release on Connected, unveiling ‘Floating’ earlier this month. Made up of Emilia Boateng and Rebecca Adomakoh, the pair have steadily built a reputation through DJ sets that connect Afro electronic music with deeper house and techno textures. Their club night SORO Sounds reflects that same ethos. The platform focuses on community and diaspora-led sounds while bridging global dancefloor cultures. ‘Floating’ captures their sonic identity clearly. Commanding bass anchors the record while atmospheric pads, melodic synth lines and sultry vocals create lift above a driving rhythmic core. The result feels equally suited to late-night club systems and expansive open-air dancefloors. Buy/Stream: https://lnk.to/Floating_. Outside the studio, REMIXIA have taken their sound across major venues and cultural stages, including Pacha Ibiza, KOKO and events surrounding Paris Fashion Week, sharing lineups with artists such as Rampa, Black Coffee, Desiree and Shimza. For this Influences feature, the duo reflect on five records that helped shape how they think about identity, rhythm and connection in dance music. The selections move through South African house, Brazilian classics and Ghanaian innovation, mapping the cultural threads woven through their sound today. Atmos Blaq - The Cure & The Cause (Atmos Blaq Remix) “Atmos Blaq is an artist who resonates with us deeply. We remember queuing to see him play in East London, but arriving too late because the doors had closed. The next day, we randomly bumped into him at another venue and ended up watching DJ Lag together. That moment stuck with us. His remix of ‘The Cure & The Cause’ really shaped how we think about remixing and cultural identity. He respected the original while bringing in a distinctly South African energy.” Jorge Ben Jor - Ponta De Lança Africano “We discovered this in a vinyl store while travelling in Rio. It connected instantly. On the surface, it tells the story of a mythical African footballer, Umbabarauma, but beneath that, it celebrates African pride and dignity. For us as Ghanaians, it feels like a bridge across the diaspora. It celebrates movement, strength and presence.” Thakzin - Possessed “We first discovered Thakzin through ‘The Magnificent Dance’ in early 2023 when the 3-step sound was spreading globally. ‘Possessed’ stood out immediately. At the time, Afro electronic music was not as widely embraced as it is today, particularly in Ghana. Yet this track always created energy wherever we played it.” Ata Kak - Bome Nnwom “Ata Kak represents one of the earliest moments where electronic dance elements fused with Ghanaian sounds. Highlife is foundational to Ghanaian music, and in the early 90s, he was already experimenting with electronic instruments. ‘Bome Nnwom’ feels years ahead of its time and reminds us how deep the roots of innovation go.” The Believers - Who Dares To Believe In Me “We both first heard this track in our early teenage years, and it has stayed with us ever since. The vocal line is simple but powerful. When played at the right moment, it creates a huge emotional reaction on the dancefloor.” The records shaping REMIXIA’s sound reveal a deeper story than simple stylistic influence. Each one carries a cultural connection tied to diaspora, movement and identity. From the South African house innovations of Atmos Blaq and Thakzin to the Brazilian pride of Jorge Ben Jor and the early Ghanaian experimentation of Ata Kak, the selections form a musical lineage that continues to evolve. You can hear those threads running through ‘Floating’. The track blends rhythmic drive with melodic atmosphere, bridging club functionality with cultural memory. As REMIXIA continue building SORO Sounds and expanding their global presence, these influences remain central to their approach. Dance music for them is not just about the beat. It is about connection across communities, across continents and across generations. REMIXIA Instagram - Soundcloud - Tik-Tok Explore more Influences: Influences archive · Hot Picks · All features

We're back with another artist guest mix, this time from Canadian duo Lex & Wood. With releases via Rawthentic, Desert Hearts, Elrow and more, Montreal-born duo Lex & Wood are amongst a handful of Canada’s new generation of talent pushing fresh house sounds. Gaining support from the likes of Danny Howard, Josh Butler, Latmun and Nicole Moudaber, the Creatures Of Habit chiefs recently made their South Of Saturn debut with the release of their percussive, vocal-led cut ‘Danza De Los Diablos’. Playful vocals, frisky percussion and effervescent basslines fuel ‘Danze De Los Diablos’ as hissing samples, Latin keys and rhythmic claps work polyphonically in this cheeky, club-orientated cut. Buy 'Danza De Los Diablos': https://www.beatport.com/release/danza-de-los-diablos/3646920 Follow South Of Saturn: Facebook - https://www.facebook.com/SouthOfSaturnMusic Instagram - https://www.instagram.com/south_of_saturn/ Beatport - https://www.beatport.com/label/south-of-saturn/80916 Soundcloud - https://soundcloud.com/southofsaturn Follow Us: https://www.linktr.ee/undrtoneblog Explore more UndrCtrl: UndrCtrl archive · Undrscovered · All DJ mixes

