Listen to ‘Girl’ ft. Faye Meana, the first of many high-profile collaborations with artists such as Haile Supreme, Ric Wilson, & more. Pre-order 'Open' HERE Amsterdam natives Maarten Smeets and Lars Dales, aka Dam Swindle, unveil their third long-player with the release of a new track, the first to be shared from the upcoming album, ‘Open’ - out on 30 May 2025 via Heist Recordings. Listen to the blissed-out magic of ‘Girl’ ft. Faye Meana HERE The new album sees the acclaimed duo dive far beyond the deep sonic waters they’re most known for, exploring lower tempos, synthwave, hip-house, and ambient across fourteen tracks. With a gestation period that traces back several years, ‘Open’ is their most intimate and personal body of work thus far, birthed during a time of self-reflection away from touring and personal transformation as individuals. “We felt the need to tell a very personal story through our music as a translation of our personal development in the past years. We also wanted to make music without a specific goal in mind; We simply wanted to create. By taking away the grid of dance music and any expectations of what a Dam Swindle song should sound like, the creativity started to flow naturally with songs in many different styles and tempos. The result is an album that feels refreshing and uplifting and still very much true to the heart and soul of our sound.” - Dam Swindle, January 2025. While the trademark Dam Swindle four-to-the-floor beats are still ever-present on tracks like ‘The Present Is Always Perfect’, ‘I Need You’, and ‘Is This Love?’, it’s the gentle waves of synths on opener ‘Home’, the contemplative piano chords of ‘Bloom’ featuring Joep Beving, and the lo-fi ambience of ‘It’s Okay, I Can Wait’ that showcase a melancholic, ethereal sensibility previously uncharted by the duo. Collaborations with vocalists such as NYC’s Haile Supreme on ‘Not Enough’ and Neo-soul singer Faye Meana on ‘Girl’ expertly find room in between the dancefloor and home listening sessions, and a clear standout on the LP is the title cut where message-heavy rapped vocals from UK artist Samson ebb and flow amongst iridescent grooves. Under the helm of Maarten and Lars’ adept A&R, their Heist imprint has become a beloved home for house heads of both schools old and new, platforming some of dance music’s biggest names from Cinthie to DJ Sneak as well as the musical dawnings of artists such as Kassian and Makèz. The Dam Swindle alias has achieved house music royalty-like status across a storied 15-year career that includes two critically lauded full-lengths, collaborations with the likes of Tom Misch and Kerri Chandler, and a globetrotting touring schedule. This album stands as their most profoundly personal work of art to date, and they can’t wait to share it with you. Dam Swindle ‘Open’ LP arrives via Heist Recordings on 30th May 2025, with ‘Girl’, ‘I Need You’ and ‘Not Enough’ singles dropping on March 5th, April 4th, and May 7th, respectively. Pre Order: HERE Tracklist: 1. Home 2. Not Enough feat. Haile Supreme 3. The Present Is Always Perfect 4. Girl feat. Faye Meana 5. Run, Run, Run 6. Only Ever Now 7. Open feat. Samson 8. I Need You 9. Bloom feat. Joep Beving 10. Some Day feat. Ric Wilson 11. Kiki feat. LYMA 12. Is This Love? 13. It’s Okay, I Can Wait 14. Closer Dam Swindle: Instagram - Soundcloud - Facebook - Spotify Heist Recordings: Instagram - Soundcloud - Facebook - Website

Kitzbühel, Austria – Sound | Escape isn’t your typical electronic music festival. There’s no wristband, no VIP section, no artificial exclusivity, and perhaps most remarkably of all, no entrance fee. From March 28 to 30, 2025, this free festival unfolds across Kitzbühel’s historic old town and the surrounding mountains, pairing some of electronic music’s most respected names with an alpine setting that’s hard to match. At the centre of it all is Sven Väth, a figure whose impact on techno stretches back more than three decades. From Frankfurt’s Omen club to Cocoon’s Ibiza residencies, Väth has shaped the contours of dance music culture. Here, he’s joined by Matthias Tanzmann, Tom Novy, Tube & Berger, Kilimanjaro, Lunnas, Marvin Aloys, and Wolfram, plus a lineup that spans house, techno, and a rare push for drum and bass - still an outlier in Austria’s club scene. Sound | Escape is the brainchild of Marvin Aloys, whose aim to to move away from Austria’s image for traditional music and make it a new hub for electronic music in Europe. "Austria’s got this deep musical history, but electronic music has its own roots, its own culture, and it belongs here just as much” says Aloys. “Sound Escape is about breaking away from the usual, from the big-ticket, VIP-heavy festival scene, and giving something back to the people. A free festival, in a setting that’s honestly unreal - mountains, historic streets, fresh air - it’s the kind of backdrop that makes it extra special.” At a time when access to live music often comes with a price tag and the historic centres of electronic music culture facing ever-increasing challenges, Sound | Escape provides a positive alternative: quality, free and open to anyone and everyone. For more info, head to https://www.kitzbuehel.com/en/events/sound-escape/

