Kozlow Channels Groove And Emotion On New Club Cut ‘Drive to Milan’
- Feb 1
- 2 min read
‘Drive to Milan’ is a six-minute instrumental built for late-night floors. The groove rolls with confidence. It never rushes. Instead, it locks into a steady forward motion that pulls you in and keeps you there. The drums hit with purpose, while the low end stays tight and physical. It feels functional at first, then quietly emotional as it unfolds.
There are no vocals to lean on here. The feeling comes from tension, melody and restraint. Subtle melodic movements sit beneath the surface, giving the track a sense of reflection without breaking its momentum. It is a club record, but one that carries weight beyond utility. You move, but you also feel something.
Kozlow brings a wide musical background into his productions. Classically trained as a violinist, he has built a reputation in underground electronic spaces while performing alongside Carl Cox, Green Velvet, and Cedric Gervais. His DJ work has also seen him support artists including Carlita, DJ Tennis, LP Giobbi, Diplo, John Summit and SG Lewis.
That range shows in his approach. Kozlow’s sets often blend left field house selections with live violin, especially through his monthly New York residencies at Outer Heaven and Gospel. The same balance of control and unpredictability runs through ‘Drive to Milan’.
The release also reflects the energy of ANTHR FCKNG PARTY. What began as a no-lineup, no phones DIY party in New York has grown into a cultural movement, drawing over 10,000 people in 2025 and now expanding into a label. Its focus on raw energy and community mirrors Kozlow’s own approach.
‘Drive to Milan’ feels purposeful, emotional and built for real rooms. It does not shout. It stays with you.
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