CLARAA French producer CLARAA continues her upward trajectory with ‘No Fear’, a melodic house collaboration with GHSTNR released on Connected Frontline, the imprint founded by Stereo MC’s. Built on percussive momentum, emotive synth work, and spoken word depth, the record captures the balance that has defined her rise across Europe’s underground circuit. Her productions draw equally from afro house, melodic techno, and groove-driven minimalism, shaped by years of close listening and careful refinement. Buy/Stream it here: https://lnk.to/NoFear_. To understand how that identity formed, CLARAA looks back at five records that left a lasting mark on her creative direction, each one contributing to the rhythmic language, emotional depth, and sense of movement that now define her sound. Danny Tenaglia - Elements "I first heard “Elements” as a child, sitting in my dad’s car while my older brother played his latest discoveries. Those long drives between my parents’ homes became quiet rituals of musical initiation, moments where I unknowingly began absorbing Techno, House and progressive music. This track was my first true encounter with percussive house. The groove itself becomes the narrative: cowbells, toms, shakers, congas, bongos, rim hits, each element weaving together in a hypnotic dialogue. I remember realising that rhythm could be storytelling. That understanding has never left me. Percussion still sits at the heart of my productions. I’m always searching for that same rolling, tribal pulse that feels both grounding and transportive." Merv - Melted Vein "Around that same period, I discovered “Melted Vein.” I was about ten years old, and its dub-infused, spaced-out atmosphere struck me deeply, perhaps because I was also immersed in old-school hip-hop at the time. I began sensing a bridge between these worlds, connected through groove and low-end weight. There’s something beautifully submerged about this record. It feels like it’s floating, yet it remains anchored by rhythm. That sense of width and depth is something I consciously pursue in my own work. I love when a mix feels enveloping and textural, but still controlled and punchy. “Melted Vein” taught me that subtlety can be powerful, and that space itself is an instrument." Rodamaal ft. Claudio Franco - Insomnia (Âme Remix) "I first heard Âme’s remix of “Insomnia” at The Electric Pickle in Miami in 2014, and it genuinely felt like a new world opening in front of me. The room was dark, the sound system was powerful, and the track carried this poised balance of restraint and emotion. It felt cinematic without ever losing the groove. That night taught me that tension can also emerge from harmony, patience, and timing. Later, discovering that the original by Rocco Rodamaal was already incredible made it even more inspiring. After that experience, I started learning to DJ in my bedroom, and my hunger for music became even more consuming. It was also when Innervisions truly came onto my radar and participated in my musical direction." Manoo - The Dub "I discovered “The Dub” while digging through DJ sets in 2018, and it immediately stood out. Manoo’s groove is unmistakable, fluid, warm, and deeply alive. There’s a constant sense of forward motion in his productions that feels effortless yet intentional. That movement has profoundly influenced how I construct my percussion and top layers. I’m always chasing a groove that remains hypnotic but never static. That day, I dove into Manoo’s catalogue and realised how many of his tracks I already knew and loved, without even noticing the connection. Playing his music became instinctive for me, and it ultimately solidified the groove that now shapes my own sound. I’ve admired him ever since, and it remains an honour to have worked with him on my EP Horizon. His remixes are extraordinary." Henrik Schwarz & Bugge Wesseltoft - In Spite of Everything "The first time I heard “In Spite of Everything” on its release in 2020, it felt as though time had paused. I was transported somewhere strangely familiar, like stepping into a memory I hadn’t yet lived. The piece never forces its emotion. Instead, it unfolds gently and organically. I remember feeling close to tears before a quiet smile emerged, and that emotional shift is exactly what I strive to evoke in my own music. This record became truly important to me. It’s tender and melodic, deeply human, yet it still carries a subtle, cinematic electronic weight underneath. I completely fell in love with this masterpiece. Starting production that year felt inevitable. I needed to make my own music, to translate those emotions into sound. Henrik Schwarz remains one of my greatest influences, particularly in how he bridges classical sensitivity with electronic depth." These influences reveal an artist shaped by patience and emotional awareness as much as technical discipline. From early exposure to hypnotic percussion through to cinematic melodic compositions that sparked her transition into production, each record helped establish the foundations she continues to build on today. With ‘No Fear’ marking a new chapter on Connected Frontline and further support growing around her releases and DJ sets, CLARAA’s trajectory reflects an artist grounded in intention, guided by instinct, and committed to evolving her voice within modern melodic house. CLARAA Instagram - Soundcloud - Spotify GHSTNR Instagram Explore more Influences: Influences archive · Hot Picks · All features