We’re launching ‘Undrtone Invites’, a brand-new guest mix series celebrating the best underground sounds, and we’re kicking things off with Athens-based label Mlink Records. Mlink is all about pushing fresh, innovative electronic music, so we’re bringing you five exclusive guest mixes from their roster. First up is Tido, a Greek artist making serious waves in the underground scene. Tido’s sound is a slick blend of deep tech, minimal, and house, balancing hypnotic grooves with crisp, rolling beats. His tracks have picked up support from DJs across the globe, and with a string of gigs lined up in Greece and beyond, he’s proving to be one of the country’s most exciting rising talents. For this mix, Tido delivers an effortlessly groovy selection filled with deep, warm textures and intricate rhythms. Expect a journey through underground sounds built for late-night dancefloors and intimate club settings. Mlink Records, based in Athens, has been steadily building a reputation for quality, left-field electronic music. Their artists bring a unique flavour to the scene, making them the perfect partner for the launch of this series. This is just the beginning—over the next few weeks, we’ll be featuring more guest mixes from Mlink artists, showcasing their forward-thinking approach to underground music. Hit play and get lost in Tido’s Undrtone Invites mix. More to come soon. Tracklist: Tido - Deep (Upcoming on Mlink Records) Spoofang - Come Back Roxelio - Chord Heaven Max Chapman - Bethany Rotty - Certain Things (Legit Trip Remix) Tido - What You Need Muratt, Lichenologist - Lost My Mind Tom Marvin - Cure Glamourama! - Let’s Feeling George Smeddles - Pain Away King Julian - Let Me Go DTAILR - Hustle’s Revenge Tido https://www.instagram.com/tido_gr https://soundcloud.com/tido_gr Mlink Records https://www.instagram.com/mlinkrecords https://soundcloud.com/mlinkrecords

Rising talent ANTO NEO kicks off the year with an electrifying statement on MUDRA. His latest release, “NEXUS”, is a deep dive into the heart of peak-time Melodic Techno—an immersive sonic experience that captures the genre’s raw power and hypnotic energy. Towering synths, cinematic harmonies, and thunderous rolling basslines define “NEXUS,” forging a soundscape that grips both mind and body. ANTO NEO masterfully blends dark, enigmatic tones with pulsating rhythms, creating a track that transcends the dancefloor. The result is a gripping fusion of mystery and euphoria, striking a perfect balance between tension and release. With its hypnotic intensity and precise production, “NEXUS” cements ANTO NEO as a name to watch in the Melodic Techno scene. His ability to channel raw emotion into intricate sonic layers sets him apart, ensuring that this first MUDRA release of the year leaves a lasting impact. MUDRA has already built a reputation for pushing the boundaries of electronic music, and “NEXUS” is a bold introduction to what promises to be an unforgettable year for the label. As ANTO NEO continues to evolve his sound, his latest offering stands as a testament to his rising influence in the underground circuit. Expect “NEXUS” to dominate peak-time sets, captivating listeners with its relentless energy and cinematic depth. If this release is any indication of what’s to come, 2025 is shaping up to be a milestone year for both ANTO NEO and MUDRA. ANTO NEO Instagram - Spotify - Soundcloud