Christoph Faust Berlin-born, Kyiv-based DJ and producer Christoph Faust returns to SEVEN with his latest EP, ‘The Window Upstairs’. It marks a defining moment for an artist whose identity remains closely tied to Berlin’s club culture while evolving through new personal and geographic chapters. Buy/Stream it here: https://seven.berlin/product/seven7008. The EP captures the emotional and rhythmic duality that has come to define Faust’s sound. ‘Keep It Up’ opens with elastic drums and playful vocal chops designed for peak-time lift, while the title track channels the soft, dub-soaked nostalgia of early mornings at Panorama Bar. On the flip, ‘Don’t Stop’ leans into stripped, tribal percussion before BLANKA reshapes it into a hypnotic after-hours drift. Closing cut ‘A Voicemail’ reveals a more intimate side, while Lydia Eisenblätter pushes the digital version into progressive territory rooted in 90s analogue textures. Faust’s journey began in Berlin’s underground ecosystem, shaped by formative nights at Tresor and the world-defining presence of Berghain. These spaces weren’t just venues. They became classrooms, creative laboratories, and lifelong reference points. Now, with over 17 years in electronic music and a role as booker at Kyiv’s K41, Faust reflects on the tracks that helped define his approach to sound, emotion and restraint. Steffi & Virginia - Yours "I remember hearing this track for the first time at Panorama Bar - of course. It was a beautiful, sunny Sunday afternoon, probably around four or five. The late sun was pouring into the room, that soft golden light that only happens there, and everything felt suspended for a moment. When the track came on, it didn’t feel like that cheesy kind of house music at all. And that’s important to me, because today I truly love house - but very much in my own way. When I first got into electronic music, about seventeen years ago, I was actually quite distant from house. I was surrounded by a lot of cheap, uninspired tech house back then, and it honestly pushed me away from the genre. I simply didn’t yet understand what house music could really be. Years later, during my regular dances at this club, this track appeared - and it hit differently. The power of the chords alone was overwhelming. And then Virginia’s voice came in. Those lyrics. That moment. Pure magic. It’s a timeless classic. One I still love to play, still love to listen to - even today. And whenever I feel stuck creatively, I return to tracks like this. They remind me why I started, what I’m chasing, and what I truly want to do." Prince Of Denmark - tool 517 "I discovered Prince of Denmark through my friend Madeleine. She’s the graphic designer behind much of my work - and in my opinion, one of the most outstanding artists in her craft. Still wildly undiscovered. She was also the person who introduced me to the sound of Prince of Denmark. One of the most mysterious names out there - and without question, one of the most influential for what I’m doing today. It’s almost impossible to pick a single track. Whether it’s Traumprinz, Prince of Denmark, or any of his countless other aliases - everything he touches feels deeply considered, emotional, and timeless. It’s truly beautiful work. I honestly can’t imagine my music today without his influence." Marcel Dettmann - Kernel "Marcel Dettmann, much like Ben Klock, stands among my biggest inspirations. I could easily place the complete works of both artists at the very core of what shaped my sound. Interestingly, Marcel followed my journey from a very early stage, even before I consciously discovered his music myself, which happened a few years after I had already started producing. To this day, I remain deeply fascinated by his work. His approach is unmistakable: using unconventional sounds to build rhythm and melody, assembling them in a way that feels raw yet incredibly beautiful. There’s a tension, a restraint, and a clarity in his music that I haven’t found anywhere else. For me, Marcel Dettmann has a truly singular style - one of a kind. Knowing that my work has been influenced by such a brilliant and uncompromising artist is something I’m genuinely grateful for." Mathew Johnson - Marionette "When I discovered this track for the first time, I remember it was also - of course - in the one and only Berghain, because that was the place where I used to go every weekend without any excuse. I had to. It was my university of music and partying and DJing and everything. In one of those super-long closing sets, I discovered this track for the first time, and I remember it was in the morning hours. For me, this track always represented the unique way you can use melodies in a very complex form, but make them feel very simple together. If you listen to this track, it has a maximum of six, seven, maybe eight elements - but really six main core elements. It’s amazing how they fit together. It definitely taught me the way of minimalism in production: not to overload my projects, and that it’s always about the idea and the creativity, not about technical skills." Martyn feat. Spaceape - Is this insanity (Ben Klock Remix) "I remember this track was shown to me for the first time by my mum’s ex-girlfriend. She was the one who introduced me, for the first time, to the name Berghain and everything around it - like Ostgut Ton, and some of the artists. She gave me a few names to check out. And the first track I checked out - also important to remember - is that at that time I was already an active DJ and was fully in love with Tresor, and for me, Tresor was always number one. But then she showed me this one, and I was shocked because I had never heard something like it before. The way it’s produced, the way it sounds - so powerful, mysterious, but also beautiful, beautifully designed at the same time. Later on, it also became one of the first tracks that truly changed me on the dancefloor when I visited Berghain for the first couple of times, and finally got to hear this track inside of those walls. It was definitely a life-changing moment, and it’s still inspiring me to this day - the beauty and the beast of this track." Christoph Faust’s influences trace a clear line through Berlin’s most defining institutions, but they reveal something deeper than geography alone. They reflect a philosophy shaped by patience, emotion and lived experience on the dancefloor. His connection to Berghain and Tresor formed the foundation, but it’s the emotional clarity of artists like Marcel Dettmann, Prince Of Denmark and Mathew Johnson that continues to guide his work today. You can hear it throughout ‘The Window Upstairs’. Not in obvious references, but in the restraint, the tension and the quiet emotional weight carried within each groove. As Faust continues building his path between Berlin and Kyiv, these influences remain embedded in his creative DNA. They remind you that electronic music isn’t just about sound design or technical precision. It’s about moments. Atmosphere. Connection. And sometimes, it all begins with a single track heard at exactly the right time, in exactly the right place. Christoph Faust https://seven.berlin/artist/christoph-faust/ Explore more Influences: Influences archive · Hot Picks · All features

TUSH TUSH return this month with a fresh perspective on one of last year's most celebrated projects as ‘Heavy Weather Remixes’ arrives with contributions from house legend Ian Pooley alongside Afrique Like Me, Olive T and Pursuit Grooves. Following strong support for the original release from names including Sasha, Laurent Garnier, Radio Slave and DJ Bone, the remix package revisits the duo's blend of live instrumentation, electronic production and soulful songwriting through a collection of entirely new interpretations. For Kamilah Apong and Jamie Kidd, music has always existed beyond strict genre boundaries. Their work regularly moves between house, disco, jazz, soul and machine-led experimentation, shaped by records and artists that informed not only their sound but also the way they think about creativity itself. Ahead of the release, the pair look back at five records that continue to influence the world of TUSH. Ian Pooley feat. Esthero – Balmes (A Better Life) Kamilah Apong: "I have a core memory of when I was 10 years old, watching a video of a CGI lady in an egg waddling around and a CGI dude smelling a rose… Balmes, featuring Esthero (Canadian legend!), one of my earliest memories of hearing house music and still a track that brings me immense joy. It reminds me of simpler times. We are honoured to have Ian remix one of our songs, and it's so fulfilling and affirming to connect this seed from my youth to who I am now." Galaxy 2 Galaxy – Transition Jamie Kidd: "Detroit techno was the first electronic music that I connected with, opening my ears to how techno can be musical, funky and soulful, and that electronic music can be an extension of jazz, following the experiments of Herbie Hancock, Stevie Wonder, and Weather Report years prior (all also hugely influential artists for us). The entire Galaxy 2 Galaxy era from Mike Banks and members of Underground Resistance is as fresh yet timeless as when it was released in 1993, with Transition, Jupiter Jazz and Hi-Tech Jazz (which this style came to be known as) being among some of my favourite tracks to come from Detroit. Mike Banks' commitment to the music, underground culture and the community is something to be admired and celebrated." HERBERT – The Audience Jamie Kidd: "Matthew Herbert's influence spans beyond his incredible catalogue. An absolute legend for his art, his advocacy, and work ethic, we were immensely honoured to have Herbert remix our song Don't Be Afraid in 2021. Matthew taught me that a sampler is the most versatile instrument in the studio, not as a tool to sample other artists' music, but rather as a tool to musically incorporate elements from one’s own daily life and story, sometimes shaped and played just as you would a traditional instrument; other times as micro building blocks to rhythmic patterns or soundscapes. For a time, I followed his Personal Contract for the Composition of Music in my own productions and have always encouraged happy accidents and working within limitations to my own students." Universal Togetherness Band – Real Thrill TUSH: "Universal Togetherness Band’s music has been deeply impactful to TUSH. We covered their music as a full 7-piece