Rewoven proudly introduces Rosso, a stunning collaboration between UK-born producer and vocalist Chris Savor and pianist-producer Stendahl. The track is a chill, deep, and dreamy composition that captures the essence of relaxation and letting go. Inspired by Chris Savor’s journey to Margine Rosso, a serene neighbourhood in South Sardinia along Poetto Beach, Rosso evokes a sense of peace and homecoming. Its heartfelt lyrics—“just lie down, everything is fine now”—reflect the tranquillity of finally finding a place of belonging after years of struggle. Stendahl’s delicate touch seamlessly blends with Chris’s vision, resulting in a beautifully harmonious and immersive sonic experience. Chris Savor has built a reputation for his emotive and atmospheric sound. His previous releases, Be So Cold and Medano, received airplay on BBC Radio 1 and SXM Chill, with Medano enjoying a six-week run on SiriusXM Chill. Stendahl, known for his melodic and piano-driven productions, has had significant support from Apple Music and SXM Chill, where his track Tribute, Chapter III has remained in golden rotation since 2021. Chris Savor’s journey began with producing for Leave to Remain, a musical by Bloc Party’s Kele Okereke that fused UK dance music with West African highlife. In 2024, he collaborated with Ollie Heron (Lilly Era), 2FarAway (Soave), and Jason Uechi to create Disappear, a chill electronic EP released on Stereofox, which amassed over 600,000 Spotify plays and received radio support across SiriusXM Chill, BBC Radio, and European stations. His single Be So Cold was released via Sekora in collaboration with LAR (Anjunadeep) in December 2024. Stendahl’s musical journey started in 1996 with the piano, drawing inspiration from artists like Robert Miles, ATB, The Prodigy, and Brian Culbertson. As a producer, he debuted in 2014 on Silk Music (now Monstercat Silk) and has since released music with Enormous Chills, Armada, and more. His genre-blending style and signature piano touch set his music apart, accumulating over 6 million streams and reaching a global audience. With Rosso, Chris Savor and Stendahl deliver a moment of pure serenity, inviting listeners to unwind, breathe, and let go. Chris Savor Instagram - Spotify - Soundcloud Stendahl Instagram - Spotify - Soundcloud

Andrew Dum and Eran Hersh have teamed up for a fresh take on Fergie and Ludacris’ 2007 hit “Glamorous,” delivering an Afro house remix that transforms the classic into a dancefloor-ready anthem. Released via Armada Music, the remix brings a new dimension to the track while preserving its signature allure. With a seamless genre shift, Dum and Hersh infuse “Glamorous” with intricate Afro house rhythms and deep melodic textures. Their interpretation offers a fresh, club-focused perspective, breathing new life into the original and capturing the attention of both longtime fans and new listeners. The duo’s ability to reinvent iconic records while staying true to their artistic vision is evident in this production. The remix has already gained traction in the global dance music scene, further cementing Andrew Dum and Eran Hersh’s reputation as innovators in the Afro house genre. Their masterful blend of complex percussive elements and emotive melodies ensures the track’s longevity on dance floors worldwide. Andrew Dum is a globally recognized DJ and producer whose music has garnered support from industry heavyweights like RÜFÜS DU SOL, Armin Van Buuren, Martin Garrix, Pete Tong, and Blasterjaxx. With performances in Ibiza, Mykonos, Dubai, Miami, and Saint-Tropez, his music resonates across the world’s top destinations. His tracks, including “Cruel Summer” and “Paradise,” have amassed over 32.6 million streams. “Cruel Summer” notably featured in RÜFÜS DU SOL’s Mixmag Lab set in London and at Burning Man in 2024. His 2025 collaboration with Eran Hersh on “Glamorous” marks another milestone in his growing catalogue. Miami-based DJ and producer Eran Hersh has made a lasting impact on the electronic music landscape, blending Afro and tribal house with his Middle Eastern influences. His 2023 collaboration with Madonna on “Sorry” propelled him to global recognition, following his 2022 breakout hit “Ale Ale.” With releases on Insomniac Records, Armada, Spinnin Records, and Ultra, Hersh boasts over 50 million Spotify streams and a dedicated following of 1.4 million monthly listeners. Having shared the stage with Camelphat, ARTBAT, and Dennis Ferrer, and receiving support from icons like David Guetta and Black Coffee, Hersh continues to push boundaries in dance music. “Glamorous” (Afro House Remix) by Andrew Dum & Eran Hersh is out now on Armada Music. Andrew Dum Instagram - Spotify - Soundcloud Eran Hersh Instagram - Spotify - Soundcloud

Phones on the dancefloor—necessary evil or ultimate vibe killer? CID is throwing his opinion into the mix with ‘No Phones’, his latest release on Toolroom Trax. A track built for the real ones, it’s an unapologetic nod to clubbers and DJs who want to lose themselves in the music rather than a screen. Featuring rising US vocalist Dances, the track rolls with a raw groove, minimal and Latin influences, and a trumpet section that ties everything together. For CID, the track isn’t about dictating dancefloor etiquette but rather stirring the pot. “The No Phones debate has been floating around social media for a while now, and this track was really just our way of stirring the pot and having a bit of fun with it,” he says. “I’ve definitely had my fair share of phones obnoxiously in my face while DJing, but honestly, as long as you’re having a good time at the show, I don’t really care if you take a picture or video—just keep it low-key, haha!” CID’s catalogue spans some of the biggest house music imprints—Armada Subjekt, Repopulate Mars, Solotoko. But when it comes to choosing a home for a track, it’s about more than just the name. “Having a bigger artist champion a song makes a huge difference. Lee played a big role in helping me break through a few years ago with the releases I did on Repopulate Mars,” CID explains. “Releasing on different labels gives you the opportunity to tap into their community, which can be a game-changer for an artist’s growth. It’s not just about the music—it’s about connecting with new audiences and building something bigger.” CID has also been making waves with his new project alongside Shiba San, ALL U NEED, which had a strong debut on Toolroom Trax. “I’ve been a fan of Shiba San for a long time. After playing a few shows and festivals together, we naturally connected. We’ve always had a lot of mutual respect for each other as producers, so when this idea came up, we just ran with it!” From its first vocal idea to its final mixdown, ‘No Phones’ came together organically. “I got in the studio with Dances a while ago, and we recorded a ton of vocals and ad-libs. When I went through everything later, the ‘No Phones, No Cameras, Just Dancing’ line immediately stood out, and I knew I had to build an idea around it. Finding a great vocal or standout hook is usually the hardest part of producing, but luckily, we had that from the start. The initial idea came together pretty quickly, and from there, it just kept evolving. The arrangement took quite a few tweaks to get just right—but once we added the trumpet, it really tied everything together.” Dances brings an undeniable energy to ‘No Phones’, marking another strong feature in his growing discography. CID recalls how their collaboration started in an unexpected way. “I’ve wanted to work with Dances for a long time. We first met at EDC Vegas a few years ago, and funny enough, it all started with a t-shirt. I was wearing merch from Tina’s, a local diner in Bushwick near where I live. I had no idea that Dances used to live in New York, but when he saw the shirt, I guess he was like, ‘Okay, we can be friends,’ haha.” From winning a Grammy to crafting club weapons, CID’s approach to production has shifted over time, though his core philosophy remains the same. “Trends will always come and go, and as a producer and artist, new sounds will continue to inspire you. The key is to never stop learning and pushing yourself to improve, no matter how long you’ve been in the game.” “My approach to making music hasn’t really changed, but after putting in so many hours, I can usually bring an idea to life much faster now. As for DJing, I think things really took a turn for the better after the first EDM boom ended. There’s now an entire generation that grew up on dance music—you don’t have to rely on crowd-pleasers anymore. You can truly take people on a journey, and more often than not, what excites them the most is something they’ve never heard before.” So, what’s CID’s final stance on phones in the club? “There have definitely been a few moments. I think, in moderation, do what you want—but if your phone is affecting someone else’s experience, like hovering over their head in the crowd, maybe just don’t do that, haha.” Beyond ‘No Phones’ and ALL U NEED, CID has big plans for the year ahead. “I’m super excited about my next tour, the GET INTIMATE tour. The whole concept is about being up close and personal with the crowd and creating a stronger sense of connection and community at the shows.” “I’m also gearing up to relaunch my label, Night Service Only. I took a few months off from releases, but I’m really excited about what we have in the pipeline—it’s going to be a big year!” And if CID could play ‘No Phones’ in the perfect setting? “A packed, sweaty club with a killer sound system—and not a phone in sight! That’s the dream.” CID Instagram - Spotify - Soundcloud