band in our early days when we performed live rare groove. Kamilah learned that Andre Gibson, lead signer and writer of UTB, was still producing music, and this felt like a rare opportunity to connect with a pioneer who was presently shaping new generations of musicians in disco/rare groove/house. Even more importantly to Kamilah, a chance to meet a Black elder who was still practicing in Black art forms. These intergenerational moments are unique. What came out of it was a trip to Chicago for Jamie and Kamilah to meet Andre, lovingly known to them as Dre (and sometimes Unc :)), co-produce a track with him, and spend time seeing Chicago through Andre’s eyes." Outhud – One Life To Leave Kamilah Apong: "I adore this song so much. There is a wonderful producer, musician and friend of TUSH - Cyclist (Mark Gonzaga) - who put me onto this track. I can feel the early 00’s basement party vibe while also feeling like this song is timeless. I think I feel connected to it as TUSH has similar approaches in blending digital & analog sounds together, and Jamie and I have had a few jams and album cuts that explore dance rock/pop. I want to hear this played in a dingy, dark club while I wear a DIY crop top I made out of an old t-shirt." Alongside the records themselves, inspiration often arrives from places that sit outside music entirely. As Kamilah explains in a bonus influence behind the EP's wider themes, activist and educator Mariame Kaba played a major role in shaping both the storytelling around ‘Heavy Weather’ and her own perspective in recent years. "The lyrics ‘hope, a discipline, your practice’ in our song Push come from Mariame Kaba." Looking across these selections, a common thread becomes clear. TUSH are drawn towards music that carries weight beyond production alone. Whether through emotion, community, experimentation or memory, every influence here feels tied to something larger than the records themselves. That same approach runs throughout ‘Heavy Weather Remixes’, a project that takes existing material and reimagines it through fresh perspectives while never losing the spirit that made it resonate in the first place. TUSH Instagram - Soundcloud - Spotify - Youtube Explore more Influences: Influences archive · Hot Picks · All features

Javi Bora Javi Bora has spent decades embedded in dancefloor culture, from his long-standing residency at Space Ibiza to global sets spanning Tokyo, London and Sydney. That experience runs deep in everything he does. Now linking up with Vibe Killers for ‘Bumpy’ on Paradise Music, Bora leans into the kind of groove-led house that has defined his career. Funk, rhythm and feeling sit at the centre, shaped by years behind the decks and a clear connection to club culture at its core. With the release now out, it lands as another statement from an artist who understands exactly what works in the room. This Influences selection pulls things back to where it started. These are not just tracks he plays. They are moments that shaped his identity as a DJ. Records tied to early inspiration, Ibiza memories and the kind of emotional connection that still drives his sets today. Basement Jaxx – Fly Life Xtra [Atlantic Jaxx Recordings] ‘Fly Life’ by Basement Jaxx is probably one of my all-time favorite records to play, especially in peak-time moments at special events. For me, this track represents the true essence of being a DJ—transmitting emotion, energy, and pure dancefloor connection. It’s a record that’s almost 30 years old now, and I still remember the first time I heard it. I instantly thought, ‘Yes, this is it. This is what I want to do. This is what I want to play.’ And since then, it has always stayed with me. I have so many memories with this track. I remember playing it during closing sets at Space Ibiza, where I was an official resident DJ, and also all around the world—South America, Australia, Asia, London… everywhere. It never fails. This is a true bomb, a timeless record that I’ve been in love with since day one. It brings back incredible memories, especially from my years at Space Ibiza. Pure magic, pure party—I just love it. Soul II Soul – Back To Life (However Do You Want Me) ft. Caron Wheeler ‘Back to Life’ by Soul II Soul featuring Caron Wheeler is pure influence in my journey. I’ve had the vinyl for many years, and honestly… what can I say? It’s pure magic—pure soul. This record is definitely one of the reasons why I’m doing what I do today. I’ve always loved this group, I’ve always loved this kind of music—the kind that makes you feel something deep, and even more when it makes you dance and smile at the same time. And this song does exactly that. It takes me back to another time, to special moments, and it never fails to put a smile on my face. Music like this shaped who I am—a true music lover—and led me to dedicate myself fully, body and soul, to music. Long live music. Levitation – More Than Ever People (feat. Cathy Battistessa) This song is Ibiza to me. It represents all the years I’ve lived and breathed the Ibiza dream—more than two decades of playing and growing as an artist on the island. I discovered this track through the Café del Mar compilations—if I remember correctly, it was Volume 5—and from that moment, it stayed with me forever. It captures the true essence of Ibiza: the sunsets, the beaches, the freedom, the energy, and the spirit of the island. This song has been a real driving force in my life. It pushed me to chase my dream, to fully embrace music, to become a DJ and producer, to travel the world, and to live through music, experiences, and connection with people. Without a doubt, it’s been a huge influence not only in my musical career but also in my life. It has given me beautiful moments, and I carry it with me with a lot of love—not just for the music, but for life itself and for the people I love. Luther Vandross – Never Too Much ‘Never Too Much’ by Luther Vandross has been a huge influence in my life. Music has always been at the center of everything for me, and I clearly remember this track from when I was very young, going through my father’s collection—he was always playing a lot of music at home. This is one of those songs that has stayed with me forever. I truly believe it was the starting point of my deep connection with music—real music, soulful music. It gave me that feeling in my body, that spark, that made me realize I wanted to dedicate myself completely to this. For me, this is what a great record should be: quality, emotion, soul… something real and passionate. It’s a song that means so much to me, and it definitely played a big role in shaping my path—pushing me to become a DJ, a producer, and to dedicate my life 100% to music. River Ocean – Love & Happiness (Yemeya Y Ochun) [Strictly Rhythm] ‘Love & Happiness’ by River Ocean featuring India is a record I’ve been deeply in love with since the very first time I heard it, decades ago. Without a doubt, it’s one of the tracks that made me dedicate my life to DJing. India, to me, is one of the greatest voices in house music—if not the greatest. Her soul, her delivery… it’s just timeless. And the producers behind this record—there are no words. They created pure magic. This is one of those rare tracks that can literally make me cry out of happiness. It’s always in my bag, always part of my musical DNA. And I truly believe it’s one of the songs that has influenced my sound, my journey as a producer, and especially my identity as a DJ on stage. What ties all of Javi Bora’s influences together is simple. Feeling first. Groove second. Everything else follows. From early soul records to Ibiza-defining moments, each track carries a sense of connection that still shapes how he approaches the dancefloor today. You can hear that directly in ‘Bumpy’, where rhythm and energy lead without overcomplicating the idea. After years at the centre of global club culture, Bora still leans on the same foundations. Javi Bora Instagram / Soundcloud / Spotify Explore more Influences: Influences archive · Hot Picks · All features

Jesse Maas Dutch artist Jesse Maas has been steadily building a reputation around groove, restraint and control. His productions sit firmly in that minimal-leaning space where every element matters, shaped by time spent in rooms like fabric, Shelter and Thuishaven. With his ‘Keep Up’ EP landing on Haven Trax, he leans further into that identity. Four tracks designed with the club in mind. Raw, focused and built around movement rather than excess. To understand how that sound formed, you have to go back to the moments that stuck. This Influences selection captures exactly that. Tracks tied to specific dancefloors, turning points and late-night realisations that shaped how he hears music today. DJ Assassin – Face In The Crowd (Intellidread Mix) [Cross Section Records] I was standing in the middle of the dancefloor during Amsterdam Dance Event, at a Hyte party. Ricardo Villalobos was playing, and then this track came on... That was one of those moments where something just clicks. Like a switch flipped somewhere deep inside me. I just knew: this is what I want to do! And the crazy thing is, that feeling never left. Every time I hear this record, it still hits me. Instant goosebumps. And trust me, that doesn’t happen often. 2 Bit Crew – B2 [2 Bit Crew Recordings] This was another one of those moments that confirmed I was on the right path. Dekmantel Festival, Boiler Room stage. DJ Central was playing a really unique set. Somewhere in the middle, he dropped this track, and everything just came together. The drums, the chords... and that dirty bassline underneath. One of those moments where you just think: yeah, this is it. And the best part? If you watch that livestream back, you can actually spot a younger version of me in the crowd. Looking a bit lost, but fully in the moment, Haha. Terrence Parker & Claude Young – The 4 Play EP [DOW Records] When I was younger, I was a proper party animal. Every weekend, at least two nights out and of course, the afters. Ending up at someone’s place, going on until the next day... no brakes. We’d have Boiler Room sets playing in the background, and one that came up a lot was our own Dutch Cinnaman. That’s where I heard this one. Some tracks just give you a feeling you can’t really explain. This is definitely one of them. I still draw inspiration from it to this day. Evil C & The Hustler – Get Up [Do Easy Records] This track... yeah, this was a big one for me. Maybe even the final push. Around that time, I was fully into that