WEBSITE AIROD IG ORDER HERE Techno powerhouse Airod makes his highly anticipated return to Amelie Lens’ EXHALE imprint with the release of hisAmnesia EP, alongside the launch of his exclusive new merchandise collection. Known for his hard-hitting sound and industrial beats, Airod makes waves again with this electrifying three-track release and a fresh new way for fans to connect with his distinctive artistic identity. ‘Amnesia' showcases Airod's relentless style by delivering a blend of driving bass, hypnotic melodies and high-energy, peak-time weapons that are sure to ignite any dancefloor. The EP opens with the title track which is a hypnotic groove that builds intensity with its razor-sharp percussion and ethereal layers. 'No Lover' delivers a dark, driving rhythm paired with eerie vocals evoking the energy of a late-night warehouse rave. Closing the release, ‘Revival' serves up a fierce techno aesthetic that leaves a lasting impact. In addition to this EP, Airod is excited to drop his first-ever clothing collection featuring his signature shark emblem, symbolizing strength, audacity, and unity within the techno community. The minimalist yet powerful t-shirt design—featuring Airod's logo on the front and the shark emblem on the back—was created with quality craftsmanship in mind, ensuring a durable and sharp print for long-lasting wear. “I want the shark to represent the strength and unity of our community,” Airod says. “Together, we are fearless, unstoppable, and ready to conquer new horizons.” With a focus on high-quality, carefully crafted apparel, this new line gives fans the opportunity to showcase their connection to Airod's music and artistic vision. Available in all sizes, the t-shirts serve as more than just clothing—they represent being part of something larger: becoming part of the shark army, a movement for those who are bold, determined, and part of the techno underground. The Amnesia EP and merchandise launch mark the next exciting chapter in Airod's career, continuing his reign as one of techno's brightest stars with an ever-growing presence on labels like KNTXT, EXHALE, and Fabric. Join the movement, and become a part of the shark army.

Los Angeles-based producer Night Breeze is fast becoming a name to watch in the Melodic and Progressive House scenes, with releases on respected labels like David Hohme’s Where The Heart Is and Paul Hazendonk’s Manual Music, he’s steadily making a mark with his signature deep and groovy take on the genre. What sets Night Breeze apart is his ability to infuse warmth and groove into the often ethereal world of Melodic House. His productions strike a perfect balance—energetic enough for club play yet emotionally rich enough for home listening. His latest release, Out Of My Mind, recently landed on Where The Heart Is and showcases his evolving sound. The track blends soulful and indie elements, with emotional vocals soaring over dreamy synths and a refined yet powerful bassline. The result is a house cut that feels both uplifting and immersive, delivering a groove that works just as well on a dance floor as it does in headphones. Out Of My Mind is a testament to Night Breeze’s talent for crafting melodies that stick with you. The track flows effortlessly between deep, atmospheric sections and rhythmic, club-ready moments, making it a standout addition to his growing discography. As he continues to refine his sound and release on influential labels, Night Breeze is shaping up to be a key figure in modern Melodic House. If you haven’t already, now is the time to dive into his catalogue—his blend of emotive synths and infectious grooves is not to be missed. Listen to ‘Out Of My Mind’ now and stay tuned for more from Night Breeze.

UMEK UMEK returns to his hardgroove roots with the return of his alias, Polyvinyl. He is also launching a new record label, 1605 GrooveSector, that will focus on hardgroove and raw techno. Based in Slovenia, UMEK has a career stretching back to the '90s where he was one of the artists that pioneered and established the original hardgroove movement. His classic Recycled Loops project released many seminal tracks that helped define what is now called hardgroove. Throughout his three-decade career, UMEK's sound has evolved to keep up with current trends, and he has remained relevant as one of techno's most influential artists. Bringing back the Polyvinyl moniker takes his career full-circle, and he is once again embracing the improvised production style that first gained him global attention. Polyvinyl combines the hypnotic machine funk of modulating synth lines with raw percussion loops that bring a tribal energy to the fast-paced grooves. Timeless, exhilarating, and revitalising, are all ways to describe the raw style of this masterfully produced techno release. "Mechanically Intensive" opens the release with filtered percussion layered over a rolling bassline. The track unfolds with the introduction of jerking synth stabs that lift the energy of the offbeats, and the breakdown is augmented by a tense string pad. "Da Flute" has a loose swing to the upbeat tempo of the groove, which is powered by shuffling percussion rhythms. The breakdowns introduce an exotic synth melody that has subtle Arabic influence, and this adds to the hot and humid vibe of the hypnotic groove. Buy a copy HERE.