minimal sound. All I did was digging for tunes. Hours, days... just searching for that one perfect track. I surrounded myself with people who were into the same thing. Luckily, I introduced all my friends to this music, and they liked it as well. From Illegal parties in the dunes to organizing our own events... everything revolved around music. This is still a must-play for me in an opening set. Raw and simple, but that’s exactly what makes it hard to get right. This record really shaped me as an artist. D'Angelo – Jonz In My Bonz [Virgin Records] This one comes from a completely different angle, but it’s one of my most listened-to artists ever. D'Angelo gave me something I really needed at the time: just do it, don’t overthink. I used to listen to his music every single day, on my way to work at the beach. Just grinding, saving money, building towards my music career. So yeah... shoutout to D’Angelo for the support, without even knowing it, R.I.P. What stands out across all of these is how rooted they are in real moments. Dancefloors. Festivals. Afters. Long days working towards something bigger. That is exactly what comes through in ‘Keep Up’. It is not trying to do too much. It is about control, patience and knowing when to let a groove speak for itself. You can hear the journey in the details. Jesse Maas Instagram / Soundcloud / Facebook Haven Trax Instagram / Website / Facebook Explore more Influences: Influences archive · Hot Picks · All features

Joey London Style Episode 40 of UndrCtrl lands with Joey London Style, a North London talent making noise from Manchester to Miami. His “Strange Dream” EP dropped recently on Cuttin’ Headz, marking his debut for The Martinez Brothers’ label. It is a strong statement. Hypnotic, late-night rollers built for deep systems and sweaty rooms. The title track leans into warped synths and sultry vocals. “Soul Sucker” goes heavier, digging into bassy grooves and twisted loops. Both are stripped, sharp and ready to work. Buy/stream it here: https://orcd.co/ch057. Joey’s style sits right in the pocket. Gritty but groovy, minimal but never flat. Previous outings on Deeperfect and Take Notes earned him support from Marco Carola, Jamie Jones and Michael Bibi. This latest release puts him front and centre. The mix reflects that same energy. No filler. Just heads-down house from across the minimal spectrum. Tracks from Traumer, Ray Mono, Distilled Noise and Casper Schulz keep things tight and percussive, with flickers of melody and bounce throughout. Tracklist: Joey London Style - Lazy Girl (Unreleased) Sera de Villalta - Loko [Posay Music] Havoc & Lawn - FLLBCK (Unreleased) Tyron Amory - Sunrise (Unreleased) Havoc & Lawn - Hoes (Unreleased) Unknown Artist - A2. So Cold Love [High Grade] Havoc & Lawn - Thin Air (Unreleased) Unknown Artist - A1. Feeling Blue [High Grade] Tyron Amory - Theatre (Unreleased) Erik Chico - Back to 2015 (Unreleased) Erik Chico - Want Me (Unreleased) Joey London Style - Soul Suckers [Cuttin’ Headz] Joey London Style - Burning (Unreleased) Joey London Style - Like Butter (Unreleased) Sera de Villalta, Freenzy - Boggie [LTF Records] The Gang Raw - Snap (Luca M Remix) [HEAROES] Erik Chico - ICE (Unreleased) Joey London Style - Strange Dream [Cuttin’ Headz] Joey London Style knows how to hold a groove. Episode 40 is proof. A fluid, focused trip through the kind of house that moves the floor without trying too hard. Whether you are locked in or just warming up, this one hits the sweet spot. More to come from Joey. For now, press play and stay tuned. Joey London Style https://www.instagram.com/joeylondonstyle https://open.spotify.com/artist/64GSxyOhYgXzaQs30QFi9i https://soundcloud.com/joeylondonstyle Explore more UndrCtrl: UndrCtrl archive · Undrscovered · All DJ mixes

AD7USTMENT AD7USTMENT steps into the UndrCtrl mix series with a set that stays focused on pressure, rhythm and long-form movement. Built around a consistent groove, the mix avoids sharp shifts in favour of sustained energy. Tracks are layered and introduced with intent, allowing the set to build naturally rather than relying on obvious peaks. That approach keeps the momentum steady from start to finish, giving the mix a clear sense of direction. The selection reflects this. Alongside cuts from Rene Wise, X CLUB., SLV and Radio Slave, the mix features multiple tracks from AD7USTMENT’s recent ‘Free From Past And Future’ EP on ARTCORE. Tracks like ‘Dopamine’ and ‘Testosterone’ sit comfortably alongside other selections, reinforcing a sound built on rolling low-end pressure, tight percussion and controlled intensity. There is a noticeable balance between industrial textures and more groove-led elements. Psy-influenced basslines and layered percussion add tension, but the mix never loses clarity. Each transition is handled with precision, keeping the energy locked without overcomplicating the structure. With roots in techno stretching back decades, AD7USTMENT brings a clear understanding of what works in a club setting. That experience comes through in how the mix is paced, prioritising flow and function over quick impact. This is a set designed for late-night environments, where consistency matters as much as intensity. It holds its line throughout, delivering a focused and fully realised take on contemporary techno. AD7USTMENT https://www.instagram.com/ad7ustment https://open.spotify.com/artist/5AbXcAvHuoUalmtrhS5RxO https://soundcloud.com/ad7ustment ARTCORE https://www.instagram.com/artcore_records https://www.beatport.com/label/artcore/103642 https://soundcloud.com/artcore_records Explore more UndrCtrl: UndrCtrl archive · Undrscovered · All DJ mixes