Max Chapman Max Chapman launches a new record label, Hush Music, with an immersive tech house release that has deep pads, soulful tones, and hints of funk. Both of the two-tracks on the release are by Max Chapman, who is not only a skilled producer, but also an accomplished DJ that has played headline shows across the globe. He is a regular at Ibiza venues like DC-10, and has played the main stages of festivals ranging from BPM Festival (Costa Rica) to Mysteryland (Holland). When it comes to producing music, Max Chapman is a UK born artist who has built up an impressive catalogue including music on highly influential record labels such as Sola, Kaluki Musik, Saved Records, Toolroom, Snatch!, Relief, Hot Creations, and elrow Music. Talking about Hush Music and his new release, Max Chapman said: "I'm super excited and very honoured to be asked to create the first release for Hush, and I was flattered when the label owner asked me. My EP is a typical package containing a rolling house track (the kids call it minimal) and a staple tech house track in my trademark style." Opening the release is the title track, "Right About Now," which has chunky percussion sequenced into shuffling rhythms underpinned by a rolling bassline. Lush chords and soulful vocal phrases give the track a timeless sound, and the breakdown is signified with a spoken word sample talking about the value of music. "You Know" is the second track on the release, and it lifts the energy with an upbeat groove driven by a funk-fuelled bassline. It's a techy track with warping synths creating a trippy atmosphere, while sassy vocals give the track a boisterous mood. It's a hedonistic track that's ideal for peak time moments on the dance floor. Get a copy HERE.

Boundary Brighton Festival returns to Stanmer Park on Saturday 27th September and kicks off a new era. It’s back to bass as Boundary returns to its musical roots - drum & bass, UK rap, garage, jungle, bass, grime, and more. Brighton’s biggest electronic music festival will sound fresh and look it too with a brand new site and stage layout. The Phase One line up announcement is a statement of intent with showstopping headliners, Giggs, Andy C, and Shy FX, alongside massive names like Camo & Krooked B2B Mefjus, Badger, D Double E, High Contrast, Girls Don’t Sync, Clipz, 4AM Kru, Bakey, Fabio & Grooverider and loads more. Tickets are on pre-sale 4th March starting at just £30 + b/f from www.boundarybrighton.com. Over 10 years Boundary Brighton has grown to become a nationally recognised festival where thousands of party people mark the end of festival season with an epic celebration of electronic music. Now, Boundary is evolving, bringing a new vibe while losing none of its sense of community, creativity, and passion for raving. With a new location in Stanmer Park, more stages (and top-tier stage partners), this is a new energy and reimagined Boundary experience. As Boundary steps up to the next level, the Phase One announcement delivers a line up to match. Giggs steps up to the Boundary stage for a headline slot. The UK rap superstar has done it all; MOBO award winner, platinum record seller, Drake collaborator - few artists have done as much to put a scene on the map. Giggs at Boundary is going to be special. Also headlining is Andy C. When you talk about bass you have to talk about ‘the executioner’, another genre-defining artist 100% proven to tear up any stage whether he’s selling out Wembley Arena or packing out an underground residency at XOYO. This set will be absolutely huge! Shy FX also tops the bill and could be nowhere else. Since breaking through 25 years ago with ragga jungle anthem ‘Original Nuttah’ with UK Apache, Shy FX has been a mainstay of jungle and drum & bass. He’s produced and remixed for Dizzee Rascal, Kano, Chase & Status - the list goes on. Shy FX on the decks will never disappoint. Everywhere you look on this Phase One announcement there is proven talent. Highly respected duo Camo & Krooked go B2B with longtime collaborator Mefjus which is sure to deliver some D&B fire. Badger is unmissable with his unique, pumped-up, party garage, while D Double E will bring the slickest grime flows. Original junglist Clipz has made a welcome return to the scene and lands at Boundary after conquering all corners of the dance music circuit under his Redlight alias. High Contrast has been at the top table of D&B for over two decades - he’ll get Boundary bouncing with uplifting summer grooves. Girls Don’t Sync bring a box of garage bangers wherever they go and just keep getting bigger, much like 4AM Kru whose high-energy, bass-heavy rave spawned a massive album last year. The shouts will go up for Bakey from the Boundary aficionados when he takes to the decks with his credible take on UKG. There will be no escaping quality tunes and big performances with artists also announced today including Amplify, Break & GQ, Champion, DJ Jackum, Emily Makis, Fabio & Grooverider & SP:MC, Mandidextrous & Maddy V, P Money & Whiney, and Simula. More evidence of the new era of bass and vibes at Boundary Brighton Festival this year is found with the announcement of this year’s stage partners - a mix of the biggest names in bass and renowned local heroes. Boundary festivalgoers will be spoilt for choice with stages from UKF, Hospitality, Fingerlickin’ Records, Patterns, Volks, and In The Wild. Boundary Brighton is shaking things up as the festival heads to new levels in 2025. With a new location in Stanmer Park and a fresh new focus, this is Boundary 2.0 and the bass is about to drop.