N-Trance’s DJ Junior K Few acts carry the weight of UK dance history like N-Trance. From ‘Set You Free’ to global chart success, their sound helped define a generation of rave culture. Now, with their new single ‘Higher’ marking their first original release in over two decades, the energy feels familiar. Not nostalgic, but reawakened. For Junior K and the rest of N-Trance, that foundation was built long before the hits. These are the records that shaped the group's ears, instincts, and ultimately the N-Trance sound that still fills dancefloors worldwide. The KLF - 3am Eternal "The first song that ignited the spark for N-Trance was "3am Eternal" by the legendary KLF. Their audacious approach to music and fearless innovation and creativity served as a profound inspiration, pushing us to explore uncharted territories in electronic music. Little did we know that fate had a fascinating twist in store. A few years down the line, we found ourselves collaborating with the very artist who lent his distinctive voice to that iconic track – Ricardo Da Force, the talented rapper behind "3am Eternal." It also became a playful ritual during interviews; I'd often choose KLF songs that didn't feature Ricky, just to wind him up. Tragically, Ricky’s vibrant presence was silenced far too soon; he passed away 13 years ago, leaving behind a legacy of unforgettable performances and a significant void in the music world. My admiration and the enduring impact he had on our creative spirit even led me to name our record label, DaForce, as a heartfelt tribute to him." Shut Up & Dance - I'm Raving I'm Raving "The second song we have chosen was the spark that ignited the creation of "Set You Free." It happened during a sound check for a rave booking in Bootle, where the warm-up DJ dropped a track that instantly resonated – "I'm Raving, I'm Raving" by Shut Up & Dance. As a pianist, I had a trove of musical ideas I'd been developing during my college years but hearing that track and it’s infectious rhythm provided the perfect catalyst. Suddenly, those pieces of music I'd written began to coalesce, transforming from abstract concepts into the building blocks of a new song. The driving beat and piano melody wrapped up in a rave track gave me the inspiration and framework to finally bring "Set You Free" to life." Queen - The Show Must Go On "The echo of Freddie Mercury's final performance, "The Show Must Go On," resonates with a profound, almost unbearable beauty. It's a poignant testament to a spirit that refused to be extinguished. My writing career was just beginning, unaware that such a monumental talent was about to depart us. The lyrics, sung with a voice that carried the weight of his struggle, transform from a mere song into a deeply personal, heartbreaking declaration of resilience. To channel such immense pain into an artistic expression of such power is, indeed, tragically beautiful, a final, defiant masterpiece etched into the walls of music history." Michael Jackson - Don't Stop 'Til You Get Enough "We could have chosen any track from the album “Off The Wall” but we went with "Don't Stop 'Til You Get Enough" as it's simply a disco masterpiece. Its infectious groove and irresistible rhythm of pure joy, draws you onto the dance floor. MJ's falsetto weaves through Quincy's masterful arrangement, creating a sonic tapestry that is both intricate and effortlessly danceable. The song doesn't just demand attention; it commands celebration, a timeless anthem that continues to ignite parties and stir souls decades after its creation." Lee Greenwood - Wind Beneath My Wings "The final selection is a profoundly moving rendition of "Wind Beneath My Wings," a piece not widely recognised in this particular interpretation by the esteemed Lee Greenwood. The profound depth of the lyrics resonates deeply, and Lee's distinctive vocal delivery imbues the song with an entirely fresh and compelling perspective on this already magnificent composition. It's a testament to his artistry that he can take a song so many know and love, and yet present it in a way that feels utterly unique and deeply personal, a truly remarkable track." What stands out across these choices is range. Rave. Disco. Rock. Soul. Different worlds, but all built on feeling. That’s the thread that runs through N-Trance’s catalogue. Big hooks. Emotional pull. Music that connects instantly but stays with you long after. ‘Higher’ taps straight into that same DNA. Not chasing trends. Not reinventing for the sake of it. Just doing what they’ve always done best. Making records that work. And more importantly, records that mean something. N-Trance https://www.facebook.com/ntrance https://www.instagram.com/ntranceofficial https://www.youtube.com/ntranceofficial/videos https://www.tiktok.com/@ntranceofficial https://www.n-trance.co.uk Explore more Influences: Influences archive · Hot Picks · All features